The Money Master, Complete. Gilbert Parker

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The Money Master, Complete - Gilbert Parker

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and yet so distant in its luxury, that imposture was out of the question.

      Ah, but Jean Jacques was a champion worth while! He did nothing by halves. He was of the breed of men who grow more intense, more convinced, more thorough, as they talk. One adjective begets another, one warm allusion gives birth to a warmer, one flashing impulse evokes a brighter confidence, till the atmosphere is flaming with conviction. If Jean Jacques started with faint doubt regarding anything, and allowed himself betimes the flush of a declaration of belief, there could be but one end. He gathered fire as he moved, impulse expanded into momentum, and momentum became an Ariel fleeing before the dark. He would start by offering a finger to be pricked, and would end by presenting his own head on a charger. He was of those who hypnotize themselves, who glow with self-creation, who flower and bloom without pollen.

      His rejection of the captain’s confidence even had a dignity. He took out his watch which represented so many laborious hours of other Barbilles, and with a decision in which the strong pulse of chivalry was beating hard, he said:

      “I can never speak well till I have ate. That is my hobby. Well, so it is. And I like good company. So that is why I sit beside Senor and Senorita Dolores at table—the one on the right, the other on the left, myself between, like this, like that. It is dinner-time now here, and my friends—my dear friends of Cadiz—they wait me. Have you heard the Senorita sing the song of Spain, m’sieu’? What it must be with the guitar, I know not; but with voice alone it is ravishing. I have learned it also. The Senorita has taught me. It is a song of Aragon. It is sung in high places. It belongs to the nobility. Ah, then, you have not heard it—but it is not too late! The Senorita, the unhappy ma’m’selle, driven from her ancestral home by persecution, she will sing it to you as she has sung it to me. It is your due. You are the master of the ship. But, yes, she shall of her kindness and of her grace sing it to you. You do not know how it runs? Well, it is like this—listen and tell me if it does not speak of things that belong to the old regime, the ancient noblesse—listen, m’sieu’ le captainne, how it runs:

      “Have you not heard of mad Murcie?

       Granada gay and And’lousie?

       There’s where you’ll see the joyous rout,

       When patios pour their beauties out;

       Come, children, come, the night gains fast,

       And Time’s a jade too fair to last.

       My flower of Spain, my Juanetta,

       Away, away to gay Jota!

       Come forth, my sweet, away, my queen,

       Though daybreak scorns, the night’s between.

       The Fete’s afoot—ah! ah! ah! ah!

       De la Jota Ar’gonesa.

       Ah! ah! ah! ah! ah! ah! ah! ah!

       De la Jota Ar’gonesa.”

      Before he had finished, the captain was more than ready to go, for he had no patience with such credulity, simplicity and sentimentalism. He was Basque, and to be Basque is to lack sentiment and feel none, to play ever for the safe thing, to get without giving, and to mind your own business. It had only been an excessive sense of duty which had made the captain move in this, for he liked Jean Jacques as everyone aboard his Antoine did; and he was convinced that the Spaniards would play the “Seigneur” to the brink of disaster at least, though it would have been hard to detect any element of intrigue or coquetry in Carmen Dolores.

      That was due partly to the fact that she was still in grief for her Gonzales, whose heart had been perforated by almost as many bullets as the arrows of Cupid had perforated it in his short, gay life of adventure and anarchy; also partly because there was no coquetry needed to interest Jean Jacques. If he was interested it was not necessary to interest anyone else, nor was it expedient to do so, for the biggest fish in the net on the Antoine was the money-master of St. Saviour’s.

      Carmen had made up her mind from the first to marry Jean Jacques, and she deported herself accordingly—with modesty, circumspection and skill. It would be the easiest way out of all their difficulties. Since her heart, such as it was, fluttered, a mournful ghost, over the Place d’Armes, where her Gonzales was shot, it might better go to Jean Jacques than anyone else; for he was a man of parts, of money, and of looks, and she loved these all; and to her credit she loved his looks better than all the rest. She had no real cupidity, and she was not greatly enamoured of brains. She had some real philosophy of life learned in a hard school; and it was infinitely better founded than the smattering of conventional philosophy got by Jean Jacques from his compendium picked up on the quay at Quebec.

      Yet Jean Jacques’ cruiser of life was not wholly unarmed. From his Norman forebears he had, beneath all, a shrewdness and an elementary alertness not submerged by his vain, kind nature. He was quite a good business man, and had proved himself so before his father died—very quick to see a chance, and even quicker to see where the distant, sharp corners in the road were; though not so quick to see the pitfalls, for his head was ever in the air. And here on the Antoine, there crossed his mind often the vision of Carmen Dolores and himself in the parish of St. Saviour’s, with the daily life of the Beau Cheval revolving about him. Flashes of danger warned him now and then, just at the beginning of the journey, as it were; just before he had found it necessary to become her champion against the captain and his calumnies; but they were of the instant only. But champion as he became, and worshipping as his manner seemed, it all might easily have been put down to a warm, chivalrous, and spontaneous nature, which had not been bitted or bridled, and he might have landed at Quebec without committing himself, were it not for the fact that he was not to land at Quebec.

      That was the fact which controlled his destiny. He had spent many, many hours with the Dona Dolores, talking, talking, as he loved to talk, and only saving himself from the betise of boring her by the fact that his enthusiasm had in it so fresh a quality, and because he was so like her Gonzales that she could always endure him. Besides, quick of intelligence as she was, she was by nature more material than she looked, and there was certainly something physically attractive in him—some curious magnetism. She had a well of sensuousness which might one day become sensuality; she had a richness of feeling and a contour in harmony with it, which might expand into voluptuousness, if given too much sun, or if untamed by the normal restraints of a happy married life. There was an earthquake zone in her being which might shake down the whole structure of her existence. She was unsafe, not because she was deceiving Jean Jacques now as to her origin and as to her feelings for him; she was unsafe because of the natural strain of the light of love in her, joined to a passion for comfort and warmth and to a natural self-indulgence. She was determined to make Jean Jacques offer himself before they landed at Quebec.

      But they did not land at Quebec.

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      The journey wore on to the coast of Canada. Gaspe was not far off when, still held back by the constitutional tendency of the Norman not to close a bargain till compelled to do so, Jean Jacques sat with Carmen far forward on the deck, where the groaning Antoine broke the waters into sullen foam. There they silently watched the sunset, golden, purple and splendid—and ominous, as the captain knew.

      “Look, the end of life—like that!” said Jean Jacques oratorically with a wave of the hand towards the prismatic radiance.

      “All

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