hitherto known — or rather correctly divined — only by the instinct of the artist. His heart began instinctively throbbing with a yearning for love and sympathy. He looked more attentively at the people who passed by him; but they were strangers, preoccupied and absorbed in thought, and by degrees Ordynov’s careless lightheartedness began unconsciously to pass away; reality began to weigh upon him, and to inspire in him a sort of unconscious dread and awe. He began to be weary from the surfeit of new impressions, like an invalid who for the first time joyfully gets up from his sick bed, and sinks down giddy and stupefied by the movement and exhausted by the light, the glare, the whirl of life, the noise and medley of colours in the crowd that flutters by him. He began to feel dejected and miserable, he began to be full of dread for his whole life, for his work, and even for the future. A new idea destroyed his peace. A thought suddenly occurred to him that all his life he had been solitary and no one had loved him — and, indeed, he had succeeded in loving no one either. Some of the passersby, with whom he had chanced to enter into conversation at the beginning of his walk, had looked at him rudely and strangely. He saw that they took him for a madman or a very original, eccentric fellow, which was, indeed, perfectly correct. He remembered that everyone was always somewhat ill at ease in his presence, that even in his childhood everyone had avoided him on account of his dreamy, obstinate character, that sympathy for people had always been difficult and oppressive to him, and had been unnoticed by others, for though it existed in him there was no moral equality perceptible in it, a fact which had worried him even as a child, when he was utterly unlike other children of his own age. Now he remembered and reflected that always, at all times, he had been left out and passed over by everyone.
Without noticing it, he had come into an end of Petersburg remote from the centre of the town. Dining after a fashion in a solitary restaurant, he went out to wander about again. Again he passed through many streets and squares. After them stretched long fences, grey and yellow; he began to come across quite dilapidated little cottages, instead of wealthy houses, and mingled with them colossal factories, monstrous, soot-begrimed, red buildings, with long chimneys. All round it was deserted and desolate, everything looked grim and forbidding, so at least it seemed to Ordynov. It was by now evening. He came out of a long side-street into a square where there stood a parish church.
He went into it without thinking. The service was just over, the church was almost empty, only two old women were kneeling near the entrance. The verger, a grey-headed old man, was putting out the candles. The rays of the setting sun were streaming down from above through a narrow window in the cupola and flooding one of the chapels with a sea of brilliant light, but it grew fainter and fainter, and the blacker the darkness that gathered under the vaulted roof, the more brilliantly glittered in places the gilt ikons, reflecting the flickering glow of the lamps and the lights. In an access of profound depression and some stifled feeling Ordynov leaned against the wall in the darkest corner of the church, and for an instant sank into forgetfulness. He came to himself when the even, hollow sound of the footsteps of two persons resounded in the building. He raised his eyes and an indescribable curiosity took possession of him at the sight of the two advancing figures. They were an old man and a young woman. The old man was tall, still upright and hale-looking, but thin and of a sickly pallor. From his appearance he might have been taken for a merchant from some distant province. He was wearing a long black full-skirted coat trimmed with fur, evidently a holiday dress, and he wore it unbuttoned; under it could be seen some other long-skirted Russian garment, buttoned closely from top to bottom. His bare neck was covered with a bright red handkerchief carelessly knotted; in his hands he held a fur cap. His thin, long, grizzled beard fell down to his chest, and fiery, feverishly glowing eyes flashed a haughty, prolonged stare from under his frowning, overhanging brows. The woman was about twenty and wonderfully beautiful. She wore a splendid blue, fur-trimmed jacket, and her head was covered with a white satin kerchief tied under her chin. She walked with her eyes cast down, and a sort of melancholy dignity pervaded her whole figure and was vividly and mournfully reflected in the sweet contours of the childishly soft, mild lines of her face. There was something strange in this surprising couple.
The old man stood still in the middle of the church, and bowed to all the four points of the compass, though the church was quite empty; his companion did the same. Then he took her by the hand and led her up to the big ikon of the Virgin, to whom the church was dedicated. It was shining on the altar, with the dazzling light of the candles reflected on the gold and precious stones of the setting. The church verger, the last one remaining in the church, bowed respectfully to the old man; the latter nodded to him. The woman fell on her face, before the ikon. The old man took the hem of the veil that hung at the pedestal of the ikon and covered her head.
A muffled sob echoed through the church.
Ordynov was impressed by the solemnity of this scene and waited in impatience for its conclusion. Two minutes later the woman raised her head and again the bright light of the lamp fell on her charming face. Ordynov started and took a step forward. She had already given her hand to the old man and they both walked quietly out of the church. Tears were welling up from her dark blue eyes under the long eyelashes that glistened against the milky pallor of her face, and were rolling down her pale cheeks. There was a glimpse of a smile on her lips; but there were traces in her face of some childlike fear and mysterious horror. She pressed timidly close to the old man and it could be seen that she was trembling from emotion.
Overwhelmed, tormented by a sweet and persistent feeling that was novel to him, Ordynov followed them quickly and overtook them in the church porch. The old man looked at him with unfriendly churlishness; she glanced at him, too, but absentmindedly, without curiosity, as though her mind were absorbed by some faraway thought. Ordynov followed them without understanding his own action. By now it had grown quite dark; he followed at a little distance. The old man and the young woman turned into a long, wide, dirty street full of hucksters’ booths, com chandlers’ shops and taverns, leading straight to the city gates, and turned from it into a long narrow lane, with long fences on each side of it, running alongside the huge, blackened wall of a four-storeyed block of buildings, by the gates of which one could pass into another street also big and crowded. They were approaching the house; suddenly the old man turned round and looked with impatience at Ordynov. The young man stood still as though he had been shot; he felt himself how strange his impulsive conduct was. The old man looked round once more, as though he wanted to assure himself that his menacing gaze had produced its effect, and then the two of them, he and the young woman, went in at the narrow gate of the courtyard. Ordynov turned back.
He was in the most discontented humour and was vexed with himself, reflecting that he had wasted his day, that he had tired himself for nothing, and had ended foolishly by magnifying into an adventure an incident that was absolutely ordinary.
However severe he had been with himself in the morning for his recluse habits, yet it was instinctive with him to shun anything that might distract him, impress and shock him in his external, not in his internal, artistic worlds Now he thought mournfully and regretfully of his sheltered corner; then he was overcome by depression and anxiety about his unsettled position and the exertions before him. At last, exhausted and incapable of putting two ideas together, he made his way late at night to his lodging and realised with amazement that he had been about to pass the house in which he lived. Dumbfounded, he shook his head, and put down his absentmindedness to fatigue and, going up the stairs, at last reached his garret under the roof. There he lighted a candle — and a minute later the image of the weeping woman rose vividly before his imagination. So glowing, so intense was the impression, so longingly did his heart reproduce those mild, gentle features, quivering with mysterious emotion and horror, and bathed in tears of ecstasy or childish penitence, that there was a mist before his eyes and a thrill of fire seemed to run through all his limbs. But the vision did not last long. After enthusiasm, after ecstasy came reflection, then vexation, then impotent anger; without undressing he threw himself on his hard bed…
Ordynov woke up rather late in the morning, in a nervous, timid and oppressed state of mind. He hurriedly got ready, almost forcing himself to concentrate his mind on the practical problems before him, and set off in the opposite direction from that
