Love of Brothers. Katharine Tynan

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Love of Brothers - Katharine Tynan

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      He was trying to get close to the mare, she being restive. Suddenly she uttered a joyous whinny and started off down the field, the little foal at her heels, the long manes of both flying in the wind.

      "She knows her Ladyship has sugar for her. An' there's Miss Eileen. I never knew a young lady as much afraid of a horse as Miss Eileen. You should tache her better, Master Terry."

      They stood by a gate to look at the horses which at a little distance beyond a small enclosure hung their long sleek noses across a five-foot paling. The points of the horses had to be discussed. Patsy had quite forgotten his fatigue. He opened the gate and they crossed the narrow strip between that and the paling. A second gate was opened and they passed through.

      While they were looking at the horses they were joined by Lady O'Gara and Miss Creagh, the latter, a delicately fair girl with a mass of fine golden hair caught up with many hairpins a-top of her small head, keeping close to Lady O'Gara.

      Lady O'Gara was laughing. Her husband sometimes called her the Laughing Goddess. She had two aspects to her beauty—one when she was soft and motherly, the other when she rallied those she loved and sparkled with merriment. Her still beautiful copper-coloured hair had hardly a white thread in it. She was very charming to look at in her matronly beauty.

      "I've had to defend poor Eileen from the mares," she said. "They were impudent, crowding around me for sugar and sticking their noses in my pocket. Magda and Brunette nearly came to blows. I had to push them off with my whip. Poor Eileen!"

      "I'm so sorry you were frightened," Terry O'Gara said, drawing a little nearer to the girl and looking into her blue eyes.

      The others had gone on.

      "You won't be afraid with me," said the boy, who had just passed out of Sandhurst; and was feeling immensely proud of his commission and his sword and all they betokened, although he talked lazily about "cutlery" and the pleasure of getting into mufti, making his mother's eyes dance.

      "If you like, we will keep behind," he said. "If you are not accustomed to it, it is rather alarming to be caught into a herd of horses. My mother is so used to them that she cannot imagine any one being afraid."

      The horses were coming in a long string from the other end of the paddock, whinnying and neighing, shaking the ground as they came. The girl drew back towards the hedge.

      "It's only rough love," the boy said. "Patsy Kenny can do anything with the horses. They quarrel if he takes more notice of one than another."

      "They won't hurt your mother?" the girl said anxiously. "There she is in the midst of them. Is it safe?"

      "Quite safe. Nothing will happen to Mother while Father and Patsy

       Kenny are there. What a frightened child you are!"

      Miss Creagh's soft red mouth widened into a smile which had amusement in it. She was six years older than the boy who called her a frightened child. The smile was gone before he could see it.

      "I'm afraid I'm rather a coward," she said meekly. "Father has always said that it was absurd for a soldier's daughter to be alarmed of so many things."

      Terry O'Gara thought at the moment that it was the most beautiful and appealing thing in the world for a girl to be frightened of many things, when the girl happened to be as pretty as Eileen Creagh, and he was the valiant youth who was to protect her from her terrors. Although he liked the feeling of protecting her he fell in with her suggestion that they should go back and talk to the foals. Miss Creagh was certainly a coward, for she cried out when a horse showed any evidence of friendliness; but when Terry suggested that they should go to the garden and look for strawberries she did not fall in with the suggestion.

      "Let us wait for your mother here," she said, having gained the safe shelter of the space between the palings and the gate. "You are sure she is quite safe? Just look at her among those wild horses! There couldn't be … an accident?"

      He laughed at her terrors.

      "Mother was born in a stable, so to speak," he said. "She has a way with the horses. But how fond you are of her! I am so grateful to you for appreciating my mother as she deserves."

      "She is an angel," said the girl fervently.

      "Well, I think so." He laughed rather shyly. "It would not be easy for a boy to have better parents. Father is quite unlike Mother, of course … but … I have a tremendous admiration for him, all the same. I'll tell you a secret. I believe up to this time I have wanted more than anything else to please my father. When I had to work for exams. I hated, or any stunt of that kind, when I—oh, I oughtn't to be talking about myself. It isn't that I love Mother less, but Mother is so happy. She would always find something good in my failures. But—to see Father's face light up … !"

      "He looks rather sad," Miss Creagh said wistfully.

      "Yes, though he can be uncommonly jolly. We have had such rags together in London. Why, here is Shot." He stooped to fondle the head of a beautiful red setter. "He must have got shut up in the garden. What I can't understand about Shot is his indifference to you."

      "He knows that in my secret heart I'm afraid of dogs—a dreadful admission, isn't it? I think it was our old nurse. I can always remember her driving a dog out of the nursery. 'Nasty thing!' she used to say. 'You shall not come near my baby.' I suppose I got the idea quite in babyhood that a dog was something noxious. Not that the others minded. The house was always full of dogs."

      "Oh, you'll get over that. Won't she, Shot? Do you think his hair and eyes are like my Mother's?"

      "Like?" Miss Creagh was puzzled. "Oh, surely not! How could a dog's hair and eyes be like a person's. Your beautiful mother! It seems such an odd comparison."

      "Oh, well—Shot is beautiful too."

      Despite his infatuation Terry felt a little disappointed in Miss Creagh.

      Sir Shawn and Lady O'Gara had gone on into the next paddock, which belonged to the young mares. There was a momentary excitement. One of the horses had got through after them and was racing up and down between the hurdles whinnying loudly. By the time he was secured and put back in his proper quarters the young people were out of sight.

       Table of Contents

      PATSY REMEMBERS

      "Shot's a good dog," Patsy Kenny was wont to observe in his slow way, "an' his father before him was a good dog. Yet I wouldn't be sayin' but what ould Shot, the grandfather, wasn't the pick o' the basket."

      Old Shot had lived for five years after Sir Shawn O'Gara's marriage to Mary Creagh, which had sorely offended and alienated Mrs. Comerford, who had brought up the girl from childhood and loved her like a daughter. When he had died it was by Lady O'Gara's wish that the dog was buried in the grass-plot just outside the drawing-room window. She could see the mound from the window recess, where she sat to write her letters, in which she kept her work-table, the book she was reading, and various other belongings; she had screened it off so that the deep recess was like a little room to itself.

      "When I look

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