Love of Brothers. Katharine Tynan

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Love of Brothers - Katharine Tynan

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was quite a thriving shop, divided into two parts—one, general store, the other public. If you were a person of importance and called at Conneely's for refreshment you had it in "the drawing-room" upstairs, where the Misses Conneely's drawings in chalk hung on the walls, and their photographs adorned the chimney-piece, while their school prizes were arranged neatly on the round table in the middle of the room, flanking the wax flowers under a glass shade which made the centre piece.

      The Miss Conneelys had done well in the Intermediate. Their elder brother was a priest. Father Tom's photograph was in the centre of the chimney-piece a-top of the clock. They could play the piano and violin and had fortunes when the time came for them to marry. Their mother would never have permitted them to serve in the bar nor even behind the drapery counter. They were black-haired, rosy, buxom girls, who set the fashions in Killesky. There had been a sensation when Nora Conneely came back from Dublin with a walking-stick, but after an amazed pause Killesky—the young ladies of it—broke out in walking-sticks.

      There was enough positive about the Conneelys, the priest, the prosperous self-satisfied girls, the managing capable mother, to make people feel that there had always been Conneely's Hotel in Killesky. If the old people remembered Julia Dowd's little public-house with its thatched roof, the low ceiling and the fire of turf to which you could draw a chair while you had your drink, the little parlour beyond which was reserved for customers of a superior station, they did not talk about it.

      Inch too was shut up. Mrs. Comerford had gone away after Mary Creagh's engagement to Sir Shawn O'Gara. She had taken it very ill—as a slur to her dead son's memory. She had always been an austere, somewhat severe woman, but she had taken Mary Creagh from her dying mother's arms, a child of a few weeks old, had reared her as her own and been tender to her, with the surprising precious tenderness of a reserved, apparently cold nature. Mrs. Comerford had gone to Italy and had never since returned. Perhaps she would never come now, although the place was kept from going to rack and ruin by James Clinch, the butler, and Mrs. Clinch, who had been cook and had married the butler after Mrs. Comerford had gone away.

      All these things came back to Patsy Kenny in his solitary hours. He was very fond of sitting on a log or a stone between his strenuous working times, going over old days in his mind.

      This June afternoon, rather wearied still by his struggle with Mustapha, he was sitting on a block in front of his little house in the stable-yard. Judy, a half-bred setter—the names of the animals at Castle Talbot were hereditary—was lying at his feet. The pigeons were pecking about him daintily. Only Judy's watchful, jealous eye prevented their flying on to his knee or his shoulder.

      The memories unfolded themselves like the scenes of a cinematograph, slipping past his mind. He remembered Bridyeen Sweeney, whose delicate beauty used to draw the gentlemen to Dowd's long ago. He contrasted her in his mind with Nora Conneely whom he had met that morning as he went to the post-office, wearing what he had heard called a Merry Widow hat, and a tight skirt, displaying open-work stockings and high-heeled shoes, a string of pearls about a neck generously displayed by the low blouse she was wearing, her right hand twirling the famous walking-stick.

      "I dunno what at all came to Bridyeen," he murmured to himself. "She was as pretty as a picture—like a little rose she was, and so modest in all her ways. Even my grandfather used to say there was nothing against Bridyeen. I wouldn't have thought it of Mr. Terence either that he'd be tryin' to turn the little girl's head and he the Mistress's cousin an' they as good as promised. I only hope Master Terence had time to repent, if the stories were true itself that the people told. Sure maybe there was nothin' in it."

      He had perhaps dozed off. He came awake suddenly to Judy's snarling. Judy never gave the alarm for nothing. A man had come into the stable-yard, quite obviously a tramp. Behind him came a woman and a child of the same fraternity. The woman stood humbly in the wake of the man, and the boy kept close to her. The man was a bad-looking fellow, Patsy said to himself. Half-consciously he noticed the man's hands, wicked-looking hands, covered with hair, the nails stubby and broken. The long arms were like the arms of a monkey. His tattered coat was velveteen. Patsy remembered to have seen the material on the game-keepers of a big estate in the next county.

      "'Ullo, matey," said this uninviting person, with an attempt at jocularity. "'Ave you anythink to give a poor man out of a job?"

      The truculent voice, with its attempt at oiliness, the small red eyes under the shock of hair, the thick purple lips, had an extraordinary effect on Patsy. He hated the tramp, yet he felt a queer sick fear of him. Once, when Sir Shawn had taken him to England for a big race, he had seen a dog destroy an adder, with the same mixture of half-terrified rage and loathing he was feeling now.

      "There's nothing for you here," he said gruffly. "You don't look as if you had much taste for work."

      Then he looked beyond the tramp to the woman and child. She was decent, the poor creature, he thought. Her poor rags were clean and mended. She had a shrinking, suffering air. The boy, who was about nine years old, seemed to cling to her as though in terror of the burly ruffian. He was pale and thin and even on this beautiful June day he looked cold.

      Patsy was suddenly gentle. He saw the glare in the tramp's eyes.

      "Here's a shillin' for you," he said. "I've no job you'd care about.

       But the woman and the child might like a cup of tay."

      "All right," said the tramp, placated. "Tea's not in my way. I'll be back in 'arf a mo'. Don't you be makin' love to my ol' woman."

      He flicked his thumb and finger at the woman with an ugly jocularity: then went, with the tramp's shambling trot, out of the stable-yard the way he had come, down the back avenue which opened on to the road to Killesky.

       Table of Contents

      A TEA PARTY

      "I've seen that man of yours before," said Patsy, turning round and gazing at the woman.

      He felt the most extraordinary pity for her. She must have been a pretty girl once, he thought, noticing the small pure outlines of the face. The child was like her, not like the ruffian who had just set off in the direction of Conneely's Hotel. A pretty boy, with soft, pale silken hair and blue eyes that looked scared. Patsy remembered his own childhood with the terrible old grandfather, and his heart was soft with compassion.

      "I don't think so, sir," said the woman. She was English by her voice.

       "He hasn't been in these parts before."

      Patsy noticed with the same sharp pity which seemed to hurt him, that she trembled. She was tired and hungry, perhaps; not cold, surely, in this glorious June sunshine.

      "Sit down," he said, "sit down." He indicated a stone seat by the open door of the house. "You are tired, my poor girl. I've put the kettle on. It'll be boilin' by this time. I'll wet the cup of tay and it'll do you good."

      There was no one in the stable-yard to observe the strange sight of the stud-groom giving a meal to the tramping woman and her child. He brought out a little cloth and spread it on the stone seat. Then he fetched the cups and saucers, one by one.

      "Let me help you, sir," said the woman. "I was a servant in a good house before I had the misfortune to marry."

      There had been some strange delicacy in Patsy's mind which had induced him to have the outdoor

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