Essays in Literature and History. James Anthony Froude

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in a possibility of miracle there is no conceivable position. He will have it (on p. 216) that a modern doctor always regards a "vision" as an hallucination. On p. 217 he denies by implication the stigmata of St. Francis—and so forth—one might multiply the instances indefinitely. All Froude's works are full of them, they are part and parcel of his method—but their number is to no purport. One example may stand for all, and their special value to our purpose is not that they are mere assertions, but that they are assertions which Froude must have known to be personal, disputable, and dogmatic.

      He knew very well that the vast majority of mankind accepted the virtue of relics, that intellects the equals of his own rejected that determinism to which he was bound, and that the Pagan world might be presented in a fashion very different from his own. And in that perpetual—often gratuitous—affirmation you have no sign of limitation in him but rather of eagerness for battle.

      It is an admirable fault or perhaps no fault at all, or if a fault an appendage to the most considerable virtue a writer of his day could have had: the virtue of courage.

      See how he thrusts when he comes to lay down the law, not upon what the narrow experience of readers understands and agrees with him about, but upon some matter which he knows them to have decided in a manner opposed to his own. See how definite, how downright, and how clean are the sentences in which he asserts that Christianity is Catholic or nothing:—

      " … This was the body of death which philosophy detected but could not explain, and from which Catholicism now came forward with its magnificent promise of deliverance.

      "The carnal doctrine of the sacraments, which they are compelled to acknowledge to have been taught as fully in the early Church as it is now taught by the Roman Catholics, has long been the stumbling-block to Protestants. It was the very essence of Christianity itself. Unless the body could be purified, the soul could not be saved; or, rather, as from the beginning, soul and flesh were one man and inseparable, without his flesh, man was lost, or would cease to be. But the natural organization of the flesh was infected, and unless organization could begin again from a new original, no pure material substance could exist at all. He, therefore, by whom God had first made the world, entered into the womb of the Virgin in the form (so to speak) of a new organic cell, and around it, through the virtue of His creative energy, a material body grew again of the substance of His mother, pure of taint and clean as the first body of the first man when it passed out under His hand in the beginning of all things."

      Throughout his essay on the Philosophy of Christianity, where he was maintaining a thesis odious to the majority of his readers, he rings as hard as ever. The philosophy of Christianity is frankly declared to be Catholicism and Catholicism alone; the truth of Christianity is denied. It is called a thing "worn and old" even in Luther's time (upon page 194), and he definitely prophesies a period when "our posterity" shall learn "to despise the miserable fabric which Luther stitched together out of its tatters."

      His judgments are short, violent, compressed. They are not the judgments of balance. They are final not as a goal reached is final, but as a death-wound delivered. He throws out sentences which all the world can see to be insufficient and thin, but whose sharpness is the sharpness of conviction and of a striving determination to achieve conviction in others—or if he fails in that, at least to leave an enemy smarting. Everywhere you have up and down his prose those short parentheses, those side sentences, which are strokes of offence. Thus on page 199, "We hear—or we used to hear when the High Church party were more formidable than they are," &c.; or again, on page 210, "The Bishop of Natal" (Colenso) has done such and such things, "coupled with certain arithmetical calculations far which he has a special aptitude." There are dozens of these in every book he wrote. They wounded, and were intended to wound.

      His intellect may therefore be compared, as I have compared it, to an instrument or a weapon of steel, to a chisel or a sword. It was hard, polished, keen, stronger than what it bit into, and of its nature enduring. This was the first of the characters that gave him his secure place in English letters.

      The second is his universality—the word is not over-exact, but I can find no other. I mean that Froude was the exact opposite of the sciolist and was even other than the student. He was kneaded right into his own time and his own people. The arena in which he fought was small, the ideas he combated were few. He was not universal as those are universal who appeal to any man in any country. But he was eager upon these problems which his contemporaries wrangled over. He was in tune with, even when he directly opposed, the class from which he sprang, the mass of well-to-do Protestant Englishmen of Queen Victoria's reign. Their furniture had nothing shocking for him nor their steel engravings. He took for granted their probity, their common sense, and their reading. He knew what they were thinking about and therefore all he did to praise or blame their convictions, to soothe or to exasperate them, told. He could see the target.

      Perpetually this looking at the world from the standpoint of the men around him makes him say things that irritate more particular and more acute minds than his own, but I will maintain that in his case the fault was a necessary fault and went with a power which permitted him to achieve the sympathy which he did achieve. He talks of the "Celt" and the "Saxon," and ascribes what he calls "our failures in Ireland" to the "incongruity of character" between these two imaginaries. He takes it for granted that "we are something which divides us from mediaeval Christianity by an impassable gulf." When he speaks of asceticism he must quote "the hair shirt of Thomas a Becket." If he is speaking of Oxford undergraduates one has "pleasant faces, cheerful voices, and animal spirits," and at the end of the fine but partial essay on Spinoza we have six lines which might come bodily from a leader in the Daily Telegraph, or from any copy of the Spectator picked up at random.

      These are grave faults, but, I repeat, they are the faults of those great qualities which gave him his position.

      And side by side with such faults go an exceptional lucidity, a good order within the paragraph and in the succession of the paragraphs. A choice of subject suited to his audience, an excision of that which would have bored or bewildered it, a vividness of description wherewith to amuse and a directness of conclusion wherewith to arrest his readers—all these he had, beyond perhaps any of his contemporaries.

      Occasionally that brotherhood in him leads him to faults more serious. You get gross commonplace and utterly false commonplace, of which when he came back to them (if indeed he was a man who read his own works) he must have been ashamed:—

      "Persecutions come, and martyrdoms, and religious wars; and, at last, the old faith, like the phoenix, expires upon its altar, and the new rises out of the ashes.

      "Such, in briefest outline, has been the history of religions, natural and moral."

      Or again, of poor old Oxford:—

      "The increase of knowledge, and consequently of morality, is the great aim of such a noble establishment as this; and the rewards and honours dispensed there are bestowed in proportion to the industry and good conduct of those who receive them."

      But the interesting point about these very lapses is that they remain purely exceptional. They do not affect either the tone of his writing or the value and intricacy of his argument. They may be compared to those undignified and valueless chips of conversational English that pop up in the best rhetoric if it be the rhetoric of an enthusiastic and wide man.

      While, however, one is in the mood of criticism it is not unjust to show what other lapses in him are connected with this common sympathy of his and this very comprehension of his class to which he owed his opportunity and his effect.

      Thus he is either so careless or so hurried as to use—much too commonly—words which have lost all vitality, and which are for the most part meaningless, but which go the rounds still like shining flat sixpences worn smooth. The word "practical" drops

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