did the kisses that she gave him in the house at Auteuil.
He asked himself why this was so, and when he had learned them by heart he came to know them so well that he discovered the reason, for a person’s writings always afford the surest clue to his nature. Spoken words dazzle and deceive, for lips are pleasing and eyes seductive, but black characters set down upon white paper expose the soul in all its nakedness.
Man, thanks to the artifices of rhetoric, to his professional address and his habit of using the pen to discuss all the affairs of life, often succeeds in disguising his own nature by his impersonal prose style, literary or business, but woman never writes unless it is of herself and something of her being goes into her every word. She knows nothing of the subtilities of style and surrenders herself unreservedly in her ignorance of the scope and value of words. Mariolle called to mind the memoirs and correspondence of celebrated women that he had read; how distinctly their characters were all set forth there, the précieuses, the witty, and the sensible! What struck him most in Mme de Burne’s letters was that no trace of sensibility was to be discovered in them. This woman had the faculty of thought but not of feeling. He called to mind letters that he had received from other persons; he had had many of them. A little bourgeoise that he had met while traveling and who had loved him for the space of three months had written delicious, thrilling notes, abounding in fresh and unexpected terms of sentiment; he had been surprised by the flexibility, the elegant coloring, and the variety of her style. Whence had she obtained this gift? From the fact that she was a woman of sensibility; there could be no other answer. A woman does not elaborate her phrases; they come to her intelligence straight from her emotions; she does not rummage the dictionary for fine words. What she feels strongly she expresses justly, without long and labored consideration, in the adaptive sincerity of her nature.
He tried to test the sincerity of his mistress’s nature by means of the lines which she wrote him. They were well written and full of amiability, but how was it that she could find nothing better for him? Ah! for her he had found words that burned as living coals!
When his valet brought in his mail he would look for an envelope bearing the longed-for handwriting, and when he recognized it an involuntary emotion would arise in him, succeeded by a beating of the heart. He would extend his hand and grasp the bit of paper; again he would scrutinize the address, then tear it open. What had she to say to him? Would he find the word “love” there? She had never written or uttered this word without qualifying it by the adverb “well”: “I love you well”; “I love you much”; “Do I not love you?” He knew all these formulas, which are inexpressive by reason of what is tacked on to them. Can there be such a thing as a comparison between the degrees of love when one is in its toils? Can one decide whether he loves well or ill? “To love much,” what a dearth of love that expression manifests! One loves, nothing more, nothing less; nothing can be said, nothing expressed, nothing imagined that means more than that one simple sentence. It is brief, it is everything. It becomes body, soul, life, the whole of our being. We feel it as we feel the warm blood in our veins, we inhale it as we do the air, we carry it within us as we carry our thoughts, for it becomes the atmosphere of the mind. Nothing has existence beside it. It is not a word, it is an inexpressible state of being, represented by a few letters. All the conditions of life are changed by it; whatever we do, there is nothing done or seen or tasted or enjoyed or suffered just as it was before. Mariolle had become the victim of this small verb, and his eye would run rapidly over the lines, seeking there a tenderness answering to his own. He did in fact find there sufficient to warrant him in saying to himself: “She loves me very well,” but never to make him exclaim: “She loves me!” She was continuing in her correspondence the pretty, poetical romance that had had its inception at Mont Saint-Michel. It was the literature of love, not of the love.
When he had finished reading and rereading them, he would lock the precious and disappointing sheets in a drawer and seat himself in his easy-chair. He had passed many a bitter hour in it before this.
After a while her answers to his letters became less frequent; doubtless she was somewhat weary of manufacturing phrases and ringing the changes on the same stale theme. And then, besides, she was passing through a period of unwonted fashionable excitement, of which André had presaged the approach with that increment of suffering that such insignificant, disagreeable incidents can bring to troubled hearts.
It was a winter of great gaiety. A mad intoxication had taken possession of Paris and shaken the city to its depths; all night long cabs and coupés were rolling through the streets and through the windows were visible white apparitions of women in evening toilette. Everyone was having a good time; all the conversation was on plays and balls, matinées and soirées. The contagion, an epidemic of pleasure, as it were, had quickly extended to all classes of society, and Mme de Burne also was attacked by it.
It had all been brought about by the effect that her beauty had produced at a dance at the Austrian embassy. The Comte de Bernhaus had made her acquainted with the ambassadress, the Princess de Malten, who had been immediately and entirely delighted with Mme de Burne. Within a very short time she became the Princess’s very intimate friend and thereby extended with great rapidity her relations among the most select diplomatic and aristocratic circles. Her grace, her elegance, her charming manners, her intelligence and wit quickly achieved a triumph for her and made her la mode, and many of the highest titles among the women of France sought to be presented to her. Every Monday would witness a long line of coupés with arms on their panels drawn up along the curb of the Rue du Général-Foy, and the footmen would lose their heads and make sad havoc with the high-sounding names that they bellowed into the drawingroom, confounding duchesses with marquises, countesses with baronnes.
She was entirely carried off her feet. The incense of compliments and invitations, the feeling that she was become one of the elect to whom Paris bends the knee in worship as long as the fancy lasts, the delight of being thus admired, made much of, and run after, were too much for her and gave rise within her soul to an acute attack of snobbishness.
Her artistic following did not submit to this condition of affairs without a struggle, and the revolution produced a close alliance among her old friends. Fresnel, even, was accepted by them, enrolled on the regimental muster and became a power in the league, while Mariolle was its acknowledged head, for they were all aware of the ascendency that he had over her and her friendship for him. He, however, watched her as she was whirled away in this flattering popularity as a child watches the vanishing of his red balloon when he has let go the string. It seemed to him that she was eluding him in the midst of this elegant, motley, dancing throng and flying far, far away from that secret happiness that he had so ardently desired for both of them, and he was jealous of everybody and everything, men, women, and inanimate objects alike. He conceived a fierce detestation for the life that she was leading, for all the people that she associated with, all the fêtes that she frequented, balls, theaters, music, for they were all in a league to take her from him by bits and absorb her days and nights, and only a few scant hours were now accorded to their intimacy. His indulgence of this unreasoning spite came near causing him a fit of sickness, and when he visited her he brought with him such a wan face that she said to him:
“What ails you? You have changed of late, and are very thin.”
“I have been loving you too much,” he replied. She gave him a grateful look: “No one ever loves too much, my friend.”
“Can you say such a thing as that?”
“Why, yes.”
“And you do not see that I am dying of my vain love for you.”
“In the first place it is not true that you love in vain; then no one ever dies of that complaint, and finally all our friends are jealous of you, which proves pretty conclusively that 1 am not treating you badly, all things considered.”
He took her hand: “You do not
