The Complete Works: Short Stories, Novels, Plays, Poetry, Memoirs and more. Guy de Maupassant

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The Complete Works: Short Stories, Novels, Plays, Poetry, Memoirs and more - Guy de Maupassant

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the rest has been squandered; there is an end of it. And then I am to keep the key, you understand. As for M. Paul, he will have nothing left, nothing; he would take your last sou from you.”

      Jeanne, who was weeping silently, murmured:

      “But if he has nothing to eat?”

      “He can come and eat with us if he is hungry. There will always be a bed and some stew for him. Do you believe he would have acted as he has done if you had not given him a sou in the first place?”

      “But he was in debt, he would have been disgraced.”

      “When you have nothing left, will that prevent him from making fresh debts? You have paid his debts, that is all right; but you will not pay any more; it is I who am telling you this. Now goodnight, madame.”

      And she left the room.

      Jeanne did not sleep, she was so upset at the idea of selling “The Poplars,” of going away, of leaving this house to which all her life was linked.

      When Rosalie came into the room next morning she said to her: “My poor girl, I never could make up my mind to go away from here.”

      But the servant grew angry: “It will have to be, however, madame; the lawyer will soon be here with the man who wants to buy the château. Otherwise, in four years you will not have a rap left.”

      Jeanne was crushed, and repeated: “I could not do it; I never could.”

      An hour later the postman brought her a letter from Paul asking for ten thousand francs. What should she do? At her wit’s end, she consulted Rosalie, who threw up her hands, exclaiming: “What was I telling you, madame? Ah! You would have been in a nice fix, both of you, if I had not come back.” And Jeanne, bending to her servant’s will, wrote as follows to the young man:

      “My Dear Son: I can do nothing more for you. You have ruined me; I am even obliged to sell ‘The Poplars.’ But never forget that I shall always have a home whenever you want to seek shelter with your old mother, to whom you have caused much suffering. Jeanne.”

      When the notary arrived with M. Jeoffrin, a retired sugar refiner, she received them herself, and invited them to look over the château.

      A month later, she signed a deed of sale, and also bought herself a little cottage in the neighborhood of Goderville, on the high road to Montiviliers, in the hamlet of Batteville.

      Then she walked up and down all alone until evening, in little mother’s avenue, with a sore heart and troubled mind, bidding distracted and sobbing farewells to the landscape, the trees, the rustic bench under the plane tree, to all those things she knew so well and that seemed to have become part of her vision and her soul, the grove, the mound overlooking the plain, where she had so often sat, and from where she had seen the Comte de Fourville running toward the sea on that terrible day of Julian’s death, to an old elm whose upper branches were missing, against which she had often leaned, and to all this familiar garden spot.

      Rosalie came out and took her by the arm to make her come into the house.

      A tall young peasant of twenty-five was waiting outside the door. He greeted her in a friendly manner as if he had known her for some time: “Good-morning, Madame Jeanne. I hope you are well. Mother told me to come and help you move. I would like to know what you are going to take away, seeing that I shall do it from time to time so as not to interfere with my farm work.”

      It was her maid’s son, Julien’s son, Paul’s brother.

      She felt as if her heart stopped beating; and yet she would have liked to embrace this young fellow.

      She looked at him, trying to find some resemblance to her husband or to her son. He was ruddy, vigorous, with fair hair and his mother’s blue eyes. And yet he looked like Julien. In what way? How? She could not have told, but there was something like him in the whole makeup of his face.

      The young man resumed: “If you could show me at once, I should be much obliged.”

      But she had not yet decided what she was going to take with her, as her new home was very small; and she begged him to come back again at the end of the week.

      She was now entirely occupied with getting ready to move, which brought a little variety into her very dreary and hopeless life. She went from room to room, picking out the furniture which recalled episodes in her life, old friends, as it were, who have a share in our life and almost of our being, whom we have known since childhood, and to which are linked our happy or sad recollections, dates in our history; silent companions of our sad or sombre hours, who have grown old and become worn at our side, their covers torn in places, their joints shaky, their color faded.

      She selected them, one by one, sometimes hesitating and troubled, as if she were taking some important step, changing her mind every instant, weighing the merits of two easy chairs or of some old writing-desk and an old work table.

      She opened the drawers, sought to recall things; then, when she had said to herself, “Yes, I will take this,” the article was taken down into the diningroom.

      She wished to keep all the furniture of her room, her bed, her tapestries, her clock, everything.

      She took away some of the parlor chairs, those that she had loved as a little child; the fox and the stork, the fox and the crow, the ant and the grasshopper, and the melancholy heron.

      Then, while wandering about in all the corners of this dwelling she was going to forsake, she went one day up into the loft, where she was filled with amazement; it was a chaos of articles of every kind, some broken, others tarnished only, others taken up there for no special reason probably, except that they were tired of them or that they had been replaced by others. She saw numberless knickknacks that she remembered, and that had disappeared suddenly, trifles that she had handled, those old little insignificant articles that she had seen every day without noticing, but which now, discovered in this loft, assumed an importance as of forgotten relics, of friends that she had found again.

      She went from one to the other of them with a little pang, saying: “Why, it was I who broke that china cup a few evenings before my wedding. Ah! there is mother’s little lantern and a cane that little father broke in trying to open the gate when the wood was swollen with the rain.”

      There were also a number of things that she did not remember that had belonged to her grandparents or to their parents, dusty things that appeared to be exiled in a period that is not their own, and that looked sad at their abandonment, and whose history, whose experiences no one knows, for they never saw those who chose them, bought them, owned them, and loved them; never knew the hands that had touched them familiarly, and the eyes that looked at them with delight.

      Jeanne examined carefully three-legged chairs to see if they recalled any memories, a copper warming pan, a damaged foot stove that she thought she remembered, and a number of housekeeping utensils unfit for use.

      She then put together all the things she wished to take, and going downstairs, sent Rosalie up to get them. The servant indignantly refused to bring down “that rubbish.” But Jeanne, who had not much will left, held her own this time, and had to be obeyed.

      One morning the young farmer, Julien’s son, Denis Lecoq, came with his wagon for the first load. Rosalie went back with him in order to superintend the unloading and placing of furniture where it was to stand.

      Rosalie

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