at least thirty by fifty feet in dimensions, with a vaulted ceiling that encroached upon the space ordinarily devoted to what architects, builders and the Board of Health describe as an air chamber, next below the roof. There was no elevator in the building. One had to climb four flights of stairs to reach the apartment.
From its long, heavily curtained windows one looked down upon a crowded cross-town thoroughfare, or up to the summit of a stupendous hotel on the opposite side of the street. There was a small foyer at the rear of this lofty room, with an entrance from the narrow hall outside. Suspended in the wide doorway between the two rooms was a pair of blue velvet Italian portières of great antiquity and, to a connoisseur, unrivaled quality. Beyond the foyer and extending to the area wall was the rather commodious dining-room, with its long oaken English table, its high-back chairs, its massive sideboard and the chandelier that is said to have hung in the Doges' Palace when the Bridge of Sighs was a new and thriving avenue of communication.
At least, so stated the dealer's tag tucked carelessly among the crystal prisms, supplying the observer with the information that, in case one was in need of a chandelier, its price was five hundred guineas. The same curious-minded observer would have discovered, if he were not above getting down on his hands and knees and peering under the table, a price tag; and by exerting the strength necessary to pull the sideboard away from the wall, a similar object would have been exposed.
In other words, if one really wanted to purchase any article of furniture or decoration in the singularly impressive apartment of the Marchioness, all one had to do was to signify the desire, produce a check or its equivalent, and give an address to the competent-looking young woman who would put in an appearance with singular promptness in response to a couple of punches at an electric button just outside the door, any time between nine and five o'clock, Sundays included.
The drawing-room contained many priceless articles of furniture, wholly antique—(and so guaranteed), besides rugs, draperies, tapestries and stuffs of the rarest quality. Bronzes, porcelains, pottery, things of jade and alabaster, sconces, candlesticks and censers, with here and there on the walls lovely little "primitives" of untold value. The most exotic taste had ordered the distribution and arrangement of all these objects. There was no suggestion of crowding, nothing haphazard or bizarre in the exposition of treasure, nothing to indicate that a cheap intelligence revelled in rich possessions.
You would have sat down upon the first chair that offered repose and you would have said you had wandered inadvertently into a palace. Then, emboldened by an interest that scorned politeness, you would have got up to inspect the riches at close range,—and you would have found price-marks everywhere to overcome the impression that Aladdin had been rubbing his lamp all the way up the dingy, tortuous stairs.
You are not, however, in the shop of a dealer in antiques, price-marks to the contrary. You are in the home of a Marchioness, and she is not a dealer in old furniture, you may be quite sure of that. She does not owe a penny on a single article in the apartment nor does she, on the other hand, own a penny's worth of anything that meets the eye,—unless, of course, one excepts the dust-cloth and the can of polish that follows Julia about the room. Nor is it a loan exhibit, nor the setting for a bazaar.
The apartment being on the top floor of a five-story building, it is necessary to account for the remaining four. In the rear of the fourth floor there was a small kitchen and pantry from which a dumb-waiter ascended and descended with vehement enthusiasm. The remainder of the floor was divided into four rather small chambers, each opening into the outer hall, with two bath-rooms inserted. Each of these rooms contained a series of lockers, not unlike those in a club-house. Otherwise they were unfurnished except for a few commonplace cane bottom chairs in various stages of decrepitude.
The third floor represented a complete apartment of five rooms, daintily furnished. This was where the Marchioness really lived.
Commerce, after a fashion, occupied the two lower floors. It stopped short at the bottom of the second flight of stairs where it encountered an obstacle in the shape of a grill-work gate that bore the laconic word "Private," and while commerce may have peeped inquisitively through and beyond the barrier it was never permitted to trespass farther than an occasional sly, surreptitious and unavailing twist of the knob.
The entire second floor was devoted to work-rooms in which many sewing machines buzzed during the day and went to rest at six in the evening. Tables, chairs, manikins, wall-hooks and hangers thrust forward a bewildering assortment of fabrics in all stages of development, from an original uncut piece to a practically completed garment. In other words, here was the work-shop of the most exclusive, most expensive modiste in all the great city.
The ground floor, or rather the floor above the English basement, contained the salon and fitting rooms of an establishment known to every woman in the city as
DEBORAH'S.
To return to the Marchioness and Julia.
"Not that a little dust or even a great deal of dirt will make any different to the Princess," the former was saying, "but, just the same, I feel better, if I know we've done our best."
"Thank the Lord, she don't come very often," was Julia's frank remark. "It's the stairs, I fancy."
"And the car-fare," added her mistress. "Is it six o'clock, Julia?"
"Yes, ma'am, it is."
The Marchioness groaned a little as she straightened up and tossed the dust-cloth on the table. "It catches me right across here," she remarked, putting her hand to the small of her back and wrinkling her eyes.
"You shouldn't be doing my work," scolded Julia. "It's not for the likes of you to be—"
"I shall lie down for half an hour," said the Marchioness calmly. "Come at half-past six, Julia."
"Just Lady Jane, ma'am? No one else?"
"No one else," said the other, and preceded Julia down the two flights of stairs to the charming little apartment on the third floor. "She is a dear girl, and I enjoy having her all to myself once in a while."
"She is so, ma'am," agreed Julia, and added. "The oftener the better."
At half-past seven Julia ran down the stairs to open the gate at the bottom. She admitted a slender young woman, who said, "Thank you," and "Good evening, Julia," in the softest, loveliest voice imaginable, and hurried up, past the apartment of the Marchioness, to the fourth floor. Julia, in cap and apron, wore a pleased smile as she went in to put the finishing touches on the coiffure of her mistress.
"Pity there isn't more like her," she said, at the end of five minutes' reflection. Patting the silvery crown of the Marchioness, she observed in a less detached manner: "As I always says, the wonderful part is that it's all your own, ma'am."
"I am beginning to dread the stairs as much as any one," said the Marchioness, as she passed out into the hall and looked up the dimly lighted steps. "That is a bad sign, Julia."
A mass of coals crackled in the big fireplace on the top floor, and a tall man in the resplendent livery of a footman was engaged in poking them up when the Marchioness entered.
"Bitterly cold, isn't it, Moody?" inquired she, approaching with stately tread, her lorgnon lifted.
"It is, my lady,—extremely nawsty," replied Moody. "The trams are a bit off, or I should 'ave 'ad the coals going 'alf an hour sooner than—Ahem! They call it a blizzard, my lady."
"I know, thank you, Moody."
