pride that survived her after death. By her direction it bore the name of Feododric, eldest daughter of His Highness, Prince Michael Androvodski; born in St. Petersburgh, September 12, 1841; died Jan. 7, 1912; wife of James Lumley, of County Cork, Ireland.
It is of the high-born who dwell in low places that this tale is told. It is of an aristocracy that serves and smiles and rarely sneers behind its mask.
When Cricklewick announced the Princess Mariana Theresa the hush of deference fell upon the assembled company. In the presence of royalty no one remained seated.
She advanced slowly, ponderously into the room, bowing right and left as she crossed to the great chair at the upper end. One by one the others presented themselves and kissed the coarse, unlovely hand she held out to them. It was not "make-believe." It was her due. The blood of a king and a queen coursed through her veins; she had been born a Princess Royal.
She was sixty, but her hair was as black as the coat of the raven. Time, tribulation, and a harsh destiny had put each its own stamp upon her dark, almost sinister, face. The black eyes were sharp and calculating, and they did not smile with her thin lips. She wore a great amount of jewellery and a gown of blue velvet, lavishly bespangled and generously embellished with laces of many periods, values and, you could say, nativity.
The Honourable Mrs. Priestly-Duff having been a militant suffragette before a sudden and enforced departure from England, was the only person there with the hardihood to proclaim, not altogether sotto voce, that the "get-up" was a fright.
Restraint vanished the instant the last kiss of tribute fell upon her knuckles. The Princess put her hand to her side, caught her breath sharply, and remarked to the Marchioness, who stood near by, that it was dreadful the way she was putting on weight. She was afraid of splitting something if she took a long, natural breath.
"I haven't weighed myself lately," she said, "but the last time I had this dress on it felt like a kimono. Look at it now! You could not stuff a piece of tissue paper between it and me to save your soul. I shall have to let it out a couple of—What were you about to say, Count Fogazario?"
The little Count, at the Marchioness's elbow, repeated something he had already said, and added:
"And if it continues there will not be a trolley-car running by midnight."
The Princess eyed him coldly. "That is just like a man," she said. "Not the faintest idea of what we were talking about, Marchioness."
The Count bowed. "You were speaking of tissue paper, Princess," said he, stiffly. "I understood perfectly."
Once a week the Marchioness held her amazing salon. Strictly speaking, it was a co-operative affair. The so-called guests were in reality contributors to and supporters of an enterprise that had been going on for the matter of five years in the heart of unsuspecting New York. According to his or her means, each of these exiles paid the tithe or tax necessary, and became in fact a member of the inner circle.
From nearly every walk in life they came to this common, converging point, and sat them down with their equals, for the moment laying aside the mask to take up a long-discarded and perhaps despised reality. They became lords and ladies all over again, and not for a single instant was there the slightest deviation from dignity or form.
Moral integrity was the only requirement, and that, for obvious reasons, was sometimes overlooked,—as for example in the case of the Countess who eloped with the young artist and lived in complacent shame and happiness with him in a three-room flat in East Nineteenth street. The artist himself was barred from the salon, not because of his ignoble action, but for the sufficient reason that he was of ignoble birth. Outside the charmed conclave he was looked upon as a most engaging chap. And there was also the case of the appallingly amiable baron who had fired four shots at a Russian Grand-Duke and got away with his life in spite of the vaunted secret service. It was of no moment whatsoever that one of his bullets accidentally put an end to the life of a guardsman. That was merely proof of his earnestness and in no way reflected on his standing as a nobleman. Nor was it adequate cause for rejection that certain of these men and women were being sought by Imperial Governments because they were political fugitives, with prices on their heads.
The Marchioness, more prosperous than any of her associates, assumed the greater part of the burden attending this singular reversion to form. It was she who held the lease on the building, from cellar to roof, and it was she who paid that important item of expense: the rent. The Marchioness was no other than the celebrated Deborah, whose gowns issuing from the lower floors at prodigious prices, gave her a standing in New York that not even the plutocrats and parvenus could dispute. In private life she may have been a Marchioness, but to all New York she was known as the queen of dressmakers.
If you desired to consult Deborah in person you inquired for Mrs. Sparflight, or if you happened to be a new customer and ignorant, you were set straight by an attendant (with a slight uplifting of the eyebrows) when you asked for Madame "Deborah."
The ownership of the rare pieces of antique furniture, rugs, tapestries and paintings was vested in two members of the circle, one occupying a position in the centre of the ring, the other on the outer rim: Count Antonio Fogazario and Moody, the footman. For be it known that while Moody reverted once a week to a remote order of existence he was for the balance of the time an exceedingly prosperous, astute and highly respected dealer in antiques, with a shop in Madison Avenue and a clientele that considered it the grossest impertinence to dispute the prices he demanded. He always looked forward to these "drawing-rooms," so to speak. It was rather a joy to disregard the aspirates. He dropped enough hs on a single evening to make up for a whole week of deliberate speech.
As for Count Antonio, he was the purveyor of Italian antiques and primitive paintings, "authenticity guaranteed," doing business under the name of "Juneo & Co., Ltd. London, Paris, Rome, New York." He was known in the trade and at his bank as Mr. Juneo.
Occasionally the exigencies of commerce necessitated the substitution of an article from stock for one temporarily loaned to the fifth-floor drawing-room.
During the seven days in the week, Mr. Moody and Mr. Juneo observed a strained but common equality. Mr. Moody contemptuously referred to Mr. Juneo as a second-hand dealer, while Mr. Juneo, with commercial bitterness, informed his patrons that Pickett, Inc., needed a lot of watching. But on these Wednesday nights a vast abyss stretched between them. They were no longer rivals in business. Mr. Juneo, without the slightest sign of arrogance, put Mr. Moody in his place, and Mr. Moody, with perfect equanimity, quite properly stayed there.
"A chair over here, Moody," the Count would say (to Pickett, Inc.,) and Moody, with all the top-lofty obsequiousness of the perfect footman, would place a chair in the designated spot, and say:
"H'anythink else, my lord? Thank you, sir."
On this particular Wednesday night two topics of paramount interest engaged the attention of the company. The newspapers of that day had printed the story of the apprehension and seizure of one Peter Jolinski, wanted in Warsaw on the charge of assassination.
As Count Andreas Verdray he was known to this exclusive circle of Europeans, and to them he was a persecuted, unjustly accused fugitive from the land of his nativity. Russian secret service men had run him to earth after five years of relentless pursuit. As a respectable, industrious window-washer he had managed for years to evade arrest for a crime he had not committed, and now he was in jail awaiting extradition and almost certain death at the hands of his intriguing enemies. A cultured scholar, a true gentleman, he was, despite his vocation, one of the most distinguished units in this little world of theirs. The authorities in Warsaw charged him with instigating the plot to assassinate a powerful
