The Witch of Prague: A Fantastic Tale. F. Marion Crawford

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The Witch of Prague: A Fantastic Tale - F. Marion Crawford

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do not know,” replied the little man, speaking slowly. “Whatever her secret may be, she keeps it, even when speaking in sleep. This I can tell you. I suspect that there is some other being, or person, in that queer old house of hers whom she consults on grave occasions. At a loss for an answer to a difficult scientific question, I have known her to leave the room and to come back in the course of a few minutes with a reply which I am positive she could never have framed herself.”

      “She may have consulted books,” suggested the Wanderer.

      “I am an old man,” said Keyork Arabian suddenly. “I am a very old man; there are not many books which I have not seen and partially read at one time or at another, and my memory is surprisingly good. I have excellent reasons for believing that her information is not got from anything that was ever written or printed.”

      “May I ask of what general nature your questions were?” inquired the other, more interested than he had hitherto been in the conversation.

      “They referred to the principles of embalmment.”

      “Much has been written about that since the days of the Egyptians.”

      “The Egyptians!” exclaimed Keyork with great scorn. “They embalmed their dead after a fashion. Did you ever hear that they embalmed the living?” The little man’s eyes shot fire.

      “No, nor will I believe in any such outrageous impossibilities! If that is all, I have little faith in Unorna’s mysterious counsellor.”

      “The faith which removes mountains is generally gained by experience when it is gained at all, and the craving for explanation takes the place, in some minds, of a willingness to learn. It is not my business to find explanations, nor to raise my little self to your higher level, by standing upon this curbstone, in order to deliver a lecture in the popular form, upon matters that interest me. It is enough that I have found what I wanted. Go and do likewise. See for yourself. You have nothing to lose and everything to gain. You are unhappy, and unhappiness is dangerous, in rare cases fatal. If you tell me to-morrow that Unorna is a charlatan, you will be in no worse plight than to-day, nor will your opinion of her influence mine. If she helps you to find what you want—so much the better for you—how much the better, and how great the risk you run, are questions for your judgment.”

      “I will go,” answered the Wanderer, after a moment’s hesitation.

      “Very good,” said Keyork Arabian. “If you want to find me again, come to my lodging. Do you know the house of the Black Mother of God?”

      “Yes—there is a legend about a Spanish picture of our Lady once preserved there—”

      “Exactly, it takes its name from that black picture. It is on the corner of the Fruit Market, over against the window at which the Princess Windischgratz was shot. I live in the upper story. Good-bye.”

      “Good-bye.”

       Table of Contents

      After the Wanderer had left her, Unorna continued to hold in her hand the book she had again taken up, following the printed lines mechanically from left to right, from the top of the page to the foot. Having reached that point, however, she did not turn over the leaf. She was vaguely aware that she had not understood the sense of the words, and she returned to the place at which she had begun, trying to concentrate her attention upon the matter, moving her fresh lips to form the syllables, and bending her brows in the effort of understanding, so that a short, straight furrow appeared, like a sharp vertical cut extending from between the eyes to the midst of the broad forehead. One, two and three sentences she grasped and comprehended; then her thoughts wandered again, and the groups of letters passed meaningless before her sight. She was accustomed to directing her intelligence without any perceptible effort, and she was annoyed at being thus led away from her occupation, against her will and in spite of her determination. A third attempt showed her that it was useless to force herself any longer, and with a gesture and look of irritation she once more laid the volume upon the table at her side.

      During a few minutes she sat motionless in her chair, her elbow leaning on the carved arm-piece, her chin supported upon the back of her half-closed hand, of which the heavy, perfect fingers were turned inwards, drooping in classic curves towards the lace about her throat. Her strangely mismatched eyes stared vacantly towards an imaginary horizon, not bounded by banks of flowers, nor obscured by the fantastic foliage of exotic trees.

      Presently she held up her head, her white hand dropped upon her knee, she hesitated an instant, and then rose to her feet, swiftly, as though she had made a resolution and was about to act upon it. She made a step forward, and then paused again, while a half-scornful smile passed like a shadow over her face. Very slowly she began to pace the marble floor, up and down in the open space before her chair, turning and turning again, the soft folds of her white gown following her across the smooth pavement with a gentle, sweeping sound, such as the breeze makes among flowers in spring.

      “Is it he?” she asked aloud in a voice ringing with the joy and the fear of a passion that has waited long and is at last approaching the fulfilment of satisfaction.

      No answer came to her from among the thick foliage nor in the scented breath of the violets and the lilies. The murmuring song of the little fountain alone disturbed the stillness, and the rustle of her own garments as she moved.

      “Is it he? Is it he? Is it he?” she repeated again and again, in varying tones, chiming the changes of hope and fear, of certainty and vacillation, of sadness and of gladness, of eager passion and of chilling doubt.

      She stood still, staring at the pavement, her fingers clasped together, the palms of her hands turned downward, her arms relaxed. She did not see the dark red squares of marble, alternating with the white and the gray, but as she looked a face and a form rose before her, in the contemplation of which all her senses and faculties concentrated themselves. The pale and noble head grew very distinct in her inner sight, the dark gray eyes gazed sadly upon her, the passionate features were fixed in the expression of a great sorrow.

      “Are you indeed he?” she asked, speaking softly and doubtfully, and yet unconsciously projecting her strong will upon the vision, as though to force it to give the answer for which she longed.

      And the answer came, imposed by the effort of her imagination upon the thing imagined. The face suddenly became luminous, as with a radiance within itself; the shadows of grief melted away, and in their place trembled the rising light of a dawning love. The lips moved and the voice spoke, not as it had spoken to her lately, but in tones long familiar to her in dreams by day and night.

      “I am he, I am that love for whom you have waited; you are that dear one whom I have long sought throughout the world. The hour of our joy has struck, the new life begins to-day, and there shall be no end.”

      Unorna’s arms went out to grasp the shadow, and she drew it to her in her fancy and kissed its radiant face.

      “To ages of ages!” she cried.

      Then she covered her eyes as though to impress the sight they had seen upon the mind within, and groping blindly for her chair sank back into her seat. But the mechanical effort of will and memory could not preserve the image. In spite of all inward concentration of thought, its colours faded, its outlines trembled, grew faint and vanished, and darkness was in its

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