The Witch of Prague: A Fantastic Tale. F. Marion Crawford

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The Witch of Prague: A Fantastic Tale - F. Marion Crawford

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carriage. Rarely, the harsh tones of a peasant, or the clear voices of a knot of strangers, unused to such oppressive silence, startle the ear, causing hundreds of eager, half-suspicious, half-wondering eyes to turn in the direction of the sound.

      And yet Prague is a great city, the capital of the Bohemian Crownland, the centre of a not unimportant nation, the focus in which are concentrated the hottest, if not the brightest, rays from the fire of regeneration kindled within the last half century by the Slavonic race. There is an ardent furnace of life hidden beneath the crust of ashes: there is a wonderful language behind that national silence.

      The Wanderer stood in deep thought under the shadow of the ancient Powder Tower. Haste had no further object now, since he had made every inquiry within his power, and it was a relief to feel the pavement beneath his feet and to breathe the misty frozen air after having been so long in the closeness of his carriage. He hesitated as to what he should do, unwilling to return to Unorna and acknowledge himself vanquished, yet finding it hard to resist his desire to try every means, no matter how little reasonable, how evidently useless, how puerile and revolting to his sounder sense. The street behind him led directly towards Unorna’s house. Had he found himself in a more remote quarter, he might have come to another and a wiser conclusion. Being so near to the house of which he was thinking, he yielded to the temptation. Having reached this stage of resolution, his mind began to recapitulate the events of the day, and he suddenly felt a strong wish to revisit the church, to stand in the place where Beatrice had stood, to touch in the marble basin beside the door the thick ice which her fingers had touched so lately, to traverse again the dark passages through which he had pursued her. To accomplish his purpose he need only turn aside a few steps from the path he was now following. He left the street almost immediately, passing under a low arched way that opened on the right-hand side, and a moment later he was within the walls of the Teyn Kirche.

      The vast building was less gloomy than it had been in the morning. It was not yet the hour of vespers, the funeral torches had been extinguished, as well as most of the lights upon the high altar, there were not a dozen persons in the church, and high up beneath the roof broad shafts of softened sunshine, floating above the mists of the city without, streamed through the narrow lancet windows and were diffused in the great gloom below. The Wanderer went to the monument of Brahe and sat down in the corner of the blackened pew. His hands trembled a little as he clasped them upon his knee, and his head sank slowly towards his breast.

      He thought of all that might have been if he had risked everything that morning. He could have used his strength to force a way for himself through the press, he could have thrust the multitude to the right and left, and he could have reached her side. Perhaps he had been weak, indolent, timid, and he accused himself of his own failure. But then, again, he seemed to see about him the closely packed crowd, the sea of faces, the thick, black mass of humanity, and he knew the tremendous power that lay in the inert, passive resistance of a vast gathering such as had been present. Had it been anywhere else, in a street, in a theatre, anywhere except in a church, all would have been well. It had not been his fault, for he knew, when he thought of it calmly, that the strength of his body would have been but as a breath of air against the silent, motionless, and immovable barrier presented by a thousand men, standing shoulder to shoulder against him. He could have done nothing. Once again his fate had defeated him at the moment of success.

      He was aware that some one was standing very near to him. He looked up and saw a very short, gray-bearded man engaged in a minute examination of the dark red marble face on the astronomer’s tomb. The man’s head, covered with closely-cropped gray hair, was half buried between his high, broad shoulders, in an immense collar of fur, but the shape of the skull was so singular as to distinguish its possessor, when hatless, from all other men. The cranium was abnormally shaped, reaching a great elevation at the summit, then sinking suddenly, then spreading forward to an enormous development at the temple just visible as he was then standing, and at the same time forming unusual protuberances behind the large and pointed ears. No one who knew the man could mistake his head, when even the least portion of it could be seen. The Wanderer recognised him at once.

      As though he were conscious of being watched, the little man turned sharply, exhibiting his wrinkled forehead, broad at the brows, narrow and high in the middle, showing, too, a Socratic nose half buried in the midst of the gray hair which grew as high as the prominent cheek bones, and suggesting the idea of a polished ivory ball lying in a nest of grayish wool. Indeed all that was visible of the face above the beard might have been carved out of old ivory, so far as the hue and quality of the surface were concerned; and if it had been necessary to sculpture a portrait of the man, no material could have been chosen more fitted to reproduce faithfully the deep cutting of the features, to render the close network of the wrinkles which covered them like the shadings of a line engraving, and at the same time to give the whole that appearance of hardness and smoothness which was peculiar to the clear, tough skin. The only positive colour which relieved the half tints of the face lay in the sharp bright eyes which gleamed beneath the busy eyebrows like tiny patches of vivid blue sky seen through little rifts in a curtain of cloud. All expression, all mobility, all life were concentrated in those two points.

      The Wanderer rose to his feet.

      “Keyork Arabian!” he exclaimed, extending his hand. The little man immediately gripped it in his small fingers, which, soft and delicately made as they were, possessed a strength hardly to have been expected either from their shape, or from the small proportions of him to whom they belonged.

      “Still wandering?” asked the little man, with a slightly sarcastic intonation. He spoke in a deep, caressing bass, not loud, but rich in quality and free from that jarring harshness which often belongs to very manly voices. A musician would have discovered that the pitch was that of those Russian choristers whose deep throats yield organ tones, a full octave below the compass of ordinary singers in other lands.

      “You must have wandered, too, since we last met,” replied the taller man.

      “I never wander,” said Keyork. “When a man knows what he wants, knows where it is to be found, and goes thither to take it, he is not wandering. Moreover, I have no thought of removing myself or my goods from Prague. I live here. It is a city for old men. It is saturnine. The foundations of its houses rest on the silurian formation, which is more than can be said for any other capital, as far as I know.”

      “Is that an advantage?” inquired the Wanderer.

      “To my mind. I would say to my son, if I had one—my thanks to a blind but intelligent destiny for preserving me from such a calamity!—I would say to him, ‘Spend thy youth among flowers in the land where they are brightest and sweetest; pass thy manhood in all lands where man strives with man, thought for thought, blow for blow; choose for thine old age that spot in which, all things being old, thou mayest for the longest time consider thyself young in comparison with thy surroundings.’ A man can never feel old if he contemplates and meditates upon those things only which are immeasurably older than himself. Moreover the imperishable can preserve the perishable.”

      “It was not your habit to talk of death when we were together.”

      “I have found it interesting of late years. The subject is connected with one of my inventions. Did you ever embalm a body? No? I could tell you something singular about the newest process.”

      “What is the connection?”

      “I am embalming myself, body and mind. It is but an experiment, and unless it succeeds it must be the last. Embalming, as it is now understood, means substituting one thing for another. Very good. I am trying to purge from my mind its old circulating medium; the new thoughts must all be selected from a class which admits of no decay. Nothing could be simpler.”

      “It seems to me that nothing could be more vague.”

      “You

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