calmly folding her hands as though to wait until the storm should pass over.
“Is there anything at the root of anything except Self? You moth, you butterfly, you thread of floating gossamer! How can you understand the incalculable value of Self—of that which is all to me and nothing to you, or which, being yours, is everything to you and to me nothing? You are so young—you still believe in things, and interests, and good and evil, and love and hate, truth and falsehood, and a hundred notions which are not facts, but only contrasts between one self and another! What were you doing here when I found you playing with life and death, perhaps with my life, for a gipsy trick, in the crazy delusion that this old parcel of humanity can see the shadows of things which are not yet? I saw, I heard. How could he answer anything save that which was in your own mind, when you were forcing him with your words and your eyes to make a reply of some sort, or perish? Ah! You see now. You understand now. I have opened your eyes a little. Why did he hesitate, and suffer? Because you asked that to which he knew there was no answer. And you tortured him with your will until his individuality fell into yours, and spoke your words.”
Unorna’s head sank a little and she covered her eyes. The truth of what he said flashed upon her suddenly and unexpectedly, bringing with it the doubt which had left her at the moment when the sleeper had spoken. She could not hide her discomfiture and Keyork Arabian saw his advantage.
“And for what?” he asked, beginning to pace the broad room. “To know whether a man will love you or not! You seem to have forgotten what you are. Is not such a poor and foolish thing as love at the command of those who can say to the soul, be this, or be that, and who are obeyed? Have you found a second Keyork Arabian, over whom your eyes have no power—neither the one nor the other?”
He laughed rather brutally at the thought of her greatest physical peculiarity, but then suddenly stopped short. She had lifted her face and those same eyes were fastened upon him, the black and the gray, in a look so savage and fierce that even he was checked, if not startled.
“They are certainly very remarkable eyes,” he said, more calmly, and with a certain uneasiness which Unorna did not notice. “I wonder whom you have found who is able to look you in the face without losing himself. I suppose it can hardly be my fascinating self whom you wish to enthrall,” he added, conscious after a moment’s trial that he was proof against her influence.
“Hardly,” answered Unorna, with a bitter laugh.
“If I were the happy man you would not need that means of bringing me to your feet. It is a pity that you do not want me. We should make a very happy couple. But there is much against me. I am an old man, Unorna. My figure was never of divine proportions, and as for my face, Nature made it against her will. I know all that—and yet, I was young once, and eloquent. I could make love then—I believe that I could still if it would amuse you.”
“Try it,” said Unorna, who, like most people, could not long be angry with the gnome-like little sage.
CHAPTER VI
“I could make love—yes, and since you tell me to try, I will.”
He came and stood before her, straightening his diminutive figure in a comical fashion as though he were imitating a soldier on parade.
“In the first place,” he said, “in order to appreciate my skill, you should realise the immense disadvantages under which I labour. I am a dwarf, my dear Unorna. In the presence of that kingly wreck of a Homeric man”—he pointed to the sleeper beside them—“I am a Thersites, if not a pigmy. To have much chance of success I should ask you to close your eyes, and to imagine that my stature matches my voice. That gift at least, I flatter myself, would have been appreciated on the plains of Troy. But in other respects I resemble neither the long-haired Greeks nor the trousered Trojans. I am old and hideous, and in outward appearance I am as like Socrates as in inward disposition I am totally different from him. Admit, since I admit it, that I am the ugliest and smallest man of your acquaintance.”
“It is not to be denied,” said Unorna with a smile.
“The admission will make the performance so much the more interesting. And now, as the conjurer says when he begins, observe that there is no deception. That is the figure of speech called lying, because there is to be nothing but deception from beginning to end. Did you ever consider the nature of a lie, Unorna? It is a very interesting subject.”
“I thought you were going to make love to me.”
“True; how easily one forgets those little things! And yet no woman ever forgave a man who forgot to make love when she expected him to do so. For a woman, who is a woman, never forgets to be exigent. And now there is no reprieve, for I have committed myself, am sentenced, and condemned to be made ridiculous in your eyes. Can there be anything more contemptible, more laughable, more utterly and hopelessly absurd, than an old and ugly man declaring his unrequited passion for a woman who might be his granddaughter? Is he not like a hoary old owl, who leaves his mousing to perch upon one leg and hoot love ditties at the evening star, or screech out amorous sonnets to the maiden moon?”
“Very like,” said Unorna with a laugh.
“And yet—my evening star—dear star of my fast-sinking evening—golden Unorna—shall I be cut off from love because my years are many? Or rather, shall I not love you the more, because the years that are left are few and scantily blessed? May not your dawn blend with my sunset and make together one short day?”
“That is very pretty,” said Unorna, thoughtfully. He had the power of making his speech sound like a deep, soft music.
“For what is love?” he asked. “Is it a garment, a jewel, a fanciful ornament which only boys and girls may wear upon a summer’s holiday? May we take it or leave it, as we please? Wear it, if it shows well upon our beauty, or cast it off for others to put on when we limp aside out of the race of fashion to halt and breathe before we die? Is love beauty? Is love youth? Is love yellow hair or black? Is love the rose upon the lip or the peach blossom in the cheek, that only the young may call it theirs? Is it an outward grace, which can live but so long as the other outward graces are its companions, to perish when the first gray hair streaks the dark locks? Is it a glass, shivered by the first shock of care as a mirror by a sword-stroke? Is it a painted mask, washed colourless by the first rain of autumn tears? Is it a flower, so tender that it must perish miserably in the frosty rime of earliest winter? Is love the accident of youth, the complement of a fresh complexion, the corollary of a light step, the physical concomitant of swelling pulses and unstrained sinews?”
Keyork Arabian laughed softly. Unorna was grave and looked up into his face, resting her chin upon her hand.
“If that is love, if that is the idol of your shrine, the vision of your dreams, the familiar genius of your earthly paradise, why then, indeed, he who worships by your side, and who would share the habitation of your happiness, must wear Absalom’s anointed curls and walk with Agag’s delicate step. What matter if he be but a half-witted puppet? He is fair. What matter if he be foolish, faithless, forgetful, inconstant, changeable as the tide of the sea? He is young. His youth shall cover all his deficiencies and wipe out all his sins! Imperial love, monarch and despot of the human soul, is become the servant of boys for the wage of a girl’s
