The Soviet Passport. Albert Baiburin

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2(a–c): The 1935 passport.

The 1938 passport.

      Plate 3(a–c): The 1938 passport.

      (Source: State Museum of Political History.)

The 1951 passport.

      Plate 4(a–d): The 1951 passport.

      (Source: archive of Krasheninnikov family.)

The 1974 passport.

      Plate 5(a–g): The 1974 passport.

      (Source: archive of the Levichkin Family.)

       Remove the document – and you remove the man.

      Mikhail Bulgakov1

      The above quotation from Mikhail Bulgakov’s novel, The Master and Margarita, highlights a rarely acknowledged fact: in our modern civilization a person exists only as long as they can be pinned down and represented by a variety of documents. This may be an exaggeration, but it is not a great one. This is exactly the rule which applies when someone is dealing with officialdom. This book focuses, on the one hand, on the individual’s details which are laid out in the passport and their ‘invention’ by the bureaucratic apparatus, and, on the other, how specific people have gained mastery over them. This approach involves examining the creation of the passport system and the development of the image of the passport in the wider context of pre-revolutionary and Soviet social history.

      Once the passport system had been introduced, we could say that the Soviet people had been given ‘instructions for identification’. The understanding of the word ‘instructions’ in the Soviet (and, indeed, post-Soviet) tradition has a very direct meaning: it is a particular order – usually written – or a demand from the authorities (such as an instruction to appear at the military call-up office, or an instruction to improve your behaviour). The Soviet passport, which was introduced in 1932, implicitly contained the demand that the individual identify him- or herself according to the descriptions laid down within it. This referred not only to those citizens who received the passport, but also to those who were denied one. In reality, the whole adult population of the country was obliged to apply to themselves the definitions laid down in the passport, thus carrying out their own form of self-identification. In this sense it was not even the authorities who defined the ‘passport portrait’, but the actual passport itself became the means of identification.

      The passport has traditionally been considered as one of the fundamental symbols of Soviet life. A vast myth grew up around the Soviet passport. Poets, writers, ordinary citizens and, of course, historians and other scholars all played their part in creating it. In this myth the passport becomes an object of special value, one that is inextricably linked with the understanding of what it is to be ‘a citizen of the USSR’. It is perhaps the most interesting document in the history and practice of relations between the person and the state. Originally created to identify the individual and to impose control over their movement (especially over crossing borders), it gradually took on a whole host of meanings, at times far removed from its original purpose. And it was not simply the bureaucrats who endowed the passport with these meanings, but also those to whom it was issued. This is probably more relevant for the Soviet passport than for any other.3 And many aspects have remained the same up to the present day.

      Soviet citizens – and Russians now – have two passports. In Soviet legal practice permission to cross state borders was possible only with the so-called ‘foreign travel passport’. The ‘internal’ passport was a particular phenomenon. Its basic role was to certify a person’s identity, but it was used for far more than simply this. In a multiplicity of situations this passport had a far greater significance than did the actual ‘person’ whose identity it proved. There is a huge body of evidence which illustrates that without it a person literally ‘disappeared’ from the life of their society. It was impossible to find employment, or place your child in a kindergarten or a school; a person could not marry or ultimately die ‘correctly’; or even fulfil what seem such simple practices as obtaining a library ticket or picking up a parcel from the post office. It was absolutely essential on virtually every occasion when there was contact with officialdom (including obtaining any other documents), because it was always necessary to prove that the citizen was the person whom they claimed to be. And in the Soviet system of social relations, a person could prove who they were only with the aid of the passport.4

      The passport evoked a variety of emotions, depending on the situation, and not only negative ones. A huge number of passport holders, especially among the post-war generations, were very proud of it. But very surprisingly there wasn’t always a connection with its owner. There was a sense of estrangement from the passport, even in those cases where the person experienced positive emotions about owning it. The process of acquiring it was often traumatic, and using it meant coming into contact with officialdom, something that Soviet people tried to keep to a minimum. The main reason for such wariness towards the organs of the state was that ordinary citizens were often made to feel that they were requesting something – even in situations where they weren’t actually asking for anything. This flagrant inequality in relation to queues and all the other circumstances which went with them meant that people tried to deal with officials only in cases of extreme necessity.

      Just how controversial is the status of the passport can be illustrated with the help of one simple question: to whom does the passport belong? To the state, or to the person? Is it ‘my passport’? In reality,

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