able to level me to slumber while this flight happens. I was always scared of flying as well: of seeing the Earth get smaller underneath me. Not like I will see it from space, that doesn’t faze me, because you can see everything in one go: more the sensation of suddenly glimpsing people as specks, and cars as ants, and then everything smaller and smaller, houses like dust, and then whole towns. But Inna doesn’t come, and everything is dark, soundtracked by the rumble of the engines proper: through everything, right through the hull. Everything underneath me feels like vibration, nothing else. I feel my bones rattle, and my teeth in my jaw. ‘I should be asleep!’ I shout, but my voice dulls itself against the inside of my bed, and against the growling of the ship, and against the paralytic. My words slurred.
The engines fire for launch in three phases. First phase is a warm-up, bringing the temperature of the engines up to the necessary point. The second phase – the phase that I feel kick in through the rumble, like a foot on a gas pedal while the handbrake remains pulled on – adds the injectant and coolant into the burner, readying to add it to the engines themselves. ‘Please,’ I hear myself say – an echo through the rumble – and then the third phase.
‘Countdown time,’ Tomas says. He goes through the numbers, twenty to one. I brace myself. I don’t know what will happen. Why did we have to be asleep for this part of the launch? Because it made sense. Because we were liable to panic. Because the vibrations of the ship would be so violent that we weren’t to struggle against them. I have always hated sleep. Not been afraid of it, that’s wrong, but felt it a waste. Tomas slept less than I did, and he would play pranks on me as I overslept, as I lazed about; but it’s more than that. He would have achieved so much by the time that I woke up. He would have done things. Found things. Now, he’s meant to be awake and guiding me, and I’m meant to be asleep, and letting him, but I’m not. I want to be. I don’t want to die, here. I don’t want to be shaken apart. I tell myself not to struggle. I have the self-control to do this, I tell myself. I say it aloud; or I think that I do.
The engines accelerate to a point where we break a faster speed than any man-made machine before. In the glory days of space travel, when we were still trying, the shuttles hit speeds of nearly twenty thousand miles per hour, when they were in orbit. We’re doubling that; more, even, when we reach maximum acceleration. Tripling it. And then we will coast, using that momentum, slowing to maintain that speed only, holding it as long and as far as we can. That’s the rumble. Every part of this ship is made from materials built to withstand that pressure, joists and fixtures made with composite materials that didn’t even exist a decade ago. The metal of the hull is our own: we bought the man who designed it, all of his patents, all of his designs. I think of this, of the blueprints now: flashing through my mind. His metal shakes like everything else, though. No amount of stress testing can prevent it feeling as if it is falling apart. We didn’t tell the crew that. We told them that every possibility had been accounted for. We lied, because how else do you get people to agree to something like this?
‘One,’ Tomas says, or I think it’s Tomas. Maybe I’ve been counting down with him, speaking at the same time, my voice along with his. The launch happens, and the craft shakes and lurches, and I hit my head, over and over, on the hard plastic part of the bed that is moulded to me instead of being a pillow, practicality not comfort, and I think that that’s yet another oversight. We should have had a pillow; then, maybe my head wouldn’t hit this so hard.
Everything gives way to darkness. This isn’t sleep: this is my body giving up.
Man wasn’t meant to see this. Man was meant to stay on the ground. My mother said that she believed in angels, and maybe she was right. What are the implications of travelling as fast as we’re suggesting? That’s what I asked Tomas. I said, Really, the actual implications. Do we know? We put carcasses in the centrifuge, reaching g forces equivalent to this, and we watched them quiver and be pulverized. So I said, Are we sure that this is the right thing? What are the implications? He said, The implications are that you’ll have travelled faster than anybody before you. You know what I mean. He sighed. It could break you. You’ll feel it, whatever happens. It’ll pull every part of you. So we make them sleep, I suggested, because then they’ll not know. They’ll wake up feeling like they’ve been in a fight, and not knowing who hit them. Oh, they’ll know, he said.
I open my eyes, like instinct, but it hurts. Everything’s glowing white, I would swear: even though the lights are off and my glass is dimmed, it glows.
White, white, white. Almost painful, it’s so bright.
I try and open them again, to see, and it feels like they’re being pressed on, forced and pushed down, and everything’s white when it should be black. My body can’t move, I discover. I wish I was like the others, safe and asleep. They don’t know what their bodies are going through. I can feel the bones in my face – the very essence of my skull, everything, underneath the skin, underneath all of me, every little part – and it feels as if it is being pulled apart.
I am in hell.
When I next open my eyes, it’s quiet. The rumble is gone, and it’s dark. My eyes hurt: all I can really see, apart from the darkness, are after-images of flashing white, as if I’ve been staring too closely at the sun. The beds hiss open, including mine. I hear Tomas’ voice.
‘Time to wake up, rise and shine,’ he says. The pressure of the sealed beds is meant to keep us asleep until the time the beds open, and the lights are turned on. The blackness around the sunspots in my eyes goes white as well, brighter than the rest, and I can’t see. I shut my eyes but the glow comes through the eyelids, so I try to turn my head. The beds are fully open. I hear voices.
‘Wow,’ says Lennox. ‘Holy shit, that hurts.’ He’s floating upwards, arching his back. ‘Oh my word.’ I hear something click.
‘What was that?’ asks Tobi, and Lennox laughs.
‘My bloody back,’ he says. ‘That noise was my bloody back.’
‘Move slowly, all of you,’ Inna says. ‘Stretch, sure, but be gentle with it.’
‘You never warned us about this,’ Wallace says. ‘Jesus Christ, I feel like I’ve been in a bar fight.’ The others laugh. ‘Tomas, where are we?’ There’s a slight pause as the transmission is sent back to Tomas, on Earth still. I wonder if he’s slept yet.
‘You’re in space,’ Tomas eventually says, his voice coming through a slight crackle. (Only a few seconds’ wait. That will get longer, I know.) The crew laugh again, and then coo. This is realized: we’re out here, wherever here is. ‘Call up the maps, that’ll show your position.’
‘How fast are we going?’
Another wait, then Tomas answers. ‘Forty-six,’ he says. ‘And that’s locked in. Engines resting.’ The delay here is really nothing. It’ll get worse the further we go. And it’s crystal clear. Used to be that, this far out, you’d be speaking through the hiss, hoping the message would get through, biting your nails. Another piece of technology that made all of this possible. ‘Is everybody awake, everybody okay?’ None of them say anything, but their silence is enough. I still haven’t opened my eyes, but I can feel theirs on me: wondering why I’m lying as I am, stretched out and strapped in still. They stay silent. I can hear them wondering. Tomas guesses. ‘Mira, are you up? Are you awake?’
‘No,’ I say. ‘Not yet.’ I try my eyes again, and they work – I can see the blurred shapes of the crew past the spots – so I swing my legs out, haul my body up. It feels worse than I ever imagined.
