retellings didn’t embarrass Andreas as much as he later came to feel they should have. He learned early to tune out her pride in him, to take it as a given and move on.
He saw less of her as he advanced through the regimentations and indoctrinations of lower school and afterschool programs, but by then he was already convinced that he had the world’s best parents. He still loved coming home and matching wits with his mother bilingually, he was better able now to read her favorite plays and novels and be the person his father wasn’t, a person who read literature, and although he could also see better that she wasn’t entirely stable (there were further mental collapses, on the floor of her study, in the bathtub, and occasional unaccountable absences followed by unlikely explanations) he felt a kind of noblesse oblige toward his friends and classmates, taking it as a given that their mothers were less wonderful than his. This conviction persisted until puberty.
In theory, psychologists were unnecessary in the Republic of Bad Taste, because neurosis was a bourgeois malady, a morbid expression of contradictions that by definition could not exist in a perfect workers’ state. Nevertheless, there were psychologists, a few of them, and when Andreas was fifteen his father arranged for him to see one of them. He stood accused of having tried to kill himself, but his presenting symptom was excessive masturbation. In his opinion, excess was in the eye of the beholder, and in his mother’s opinion he was going through a natural adolescent phase, but he allowed that his father might be right in thinking otherwise. Ever since he’d discovered a secret passageway out of self-alienation, in the form of giving himself pleasure while also receiving it, he’d increasingly resented any activity that took him away from it.
The most time-consuming of these was football. No sport was less interesting to the East German intelligentsia, but by the age of ten Andreas had already absorbed his mother’s disdain for the intelligentsia. He argued to his father that the Republic was a workers’ state and football the sport of the working masses, but this was a cynical argument, worthy of his mother. Football’s real attraction was that it separated him from classmates who fancied themselves interesting but weren’t. He compelled his best friend, Joachim, for whom he was the glass of fashion and the mold of form, to sign on with him. They went to a sports center agreeably distant from Karl-Marx-Allee, and with their talk of Beckenbauer and Bayern München they made their classmates feel left out. Later on, after he saw the ghost, Andreas pursued the sport obsessively, practicing with his clubmates at the sports center and by himself at the Weberwiese, because he imagined himself as a star striker and it spared him from thinking about the ghost.
But he was never going to be a star striker, and the ease of masturbation only heightened his frustration with the defenders who kept thwarting his attempts to score. By himself, in his room, he could score at will. There, the only frustration was that he became bored and depressed when he’d scored too many times and couldn’t do it again for a while.
To sustain his interest, he had the inspiration of making pencil drawings of naked girls. His first drawings were extremely crude, but he discovered that he had some talent, especially when he could work from a model in an illustrated magazine, undressing her as he copied, and that by drawing with one hand and touching himself with the other he could prolong the pleasurable suspense for hours. The less successful drawings he came on, balled up, and threw away. The better ones he saved and improved and delayed adding filthy captions to, because, although the idealized faces and bodies remained lovely to him, the words he imputed to them embarrassed him the next day.
He informed his parents that he was quitting football. His mother approved ipso facto of everything he did, but his father said that if he quit he would have to find other healthful and commensurately time-consuming activities, and so, one evening, on the way home from practice, he jumped off the Rhinstraße bridge and down into the trashy bushes where, as it happened, he’d last seen the ghost. He broke his ankle and told his parents that he’d jumped on a stupid dare.
The one thing everyone in the Republic had plenty of was time. Whatever you didn’t do today really could be put off until tomorrow. Every other commodity may have been scarce, but never time, especially if you had a broken ankle and were extremely intelligent. Homework was a laugh for a boy who’d been reading since three and doing multiplication since five, there was a limit to the pleasure he could take in entertaining the boys at school with his intelligence, the girls didn’t interest him, and ever since he’d seen the ghost he’d stopped enjoying conversations with his mother. She was as interesting as ever, she dangled her interestingness at the dinner table like a piece of luscious fruit, but he’d lost his appetite for it. He lived in a vast proletarian desert of time and boringness, and so he didn’t see anything wrong or excessive in devoting a good chunk of each day to producing beauty with his hands, transforming blank paper into female faces that owed their very existence to him, transforming his dinky worm into something big and hard. He became so unashamed of his drawings that he took to working on the faces on the living-room sofa, sometimes touching his pants to maintain a moderate level of stimulation, sometimes becoming so absorbed in his art that he forgot to be stimulated.
“Whose face is that?” his mother asked him one day, looking over his shoulder. Her tone was coy.
“No one’s,” he said. “It’s just a face.”
“It must be someone’s face. Is it a girl you know at school?”
“No.”
“You seem very practiced. Is this what you’ve been working on with your door closed?”
“Yes.”
“Do you have other drawings that I can see?”
“No.”
“I’m really impressed with your talent. Can’t I see your other drawings?”
“I throw them away when I’m done with them.”
“You have no others?”
“That’s right.”
His mother frowned. “Are you doing this to hurt me?”
“Honestly, the thought of you never crosses my mind. You should be worried if it did.”
“I can protect you,” she said, “but you have to talk to me.”
“I don’t want to talk to you.”
“It’s normal to be excited by pictures at your age. It’s healthy to have urges at your age. I’m just interested in knowing whose face that is.”
“Mother, it’s an invented face.”
“Your drawing looks so personal, though. Like you know very well who that’s supposed to be.”
Without another word, he put the drawing in a binder and went and shut himself in his bedroom. When he opened the binder again, the penciled face looked loathsome to him. Hideous, hideous. He tore up the paper. His mother knocked on the door and opened it.
“Why did you jump off the bridge?” she said.
“I told you. It was a dare.”
“Were you trying to harm yourself? It’s important that you tell me the truth. It would be the end of the world for me if you did what my father did to me.”
“Joachim dared me, just like I said.”
“You’re too intelligent to do something so stupid on a dare.”
“All
