Single, Carefree, Mellow. Katherine Heiny

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Single, Carefree, Mellow - Katherine  Heiny

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second night together. When Carson asks why, Sasha is suddenly too shy to tell him that Monique has a first date with a guy she met at the singles volunteer day, and that Sasha would no more let Monique come home to an empty apartment after a first date than she would leave a small child outside crying in the cold. So she says she needs to look at a manuscript her editor sent and do her pages for the day, which is true, anyway.

      So Sasha travels back uptown, sets up her laptop on the kitchen table, turns on the fans, makes herself some iced tea, and begins working.

      She is still typing away when Monique bangs into the apartment, slams her bag on the table, and says, “If I were a cat, my ears would be straight back right now.”

      This tells Sasha everything she needs to know about the date, and also makes her laugh hard enough to spit iced tea all over the keyboard. She gets up for some paper towels and also to grab them each a beer out of the refrigerator, and she wishes, not for the first time, that life did not have to be a continuous series of eliminations, a constant narrowing of your options, a long series of choices in which you were always unhappy that you couldn’t choose two things at the same time.

      On Tuesday night, Sasha and Monique decide to go to the bar where Sasha is supposed to meet Anne and scope it out. It is a shockingly seedy place, even for this high up on Amsterdam Avenue, with decaying wood walls and a dank unpleasant smell.

      “Oh, gross,” says Monique as they walk in. “Why do you think she wants to meet here?”

      “I don’t know,” says Sasha, but deep down she suspects she does know. Anne must think this bar is Sasha’s counterpart, her equal in some way. She probably asked some of her homeless people where they go (or would go, since homeless people don’t go out for drinks a lot).

      “What can I get for you ladies?” the bartender says, startling Sasha because she hadn’t actually seen him until that moment. He is a tall, alarmingly thin man, and standing still in the dim light, he is nearly invisible.

      They start toward the bar, but the bartender waves them off, saying, “Sit at the table! I’ll bring your drinks over! What would you like?”

      They both ask for Coronas and go sit at the table (there’s only one), which has a scarred top; Monique’s chair has one leg shorter than the others so she has to sit at a slight angle.

      “Ew, he’s putting the limes in our beers with his finger!” Monique whispers.

      “Oh, it’ll be fine,” Sasha says. “The alcohol will kill the germs.” (Won’t it?)

      The bartender walks over eagerly with their drinks. He seems to have a lot of energy for such a skinny, dried-out husk of a person. “There you go, pretty ladies,” he says and then retreats back to the bar, where he watches them. He looks like an animated skeleton.

      “So did Carson have any idea why Anne wants to meet you?” Monique asks.

      Sasha shakes her head. “He knows nothing about it.”

      “Well, clearly she has some sort of agenda,” Monique says, drinking her beer. “It’s just that you don’t know what it is. You’re like Neville Chamberlain going to the Munich Conference.”

      “I guess,” says Sasha, whose knowledge of world history is a little vague.

      “Maybe she’s going to ask you to give him back,” Monique suggests. “Maybe she’s going to say, ‘I come to you in sisterhood and ask you to return him to me,’ or something.”

      “Well, he’s not really mine to return,” Sasha says uncertainly. “And besides, he says that she doesn’t act like she wants to get back together. He says she’s very frosty.”

      “Oh, surprise!” Monique says. “He has a yearlong affair with a twenty-six-year-old blonde and his wife is frosty about it!”

      Sasha blinks. She wishes she could shake the feeling sometimes that Monique sympathizes with Anne entirely too much.

      “So, can I ask why you’re going?” Monique says. “Why didn’t you just tell her it wasn’t a good idea? You could still call and cancel.”

      “I don’t know why I agreed,” Sasha says, and at the time of the original phone call it was true. But now she supposes she agreed to go because it was interesting. Life is full of good things—buttered toast, cold beer, compelling books, campfires, Christmas lights, expensive lipstick, the smell of vanilla—and Sasha is by no means immune to them, but how many things are just flat-out interesting? How many things are so fascinating that you can’t stand not to do them? Not many, is Sasha’s opinion.

      “Well, what are you going to wear?” Monique asks. “I think you should wear your green blouse and your black pencil skirt.”

      Sasha knows that this is what Monique would wear. They are the same height and weight and even have the same hair color, but everything about Monique is sharp angles, including her hair, which is cut in a perfect slant toward her chin. Sasha’s hair is long and unruly and she wears jeans and T-shirts almost all the time. And sometimes when she is finishing writing a book, she wears the same jeans and T-shirt for days on end, for good luck.

      “And definitely your Egyptian earrings,” Monique says.

      Sasha smiles. “Okay, definitely those.”

      The bartender, who by now is really giving Sasha the creeps, does his springy walk again and brings them two more beers. “These are on the house,” he says.

      So they drink the beers and Monique notices a sign above the bar for cream of potato soup and says she’d rather shoot herself than eat anything served here, and Sasha says it’s so disturbing that the word potato is in quotes, like maybe it’s not made from real potatoes, and Monique says it almost certainly isn’t, and they discuss the new tailor shop that opened near them and put up a sign saying FOR ALL YOUR TAILORING “NEEDS” and what are those quotes supposed to signify? And they talk for a while about when they moved into their current apartment and one of the movers turned out to be a guy that Sasha had started to give her number to at a bar but at the last minute changed her mind and gave him just a bunch of random digits and how that made moving day so much more hellish than it already was. This actually happened three years ago, but they still discuss it fairly frequently.

      Sasha does not know what this kind of conversation is called. It is not small talk, and it is not gossip precisely, nor is it deep and meaningful discussion. Dialogue, meeting, palaver, visit—none of them seem quite right. If there is a term, Sasha is unaware of it. She only knows she never wants to be without it in her life. Never, never, never.

      Sasha is twenty minutes late to her meeting with Anne, because she tends to be ten minutes late wherever she goes and also because she spent an extra ten minutes looking for her Egyptian earrings.

      So she has to hurry into the bar, feeling sweaty and rumpled, and right away she regrets her visit here last night with Monique because the cadaverous bartender says, “Well, hello, again!” making her sound like a regular.

      Anne is sitting at the lone table (is in fact the only person in the bar) and though Sasha supposes it could be some random woman and not Anne, she’s very sure it is.

      She hurries over and pulls out the chair opposite Anne. “Sorry I’m late,” she says. “I lost track of time.”

      Anne

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