it all back. She liked the color of dried blood.
“You look like a raccoon,” Ruth said when she came home and found Gerta underneath a pile of blankets. Her red hair made her face appear harder and thinner.
Inside her house, she never hesitated to display who she really was. But outside, at the café gatherings, she became someone else. Dividing yourself in two, that was the first rule of survival: knowing how to differentiate exterior life from interior suffering. It was something she learned to do from an early age, in the same manner she learned how to express herself well in German at school and go home afterward and speak in Yiddish. By the end of the day, all curled up in her pajamas with a book, Gerta was nothing more than a pilgrim before the walls of a foreign city. On the outside, no less, she continued being the smiling princess with green eyes and flared pants, who had managed to dazzle the entire Left Bank.
Paris was one big party. With a simple bike wheel, wine rack, and a urinal, the Dadaists were capable of converting any night into an improvised spectacle. There was smoking, an ever-increasing amount of drinking, vodka, absinthe, champagne … Every day a manifesto was signed. In favor of popular art, by the Araucanian Indians, from the cabinet of Dr. Caligari, of Japanese trees … That’s how they passed the time. The texts written one day were compared to ones written on others. The Paris carousel and Gerta giving it a whirl, turning on herself. She signed manifestos, assisted political meetings, read Man’s Fate by Malraux, bought a ticket for a trip to Italy she never took, drank far too much some nights, and, above all, saw him again. Him. André. She even dreamed of him. Though it was more of a nightmare. He pressed down on her chest, completely aroused, making it impossible for her to breathe. She woke up screaming, with a frightened look in her eyes, staring straight at the pillow. Not wanting to move or rest her head on the same part of the bed. Perhaps that dream happened later on, who knows … It’s also not that important. The fact was, she saw him again.
Of course, there’s always chance. As well as destiny. There are parties, mutual friends who are photographers, electricians, or awful poets. Besides, everyone knows how small the world is, and that in one of its corners you can fit a terrace-balcony, from which you can see the Seine, hear the voice of Josephine Baker, like a long, dark street, and on which, just as she was heading back inside, the Hungarian grabbed her by the arm to ask her:
“Is it you?”
“Well,” she responded in a dubious fashion, “not always.”
The two share a laugh as if they’ve known each other for ages.
“I didn’t recognize you,” said André. Looking both shocked and amused, with a slight wink of the left eye, as if at any moment he would lunge like a hunter over its captive. “This bright red looks good on you.”
“Perhaps,” she said, readjusting her elbows on the balcony railing. She was going to say something about the Seine, about how beautiful the river looked with the moon looming over it, when she heard him say:
“It’s not surprising that on nights like these people leap from bridges.”
“What?”
“Oh nothing, it’s just some verse,” he said.
“No, really, I didn’t hear you because of the music.”
“That sometimes I want to kill myself, Red. Get it?” He said it loud and clear this time. Taking her chin in his hand and looking her straight in the eyes, never erasing that slightly sarcastic smile from his face.
“Yes, this time I heard you, and you don’t have to yell,” she said, taking the glass from his hand without his noticing. She hadn’t realized until then that he was completely drunk.
A short time after, they were alone, walking along the riverbank, she letting him do the talking, half of her paying attention, the other half pitying him, as if he had come down with a fever or some harmless sickness that would soon pass.
What he had, which might very well pass or not, could be called deception, wounded pride, a desire to be fussed over, exhaustion … He had just returned from an assignment for Vu magazine in Saarland.
“Sarre…” he said its name in French as if he were dreaming.
But Gerta understood what he was trying to say. In other words, the League of Nations, carbon, bonjour, guten Tag … and all of that. André had told her that he had been in Saarbrücken during the last week of September, where there were posters and banners with swastikas everywhere. They walked along the river’s edge, staggering slightly, him more than her, gazing at the moon, her coat collar up, shielding her from the night fog. He had gone with a journalist friend named Gorta, who—he went on to say—with his hair long and straight like a Sioux, was more like a Dostoevsky character than a John Reed. Carbonfilled clouds in the shape of whirlwinds had snuck into all parts of the city. There are steady winds and variable winds. Ones that change direction with a force that can knock down both jockey and horse. Winds that suddenly reorient themselves, turning the hands of time counterclockwise. Winds that can blow for years. Winds of the past that live in the present.
André’s speech wasn’t very well put together. He jumped from one thing to another, without transitions, using awkward wording. But nonetheless, Gerta, for some reason, at least that night, could see through his words as if they were images: at the forefront, an image of a cyclist reading the lists the Nazis had posted on the streetlamps, workers drinking beer below an equilateral cross or passed out in the shade beside the trash containers, the filthy gray of the sky, Saarbrücken’s main street filled with banners hanging from its balconies, crowds of people leaving factories, cafés, greeting one another with a “Heil Hitler,” their arm raised, their smile casual, innocent, as if saying “Merry Christmas.”
There were still a few months left until the plebiscite’s outcome would decide if the territory would join with France or become a part of Germany. But, judging from the photos, there wasn’t a doubt. The entire carbon basin had been won over by Fascism. SARRE—WARNING—HIGH ALERT was how the report’s headline read. The images and text credited to a special correspondent by the name of Gorta. André’s name did not appear anywhere in the report. As if the photographs were not his.
“I don’t exist,” he said with hands in his coat pockets, shoulders slumped, though she spotted the vertical lines at the corners of his mouth hardening. “I’m nobody.” Now he smiled bitterly. “Just a ghost with a camera. A ghost photographing other ghosts.”
Perhaps it was right then and there that she decided to adopt that man abandoned at the edge of the Seine, with those cocker spaniel eyes. Soon after, they found themselves sitting on a wooden bench. Listening to the trees, the river. Gerta with her knees to her chest, hugging her legs. For certain women, there’s great danger in having someone place a fairy godmother’s wand in their hands. I’ll save you, she thought. I can do it. It may cost me and you might not deserve it, but I’m going to save you. There isn’t a more powerful sensation than this. Not love, piety, or desire. Though Gerta still hadn’t learned this, she was too young. That’s why, somewhere along the way, she rubbed his head with a gesture that was a cross between messing up his hair and taking his temperature.
“Don’t worry,” she said in a good fairy’s voice, poking her chin over her sweater. “The only thing you need is a manager.”
She smiled. Her teeth were small and bright, with a tiny gap separating the two front ones. It wasn’t the smile of a full-fledged woman but of a young girl—better yet, a fearless boy. An adventurous smile, the kind you put on in front of your opponent during a game. Tilting her head slightly to one side, inquisitive,
