be borne in mind that All Saints’ Day in Spain has no analogy with the same date in our own calendar. Brilliant sunshine, air soft and balmy as of July, characterize the month of November here. These visits to the cemetery are, therefore, less depressing than they would be performed amid English fog and drizzle. We Northerners, moreover, cannot cast off gloomy thoughts and sad retrospection as easily as the more elastic, more joyous Southern temperament. Mass over, the pilgrimage to the cemetery paid, all is relaxation and gaiety. All Saints’ and All Souls’ days are indeed periods of unmitigated enjoyment and relaxation. Public offices, museums, schools, shops, are closed. Holiday folk pour in from the country. The city is as animated as Paris on the 14th of July.
In the forenoon it is difficult to elbow one’s way through the crowded thoroughfares. Every street is thronged, men flocking to mass as zealously as devotees of the other sex. In these early hours most of the ladies wear black; their mourning garb later in the day to be exchanged for fashionable toilettes of all colors. The children are decked out gaily, as for a fancy fair. Service is being held in every church, and from all parts may be heard the sonorous Cathedral bells. Its vast, somber interior, now blazing with wax-lights, is a sight to remember. Crowds in rapt devotion are kneeling on the bare stones, the ladies heedless of their silks; here and there the men kneeling on a glove or pocket-handkerchief, in order to protect their Sunday pantaloons. Rows of poor men – beggars, it would seem, tidied up for the occasion – sit in rows along the aisle, holding lighted tapers. The choir is filled with choristers, men and boys intoning the service so skilfully that they almost seem to sing. Soon the crowds fall back, and a procession passes from choir to high altar – priests and dignitaries in their gorgeous robes, some of black, embroidered with crosses in gold, others of white and purple or yellow, the bishop coming last, his long violet train borne by a priest; all the time the well-trained voices of the choristers – sweet treble of the boys, tenor, and base – making up for lack of music. At last the long ceremony comes to an end, and the vast congregation pours out to enjoy the balmy air, the warm sunshine, visits, confectionery, and other distractions.
Such religious holidays should not be missed by the traveller, since they still stamp Spain as the most Catholic country in the world. Even in bustling, cosmopolitan, progressive Barcelona people seem to spend half their time in church.
In the capital of Catalonia, twentieth-century civilization and the mediæval spirit may still be called next-door neighbors. The airy boulevards and handsome villas of suburban Algiers are not more strikingly contrasted with the ancient Moorish streets than the new quarters of Barcelona with the old. The Rambla, its electric lights, its glittering shops, cafés, clubs, and theaters, recalls a Parisian boulevard. In many of the tortuous, malodorous streets of the old town there is hardly room for a wheelbarrow to be drawn along; no sunbeam has ever penetrated the gloom.
Let us take a penny tramway from the Rambla to the gloomy, grandiose old church of Santa Maria del Mar. Between the city and the sea rises the majestic monument to Columbus, conspicuous as a lighthouse alike from land and sea. We follow a broad palm-bordered alley and pleasure garden beyond which are seen the noble harbor bristling with masts and the soft blue Mediterranean. Under the palms lounge idle crowds listening to a band, shading themselves as best they can from the burning sun of November! What a change when we leave the tramway and the airy, handsome precincts of the park, and plunge into the dark, narrow street behind the Lonja Palace. The somber picture is not without relief. Round about the ancient façade of the church are cloth-shops, the gay wares hanging from each story, as if the shopmen made a display of all their wares. Here were reds, yellows, greens of brightest hue, some of these woolen blankets, shawls, and garments of every description being gay to crudeness; grass green, scarlet, orange, sky-blue, dazzled the eye, but the general effect was picturesque and cheerful. The dingy little square looked ready for a festival. In reality, a funeral service was taking place in the church. If Spanish interiors are always dark and depressing, what must they be when draped with black? No sooner does the door swing behind us here than daylight is shut out completely as on entering a mine; we are obliged to grope our way by the feeble rays of light penetrating the old stained glass of the clerestory. The lovely lancets of the aisles are hidden by huge black banners, the vast building being only lighted by a blaze of wax tapers here and there. Sweet soft chanting of boys’ voices, with a delicious organ accompaniment, was going on when I entered, soon to be exchanged for the unutterably monotonous and lugubrious intoning of black-robed choristers. They formed a procession and, chanting as they went, marched to a side altar before which a priest was performing mass. The Host elevated, all marched back again, the dreary intoning now beginning afresh. It is impossible to convey any adequate notion of the dreariness of the service. If the Spaniards understand how to enjoy to the uttermost what Browning calls “the wild joy of living,” they also know how to clothe death with all the terrors of mediæval superstition. It takes one’s breath away, too, to calculate the cost of a funeral here, what with the priests accomplished in the mystic dance – so does a Spanish writer designate the performance – the no less elaborate services of the choristers, the lighting up of the church, the display of funeral drapery. The expense, fortunately, can only be incurred once. These ancient churches – all somberness and gloom, yet on fête days ablaze with light and colors – symbolize the leading characteristics of Spanish character. No sooner does the devotee rise from his knees than the Southern passion for joy and animation asserts itself. Religious exercise and revel, penitence and enjoyment, alternate one with the other; the more devout the first, all the more eagerly indulged in the last.
On the Sunday morning following the Festival of All Saints – the 4th of November – the splendid old cathedral was the scene of a veritable pageant. Wax lights illuminated the vast interior from end to end, the brocades and satins of priestly robes blazed with gold embroidery, the rich adornments and treasure of altar and chapels could be seen in full splendor. Before the grand music of the organ and the elevation, a long, very long, sermon had to be listened to, the enormous congregation for the most part standing; scattered groups here and there squatted on the stone piers, not a chair to be had anywhere, no one seeming to find the discourse too long. When at last the preacher did conclude, the white-robed choristers, men and boys, passed out of the choir, and formed a double line. Then the bishop in solemn state descended from the high altar. He wore a crimson gown with long train borne by a priest, and on his head a violet cap, with pea-green tuft. The dresses of the attendant clergy were no less gorgeous and rich in texture, some of crimson with heavy gold trimmings, others of mauve, guinea-gold, peach color, or creamy white, several wearing fur caps. The procession made the round of the choir, then returned to the starting-point. As I sat behind the high altar on one of the high-backed wooden benches destined for the aged poor, two tiny chorister boys came up, both in white surplices, one with a pink, the other with sky-blue collar. Here they chatted and laughed with their hands on the bell-rope, ready to signal the elevation. On a sudden the tittering ceased, the childish hands tugged at the rope, the tinkling of the bell was heard, and the multitude, as one man, fell on its knees, the organ meantime being played divinely. Service over, the crowds emerged into the dazzling sunshine: pleasure parties, steamboat trips, visits, theaters, bull-fights occupied the rest of the day, the Rambla presenting the appearance of a masquerade.
An excursion northwards of the city is necessary, in order to see its charming, fast-increasing suburbs. Many, as is the case with those of Paris, Passy, Auteuil, Belleville, and others, were formerly little towns, but are fast becoming part of Barcelona itself.
Most musically named is Gracia, approached by rail or tramway, where rich citizens have their orange and lemon gardens, their chateaux and villas, and where religious houses abound. In this delightful suburban retreat alone no less than six nunneries may be counted; somber prison-like buildings, with tiny barred windows, indicating the abode of cloistered nuns of ascetic orders. That of the Order of St. Domingo has been recently founded. The house looks precisely like a prison. Here also are several congregations of the other sex – the Missionaries of the Sacred Heart, the Fathers of San Filipe, and others.
Gracia may be called the Hampstead of Barcelona. Hardly a house but possesses its garden. Above the high walls trail gorgeous creepers and datura, whilst through the iron gates we obtain glimpses of dahlias in full splendor,
