Mary Queen of Scots. Abbott Jacob
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The betrothal.
The Louvre.
The ceremony of the betrothal was celebrated in the palace. The palace then occupied by the royal family was the Louvre. It still stands, but is no longer a royal dwelling. Another palace, more modern in its structure, and called the Tuilleries, has since been built, a little farther from the heart of the city, and in a more pleasant situation. The Louvre is square, with an open court in the center. This open court or area is very large, and is paved like the streets. In fact, two great carriage ways pass through it, crossing each other at right angles in the center, and passing out under great arch-ways in the four sides of the building. There is a large hall within the palace, and in this hall the ceremony of the betrothal took place. Francis and Mary pledged their faith to each other with appropriate ceremonies. Only a select circle of relations and intimate friends were present on this occasion. The ceremony was concluded in the evening with a ball.
Notre Dame.
View of the interior.
In the mean time, all Paris was busy with preparations for the marriage. The Louvre is upon one side of the River Seine, its principal front being toward the river, with a broad street between. There are no buildings, but only a parapet wall on the river side of the street, so that there is a fine view of the river and of the bridges which cross it, from the palace windows. Nearly opposite the Louvre is an island, covered with edifices, and connected, by means of bridges, with either shore. The great church of Notre Dame, where the marriage ceremony was to be performed, is upon this island. It has two enormous square towers in front, which may be seen, rising above all the roofs of the city, at a great distance in every direction. Before the church is a large open area, where vast crowds assemble on any great occasion. The interior of the church impresses the mind with the sublimest emotions. Two rows of enormous columns rise to a great height on either hand, supporting the lofty arches of the roof. The floor is paved with great flat stones, and resounds continually with the footsteps of visitors, who walk to and fro, up and down the aisles, looking at the chapels, the monuments, the sculptures, the paintings, and the antique and grotesque images and carvings. Colored light streams through the stained glass of the enormous windows, and the tones of the organ, and the voices of the priests, chanting the service of the mass, are almost always resounding and echoing from the vaulted roof above.
Amphitheater.
Covered gallery.
The words Notre Dame mean Our Lady, an expression by which the Roman Catholics denote Mary, the mother of Jesus. The church of Notre Dame had been for many centuries the vast cathedral church of Paris, where all great ceremonies of state were performed. On this occasion they erected a great amphitheater in the area before the church, which would accommodate many thousands of the spectators who were to assemble, and enable them to see the procession. The bride and bridegroom, and their friends, were to assemble in the bishop's palace, which was near the Cathedral, and a covered gallery was erected, leading from this palace to the church, through which the bridal party were to enter. They lined this gallery throughout with purple velvet, and ornamented it in other ways, so as to make the approach to the church through it inconceivably splendid.
The procession.
Mary's dress.
Crowds began to collect in the great amphitheater early in the morning. The streets leading to Notre Dame were thronged. Every window in all the lofty buildings around, and every balcony, was full. From ten to twelve the military bands began to arrive, and the long procession was formed, the different parties being dressed in various picturesque costumes. The embassadors of various foreign potentates were present, each bearing their appropriate insignia. The legate of the pope, magnificently dressed, had an attendant bearing before him a cross of massive gold. The bridegroom, Francis the dauphin, followed this legate, and soon afterward came Mary, accompanied by the king. She was dressed in white. Her robe was embroidered with the figure of the lily, and it glittered with diamonds and ornaments of silver. As was the custom in those days, her dress formed a long train, which was borne by two young girls who walked behind her. She wore a diamond necklace, with a ring of immense value suspended from it, and upon her head was a golden coronet, enriched with diamonds and gems of inestimable value.
Appearance of Mary.
But the dress and the diamonds which Mary wore were not the chief points of attraction to the spectators. All who were present on the occasion agree in saying that she looked inexpressibly beautiful, and that there was an indescribable grace and charm in all her movements and manner, which filled all who saw her with an intoxication of delight. She was artless and unaffected in her manners, and her countenance, the expression of which was generally placid and calm, was lighted up with the animation and interest of the occasion, so as to make every body envy the dauphin the possession of so beautiful a bride. Queen Catharine, and a long train of the ladies of the court, followed in the procession after Mary. Every body thought that she felt envious and ill at ease.
Wedding ring.
Movement of the procession.
The essential thing in the marriage ceremony was to be the putting of the wedding ring upon Mary's finger, and the pronouncing of the nuptial benediction which was immediately to follow it. This ceremony was to be performed by the Archbishop of Rouen, who was at that time the greatest ecclesiastical dignitary in France. In order that as many persons as possible might witness this, it was arranged that it should be performed at the great door of the church, so as to be in view of the immense throng which had assembled in the amphitheater erected in the area, and of the multitudes which had taken their positions at the windows and balconies, and on the house-tops around. The procession, accordingly, having entered the church through the covered gallery, moved along the aisles and came to the great door. Here a royal pavilion had been erected, where the bridal party could stand in view of the whole assembled multitude. King Henry had the ring. He gave it to the archbishop. The archbishop placed it upon Mary's finger, and pronounced the benediction in a loud voice. The usual congratulations followed, and Mary greeted her husband under the name of his majesty the King of Scotland. Then the whole mighty crowd rent the air with shouts and acclamations.
Largess.
Confusion.
It was the custom in those days, on such great public occasions as this, to scatter money among the crowd, that they might scramble for it. This was called the king's largess; and the largess was pompously proclaimed by heralds before the money was thrown. The throwing of the money among this immense throng produced a scene of indescribable confusion. The people precipitated themselves upon each other in their eagerness to seize the silver and the gold. Some were trampled under foot. Some were stripped of their hats and cloaks, or had their clothes torn from them. Some fainted, and were borne out of the scene with infinite difficulty and danger. At last the people clamorously begged the officers to desist from throwing any more money, for fear that the most serious and fatal consequences might ensue.
The choir.
Mass.
In the mean time, the bridal procession returned into the church, and, advancing up the center between the lofty columns, they came to a place called the choir, which is in the heart of the church, and is inclosed