bar in the Museum, and so I abolished the check business. There was great reason to apprehend that such a course would rob me of the patronage of a considerable class of play-goers, but I rigidly adhered to the new rule, and what I may have lost in money, I more than gained in the greater decorum which characterized my audiences.
The Museum became a mania with me and I made everything possible subservient to it. On the eve of elections, rival politicians would ask me for whom I was going to vote, and my answer invariably was, “I vote for the American Museum.” In fact, at that time, I cared very little about politics, and a great deal about my business. Meanwhile the Museum prospered wonderfully, and everything I attempted or engaged in seemed at the outset an assured success.
The giants whom I exhibited from time to time were always literally great features in my establishment, and they oftentimes afforded me, as well as my patrons, food for much amusement as well as wonder. The Quaker giant, Hales, was quite a wag in his way. He went once to see the new house of an acquaintance who had suddenly become rich, but who was a very ignorant man. When he came back he described the wonders of the mansion and said that the proud proprietor showed him everything from basement to attic; “parlors, bed-rooms, dining room, and,” said Hales, “what he called his ‘study’ – meaning, I suppose, the place where he intends to study his spelling-book!”
I had at one time two famous men, the French giant, M. Bihin, a very slim man, and the Arabian giant, Colonel Goshen. These men generally got on together very well, though, of course, each was jealous of the other, and of the attention the rival received, or the notice he attracted. One day they quarrelled, and a lively interchange of compliments ensued, the Arabian calling the Frenchman a “Shanghai,” and receiving in return the epithet of “Nigger.” From words both were eager to proceed to blows, and both ran to my collection of arms, one seizing the club with which Captain Cook or any other man might have been killed, if it were judiciously wielded, and the other laying hands on a sword of the terrific size which is supposed to have been conventional in the days of the Crusades. The preparations for a deadly encounter, and the high words of the contending parties brought a dozen of the Museum attaches to the spot, and these men threw themselves between the gigantic combatants. Hearing the disturbance, I ran from my private office to the duelling ground, and said:
“Look here! This is all right; if you want to fight each other, maiming and perhaps killing one or both of you, that is your affair; but my interest lies here – you are both under engagement to me, and if this duel is to come off, I and the public have a right to participate. It must be duly advertised, and must take place on the stage of the Lecture Room. No performance of yours would be a greater attraction, and if you kill each other, our engagement can end with your duel.”
This proposition, made in apparent earnest, so delighted the giants that they at once burst into a laugh, shook hands, and quarrelled no more.
I now come to the details of one of the most interesting, as well as successful, of all the show enterprises in which I have engaged – one which not only taxed all my ingenuity and industry, but which gave unqualified delight to thousands of people on two continents and put enormous sums of money into many pockets besides my own.
In November, 1842, I was in Albany on business, and as the Hudson River was frozen over, I returned to New York by the Housatonic Railroad, stopping one night at Bridgeport, Connecticut, with my brother, Philo F. Barnum, who at that time kept the Franklin Hotel. I had heard of a remarkably small child in Bridgeport, and, at my request, my brother brought him to the hotel. He was not two feet high; he weighed less than sixteen pounds, and was the smallest child I ever saw that could walk alone; but he was a perfectly formed, bright-eyed little fellow, with light hair and ruddy cheeks and he enjoyed the best of health. He was exceedingly bashful, but after some coaxing he was induced to talk with me, and he told me that he was the son of Sherwood E. Stratton, and that his own name was Charles S. Stratton. After seeing him and talking with him, I at once determined to secure his services from his parents and to exhibit him in public.
But as he was only five years of age, to exhibit him as a “dwarf” might provoke the inquiry “How do you know he is a dwarf?” Some liberty might be taken with the facts, but even with this license, I felt that the venture was only an experiment, and I engaged him for four weeks at three dollars a week, with all travelling and boarding charges for himself and his mother at my expense. They came to New York, Thanksgiving day, December 8, 1842, and Mrs. Stratton was greatly surprised to see her son announced on my Museum bills as “General Tom Thumb.”
I took the greatest pains to educate and train my diminutive prodigy, devoting many hours to the task by day and by night, and I was very successful, for he was an apt pupil with a great deal of native talent, and a keen sense of the ludicrous. He made rapid progress in preparing himself for such performances as I wished him to undertake and he became very much attached to his teacher.
When the four weeks expired, I re-engaged him for one year at seven dollars a week, with a gratuity of fifty dollars at the end of the engagement, and the privilege of exhibiting him anywhere in the United States, in which event his parents were to accompany him and I was to pay all travelling expenses. He speedily became a public favorite, and, long before the year was out, I voluntarily increased his weekly salary to twenty-five dollars, and he fairly earned it. Sometimes I exhibited him for several weeks in succession at the Museum, and when I wished to introduce other novelties I sent him to different towns and cities, accompanied by my friend, Mr. Fordyce Hitchcock, and the fame of General Tom Thumb soon spread throughout the country.
Two years had now elapsed since I bought the Museum and I had long since paid for the entire establishment from the profits; I had bought out my only rival; I was free from debt, and had a handsome surplus in the treasury. The business had long ceased to be an experiment; it was an established success and was in such perfect running order, that it could safely be committed to the management of trustworthy and tried agents.
Accordingly, looking for a new field for my individual efforts, I entered into an agreement for General Tom Thumb’s services for another year, at fifty dollars a week and all expenses, with the privilege of exhibiting him in Europe. I proposed to test the curiosity of men and women on the other side of the Atlantic. Much as I hoped for success, in my most sanguine moods, I could not anticipate the half of what was in store for me; I did not foresee nor dream that I was shortly to be brought in close contact with kings, queens, lords and illustrious commoners, and that such association, by means of my exhibition, would afterwards introduce me to the great public and the public’s money, which was to fill my coffers. Or, if I saw some such future, it was dreamily, dimly, and with half-opened eyes, as the man saw the “trees walking.”
After arranging my business affairs for a long absence, and making every preparation for an extended foreign tour, on Thursday, January 18, 1844, I went on board the new and fine sailing ship “Yorkshire,” Captain D. G. Bailey, bound for Liverpool. Our party included General Tom Thumb, his parents, his tutor, and Professor Guillaudeu, the French naturalist. We were accompanied by several personal friends, and the City Brass Band kindly volunteered to escort us to Sandy Hook.
My name has been so long associated with mirthful incidents that I presume many persons do not suppose I am susceptible of sorrowful, or even sentimental emotions; but when the bell of the steamer that towed our ship down the bay announced the hour of separation, and then followed the hastily-spoken words of farewell, and the parting grasp of friendly hands, I confess that I was very much in the “melting mood,” and when the band played “Home, Sweet Home,” I was moved to tears.
A voyage to Liverpool is now an old, familiar story, and I abstain from entering into details, though I have abundant material respecting my own experiences of my first sea-voyage in the first two of a series of one hundred letters which I wrote in Europe as correspondent of the New York Atlas. But some of the incidents and adventures of my voyage on the “Yorkshire” are worth transcribing in these pages of my personal history.
Occasional
