first attained his notoriety. The place was always crowded, and when the General had gone through with his performances on the little stage, in order that all might see him he was put into a balloon which, secured by ropes, was then passed around the ground just above the people’s heads. Some forty men managed the ropes and prevented the balloon from rising; but, one day, a sudden gust of wind took the balloon fairly out of the hands of half the men who had hold of the ropes, while others were lifted from the ground, and had not an alarm been instantly given which called at least two hundred to the rescue the little General would have been lost.
In addition to other engagements, the General frequently performed in Douglass’s Standard Theatre, in the city, in the play “Hop o’ my Thumb,” which was written for him by my friend, Albert Smith, whom I met soon after my first arrival in London and with whom I became very intimate. After my arrival in Paris, seeing the decided success of “Petit Poucet,” it occurred to me that I should want such a play when I returned to England and the United States. So I wrote to Mr. Albert Smith, inviting him to make me a visit in Paris, intending to have him see this play and either translate or adapt it, or write a new one in English. He came and stayed with me a week, visiting the Vaudeville Theatre to see “Petit Poucet” nearly every night, and we compared notes and settled upon a plan for “Hop o’ my Thumb.” He went back to London and wrote the play and it was very popular indeed.
During our stay of three months, at this time, in Egyptian Hall, we made occasional excursions and gave exhibitions at Brighton, Bath, Cheltenham, Leamington and other watering places and fashionable resorts. It was at the height of the season in these places, and our houses were very large and our profits in proportion.
In October, 1844, I made my first return visit to the United States, leaving General Tom Thumb in England, in the hands of an accomplished and faithful agent, who continued the exhibitions during my absence. One of the principal reasons for my return at this time, was my anxiety to renew the Museum building lease, although my first lease of five years had still three years longer to run. I told Mr. Olmsted that if he would not renew my lease on the same terms, for at least five years more, I would immediately put up a new building, remove my Museum, close his building during the last year of my lease, and cover it from top to bottom with placards, stating where my new Museum was to be found. Pending an arrangement, I went to Mr. A. T. Stewart, who had just purchased the Washington Hall property, at the corner of Broadway and Chambers Street, intending to erect a store on the site, and proposed to join him in building, he to take the lower floor of the new store for his business, and I to own and occupy the upper stories for my Museum. He said he would give me an answer in the course of a week. Meanwhile, Mr. Olmsted gave me the additional five years lease I asked, and I so notified Mr. Stewart. Seeing the kind of building that Mr. Stewart erected on his lots, I do not know if he seriously entertained my proposition to join him in the enterprise; but he was by no means the great merchant then he afterwards became, and neither of us then thought, probably, of the gigantic enterprises we were subsequently to undertake, and the great things we were to accomplish. Having completed my business arrangements in New York, I returned to England with my wife and daughters, and hired a house in London. My house was the scene of constant hospitality which I extended to my numerous friends in return for the many attentions shown to me. It seemed then as if I had more and stronger friends in London than in New York. I had met and had been introduced to “almost everybody who was anybody,” and among them all, some of the best soon became to me much more than mere acquaintances.
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