words, Repolido turned towards the outer door, and proceeded to leave the place.
Cariharta had meanwhile been listening to all this, and when she found that Repolido was departing in anger, she rushed out, screaming, "Hold him, hold him, – don't let him go, or he will be showing us some more of his handiwork; can't you see that he is angry? and he is a Judas Macarelo in the matter of bravery. Come here, Hector of the world and of my eyes!" With these words, Cariharta threw herself upon the retiring bravo, and held him with all her force by his cloak. Monipodio lent her his aid, and between them they contrived to detain him.
Chiquiznaque and Maniferro, undetermined whether to resume the dispute or not, stood waiting apart to see what Repolido would do, and the latter perceiving himself to be in the hands of Monipodio and Cariharta, exclaimed, "Friends should never annoy friends, nor make game of friends, more especially when they see that friends are vexed."
"There is not a friend here," replied Maniferro, "who has any desire to vex a friend; and since we are all friends, let us give each other the hand like friends." "Your worships have all spoken like good friends," added Monipodio, "and as such friends should do; now finish by giving each other your hands like true friends."
All obeyed instantly, whereupon Escalanta, whipping off her cork-soled clog, began to play upon it as if it had been a tambourine. Gananciosa, in her turn, caught up a broom, and, scratching the rushes with her fingers, drew forth a sound which, if not soft or sweet, yet agreed very well with the beating of the slipper. Monipodio then broke a plate, the two fragments of which he rattled together in such fashion as to make a very praiseworthy accompaniment to the slipper and the broom.
Rinconete and Cortadillo stood in much admiration of that new invention of the broom, for up to that time they had seen nothing like it. Maniferro perceived their amazement, and said to them, "The broom awakens your admiration, – and well it may, since a more convenient kind of instrument was never invented in this world, nor one more readily formed, or less costly. Upon my life, I heard a student the other day affirm, that neither the man who fetched his wife out of hell – Negrofeo, Ogrofeo, or what was he called – nor that Marion who got upon a dolphin, and came out of the sea like a man riding on a hired mule – nor even that other great musician who built a city with a hundred gates and as many posterns – never a one of them invented an instrument half so easy of acquirement, so ready to the touch, so pleasing and simple as to its frets, keys, and chords, and so far from troublesome in the tuning and keeping in accord; and by all the saints, they swear that it was invented by a gallant of this very city, a perfect Hector in matters of music."
"I fully believe all you say," replied Rinconete, "but let us listen, for our musicians are about to sing. Gananciosa is blowing her nose, which is a certain sign that she means to sing."
And she was, in fact, preparing to do so. Monipodio had requested her to give the company some of the Seguidillas most in vogue at the moment. But the first to begin was Escalanta, who sang as follows, in a thin squeaking voice: —
"For a boy of Sevilla,
Red as a Dutchman,
All my heart's in flame."
To which Gananciosa replied, taking up the measure as she best might —
"For the little brown lad,
With a good bright eye,
Who would not lose her name?"
Then Monipodio, making great haste to perform a symphony with his pieces of platter, struck in —
"Two lovers dear, fall out and fight,
But soon, to make their peace, take leisure;
And all the greater was the row,
So much the greater is the pleasure."
But Cariharta had no mind to enjoy her recovered happiness in silence and fingering another clog, she also entered the dance, joining her voice to those of her friends, in the following words —
"Pause, angry lad! and do not beat me more,
For 'tis thine own dear flesh that thou dost baste,
If thou but well consider, and – "
"Fair and soft," exclaimed Repolido, at that moment, "give us no old stories, there's no good in that. Let bygones be bygones! Choose another gait, girl; we've had enough of that one."
The canticle, for a moment interrupted by these words, was about to recommence, and would not, apparently, have soon come to an end, had not the performers been disturbed by violent knocks at the door. Monipodio hastened to see who was there, and found one of his sentinels, who informed him that at the end of the street was the alcalde of criminal justice, with the little Piebald and the Kestrel (two catchpolls, who were called neutral, since they did the community of robbers neither good nor harm), marching before him.
The joyous company within heard the report of their scout, and were in a terrible fright. Escalanta and Cariharta put on their clogs in great haste, Gananciosa threw down her broom, and Monipodio his broken plate, every instrument sinking at once into silence. Chiquiznaque lost his joyous grin, and stood dumb as a fish; Repolido trembled with fear, and Maniferro looked pale with anxiety. But these various demonstrations were exhibited only for a moment, – in the next, all that goodly brotherhood had disappeared. Some rushed across a kind of terrace, and gained another court; others clambered over the roof, and so passed into a neighbouring alley. Never did the sound of a fowling piece, or a sudden peal of thunder, more effectually disperse a flock of careless pigeons, than did the news of the alcalde's arrival that select company assembled in the house of the Señor Monipodio. Rinconete and Cortadillo, not knowing whither to flee, stood in their places waiting to see what would be the end of that sudden storm, which finished simply enough by the return of the sentinel, who came to say that the alcalde had passed through the whole length of the street without seeming to have any troublesome suspicions respecting them, or even appearing to think of their house at all.
While Monipodio was in the act of receiving this last report, there came to the door a gentleman in the prime of youth, and dressed in the half-rustic manner suitable to the morning, or to one residing in the country. Monipodio caused this person to enter the house with himself; he then sent to look for Chiquiznaque, Repolido, and Maniferro, with orders that they should come forth from their hiding places, but that such others as might be with them should remain where they were.
Rinconete and Cortadillo having remained in the court, could hear all the conversation which took place between Monipodio and the gentleman who had just arrived, and who began by inquiring how it happened that the job he had ordered had been so badly done. At this point of the colloquy, Chiquiznaque appeared, and Monipodio asked him if he had accomplished the work with which he had been entrusted – namely, the knife-slash of fourteen stitches.38
"Which of them was it," inquired Chiquiznaque, "that of the merchant at the Cross-ways?" "Exactly," replied the gentleman. "Then I'll tell you how the matter went," responded the bravo. "Last night, as I watched before the very door of his house, and the man appeared just before to the ringing of the Ave Maria, I got near him, and took the measure of his face with my eyes; but I perceived it was so small that it was impossible, totally impossible, to find room in it for a cut of fourteen stitches. So that, perceiving myself unable to fulfil my destructions" – "Instructions you mean," said the gentleman; – "Well, well, instructions if you will," admitted Chiquiznaque, – "seeing that I could not find room for the number of stitches I had to make, because of the narrowness, I say, and want of space in the visage of the merchant, I gave the cut to a lacquey he had with him, to the end that I might not have my journey for nothing; and certainly his allowance may pass for one of the best quality."
"I would rather you had given the master a cut
"At that time," remarks Viardot, "while wounds were still sewed up by the surgeons, the importance or extent of the cut made was estimated by the number of the stitches."
