The Brass Bottle: A Farcical Fantastic Play in Four Acts. Anstey F.

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style="font-size:15px;">      Good! [At window.] Then you'll send for that caravan of yours?

Fakrash

      I hear and obey.

[He goes towards door at back and waves his hand. The door flies open. The chant is heard as before. A pause, after which the Head Slave enters and salaams. Then the train of black slaves pour in noiselessly, and proceed to carry out the chests, &c., and throw the bales out over the balcony.Horace

      [Encouraging them.] That's right! All those are to go. Put your back into it! [To some slaves who are throwing down bales from the balcony.] Do be careful! You nearly bowled a camel over that time! [The last slave has gone out with a sack from which an immense blue jewel has rolled; Horace picks it up and calls after him.] Hi! You've dropped a little sapphire thing! [The Head Slave takes the sapphire from him and salaams.] Sure you've got the lot? All right! Good day! [The Head Slave makes a final salaam and goes out, the door closing after him mysteriously; Horace approaches Fakrash.] It's awfully nice of you not to be offended, old fellow, and I'm just as much obliged as if I'd kept the things, you know.

Fakrash

      It is no matter. Thou shalt receive other rewards more to thy liking.

Horace

      [Alarmed.] No, no! I assure you I don't want anything. I can get along quite well by myself. Because – of course, you wouldn't know it, but – [with pride] – I've got a client now!

Fakrash

      [Calmly.] I know it. Was he not my first gift unto thee?

Horace

      [Staggered.] Your first – ? No, no – don't you go taking credit for that! He assured me himself that he came of his own accord!

Fakrash

      He knew no better. Nevertheless it was I that procured him for thee.

Horace

      How?

Fakrash

      [Airily.] In the easiest manner possible. Having remarked him upon a bridge, I transported him instantly to thy dwelling, impressing him without his knowledge with thy names and thy marvellous abilities.

Horace

      [Horrified – to himself.] Good Lord! He said he came in by the window! [To Fakrash.] So you did that, did you? Then you took a confounded liberty! You'd no business to introduce clients to me in that irregular way! Don't you ever do this sort of thing again! Just attend to your own affairs in future. I understood you were going off in search of Suleymán. It's high time you started. You won't find him in this country, you know.

Fakrash

      He is on some journey – for in Jerusalem itself could I find no sign of him.

Horace

      Oh, come! You can't have flown as far as Jerusalem and back already!

Fakrash

      Know'st thou not that, to a Jinnee of the Jinn, distance is but a trifling matter?

Horace

      So much the better! You'll be back in the East all the sooner. And when you are there, you stay there. Don't get disheartened if you don't find Suleymán directly. Keep on pegging away till you do! Why, the mere travelling will be a pleasant change for you!

Fakrash

      [On right of table; sententiously.] Well and wisely was it written: "In travel there are five advantages. [Proceeding to enumerate them on his fingers.] The first of these is – "

Horace

      [Impatiently, as he moves to his bedroom door on right.] I know, I know! Don't you bother to run through them now– I've got to dress for dinner. Just you bundle off to Arabia and search for Suleymán like billy-oh. Good-bye!

Fakrash

      May Allah never deprive thy friends of thy presence! Never have I encountered a mortal who has pleased me so greatly!

Horace

      [At bedroom door.] Awfully good of you to say so!

Fakrash

      Farewell! Prepare to receive a reward beyond all thine expectations!

[He waves his arm, and for ten seconds the room is in utter darkness. There are sounds as of a rushing wind and crashes and rumblings. Then the glimmer of three Arabian hanging lanterns is seen faintly illuminating a large central arch and two smaller side ones. An immense perforated lantern hanging from the domed roof then becomes lit, and reveals an octagonal hall with four curtained arches, the fourth, down on the right, being where Horace's bedroom door had been. The walls are decorated in crimson, blue, and gold arabesques. Above the bedroom door is a low divan with richly embroidered cushions. Opposite to it, on the left, is a similar divan. High in the wall overhead is a window with gilded lattice-work, through which is seen a soft blue evening sky.Horace

      [With his back to the audience.] Great Scott! What's that old idiot let me in for now?

Mrs. Rapkin

      [Heard outside the arch up on right of central arch.] Oh, whatever is it now? What's 'appened? [She enters.] Goodness gracious! Mr. Ventimore, sir – what's come to the 'ouse?

Horace

      Then —you see a difference, Mrs. Rapkin?

Mrs. Rapkin

      I don't see nothink as ain't different. For mercy's sake, sir, 'oo's been alterin' of it like this?

Horace

      Well, I haven't.

Mrs. Rapkin

      But where are you going to 'ave your dinner-party now, sir?

Horace

      Where? Why, here! There's lots of room.

Mrs. Rapkin

      But I don't see no dinner-table, nor yet no sideboard.

Horace

      Never mind – never mind! Don't make difficulties, Mrs. Rapkin. You must manage somehow.

Mrs. Rapkin

      I'll try, sir, but – not to deceive you – I feel that upset I 'ardly know where I am.

Horace

      You – you'll get used to it. [Persuasively.] And you're going to see me through this, I'm sure. I must go and dress now. [Looking round the hall.] I suppose you haven't any idea where my bedroom is?

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