The Pearl of India. Ballou Maturin Murray

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The Pearl of India - Ballou Maturin Murray

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Roman, and Moorish inspirations, calculated to puzzle the scientist as to their probable origin. The singular conglomerates of our own day are not more confusing than some of the best-preserved specimens to be found in these ruined cities of ancient Ceylon.

      Another notable object of antiquarian interest in the island is recalled in this connection. It is that of a colossal, upright figure of Buddha, a figure hewn out of the solid rock, to which it is still attached, though it is statuesque and not in bas-relief, the original material only furnishing its support at the back. This rude piece of sculpture is fifty feet in height and otherwise duly proportioned, vividly recalling the mammoth bronze statue of Dai-Butsu at Kamakura, in Japan, which is nearly sixty feet in height, though it is represented in a sitting position. Within this statue fifty people can stand together, the interior being fitted like a chapel. As regards antiquity, the Japanese figure is supposed to be but six centuries in age, while that of Ceylon is surely three times as old, and probably four. The great Singhalese statue is now in the jungle, which has grown up about it during centuries of neglect, near to the great Tank of Kalawera. The surrounding rocks were in ancient days turned into a cave-temple with infinite labor, by hewing and excavating them into chambers of suitable dimensions. Without excellent tools of steel and iron, very nearly approaching in efficiency those of our own time, this could not possibly have been accomplished.

      The carved pillars, fluted, beveled, and spiral columns, mounds of ruined masonry, crumbling flights of stone steps, ornamental fragments of temples, and granite statues skillfully wrought which are scattered in all directions throughout the jungle, in some instances overgrown by tall trees, attest both departed greatness and far-reaching antiquity. Broken bricks, tiles, and sculpture are so knit together by snakelike tree-roots, while shaded by their lofty branches, as to form one solid mass for hundreds of rods together, dotted here and there by simple wild flowers which modestly rear their delicate petals and perfume the air. One represents the tomb of decayed magnificence and oriental luxury, the other is the sweet and simple emblem of Nature undefiled. Thus she covers up the wrinkles of age with blooming vegetation, screening the mouldering architecture of a forgotten race beneath fresh arboreal and floral beauties. There still remain, though partially buried beneath the earth, the suggestive memorials of a prosperous and energetic people, who were once the possessors of this beautiful Indian isle. These decaying monuments are at the same time indisputable evidence of the high civilization which once existed here, and also, sad to realize, of the deterioration of the Singhalese as a people. However gradual may have been the decadence of the race from the proud condition of their ancestors who built the "buried cities," the contrast is so strong to-day as to seem singularly abrupt, notwithstanding the intervening centuries.

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