scholarly writer upon physical geography. As to antiquity, the monuments of Egypt enable us to trace back the history of civilized man only six thousand years, though all intelligent archæologists know that the earth must have been inhabited by human beings an infinite number of years prior to that period. Philology and geology are sufficient to prove this.
Singhalese annals record in detail the reign of one hundred and sixty sovereigns during a period extending from the conquest of the island, b. c. 543, by Wijaya, a prince from northern India, to the deposition of Wikram Raja Sinka by the English in 1815. This was the last king of Kandy, the then native capital of Ceylon. Sufficient is recorded of the personal character of Wijaya, the early conqueror of the island, to prove his utter barbarity, so that we are naturally led still more to wonder whence came the artists – for artists they were – who designed and built such cities as Anuradhapura and Pollonarua, the first of which was probably founded during his reign. Either the Singhalese as a race must have retrograded in a most marvelous manner, while other nationalities were in the line of progress, or foreign artists and builders must have been imported to rear such grand and beautiful capitals in this Indian isle. Does the reader realize that our best architects to-day go back for suggestions to the elaborate and elegant ornamentations which prevailed at this period in stone columns and lofty façades? Though scarred by warfare with the ages, these still form rare and choice object lessons to the appreciative artist.
Among the remarkable evidences of great antiquity in Ceylon, we recall the elaborate cave-temples of Dambula, hewn out of the primitive rock, and which have existed at least two thousand years, representing an infinite amount of patient labor, which must have been executed with tools admirably adapted to the purpose assigned. The principal temple – there are four of them – was dedicated to Buddha, whose creed is still the prevailing faith of Asia, – a doctrine ages older than our so-called Christian religion. The entrance to the principal cave-temple is elaborately carved in the solid stone, and is wonderfully well-preserved. The design is harmonious with the purpose, presenting a score or more of figures in bas-relief, with embellishments appropriate to the Buddhist faith. Two mammoth figures, one on either side, represent, probably, guardian spirits or gods. Just within, there is an altar with a sitting figure of Buddha, opposite the entrance. It is interesting to note the ornamental entrance to the temple, as exhibiting the degree of artistic appreciation which existed here in Ceylon between two and three thousand years ago. This largest temple is one hundred and eighty feet long, eighty wide, and twenty-five high, a gloomy vault at best, containing a gigantic recumbent stone statue of Buddha, forty-seven feet in length, the head resting on the right hand, indicating repose, one of the favorite positions in which the prophet is usually represented in the temples of Ceylon. The chambers or halls, which are hollowed out of the rock, are reached by long flights of stone steps. Each temple is most grotesquely painted with scenes supposed to represent the past history of the island. In the first of the caves is the immense statue already spoken of. In the others are those of ancient kings in heroic size, but not nearly so large as that of Buddha. On the several walls are rudely-painted tournament scenes, elephant hunts, and half-effaced battle pictures. Some of the apartments have iron-grated windows, and were evidently places of confinement for political prisoners, some time in the far past. An old Buddhist priest is in charge, grumpy, reticent, and apparently dissatisfied with himself and the world generally. In the first and largest of the stone chambers of this huge rock at Dambula, besides the large recumbent figure of Buddha, there is a statue of Vishnu, held especially sacred, and before which solemn oaths in litigated cases were administered, without any other recourse for settlement. This was when one of the parties agreed to abide by the solemn oath of the other, to be given in specified form before this statue of Vishnu. It is a rudely executed figure in granite, as indeed are all the statues of the period. In the second chamber or temple there are half a hundred statues of Buddha, besides representatives in stone of various heathen gods, painted in yellow, blue, and white robes, but why the multiplicity of Buddhas it would be difficult to divine. In front of the cave-temples is a flourishing boo-tree, and a small grove of cocoanut palms which have grown to a great size. As usual, centuries of age are claimed for the first-named tree. Round about the plain, among the rude, wild vegetable growth, a peculiar cactus is seen, a familiar acquaintance, first met with on the plains of Mexico. Its thick leaves form also its branches, each leaf being attached to its neighbor endwise, like links of a chain, and being bordered by a bright yellow ruffle of profuse blossoms. These cave-temples of Dambula are cut in a solitary mass of rock, rising from the otherwise level plain to about five hundred feet in height and four times that in length. This is undoubtedly the most remarkable group of cave-temples upon the island.
One is vividly reminded by these peculiar and enduring structures of a similar famous place of Hindu worship cut out of the solid rock on the island of Elephanta in the outer harbor of Bombay, and also of those found at Ellora and Carlee, in India proper. These three Buddhist temples are known to have been in existence for about twenty centuries, and are very similar in design. The elaborate sculptures in bas-relief which decorate them are almost identical in character, but they have little or no artistic merit, being in fact as crude as Chinese or Japanese idols, mere caricatures as seen from a modern point of view, and yet they are clearly the result of a distinctive purpose. As to depicting the human figure with any regard to its anatomy, that was not understood by these artists, any more than are the laws of perspective by the Chinese or Japanese of to-day. So in ancient Egyptian sculpture, an approximation to the true outline of the human figure is all that is attempted. The stone pillars and figures at Elephanta, so venerable from age and association, were nearly destroyed by French cannon-balls, the guns being brought on shore at considerable trouble, and maliciously directed, for this purpose. It seemed to be a fixed principle with the soldiers of the first Napoleon to purloin everything of value which was portable in the countries they invaded, and what they could not steal and carry away, with true barbaric instinct they destroyed. Churches, charitable institutions, hospitals, were all alike looted by these French vandals. Even tombs were invaded by them in their rapacity, as at Granada, where the leaden coffins in the royal vaults were pried open with bayonets in search of treasures supposed to have been buried with the bodies. At Seville, they broke open the coffin of Murillo, wherein finding nothing of commercial value, they scattered the ashes of the great master in art to the wind. It will also be remembered that Marshal Soult – to his lasting disgrace be it recorded – treated the ashes of Cervantes in a similar manner; a most petty and disgraceful meanness for a marshal of France to be guilty of.
The Mahawanso, "Genealogy of the Great," a native chronicle, contains a history of the several dynasties which have controlled the island from B. C. 543 down to a. d. 1758. This unique and remarkable Singhalese book is a metrical chronicle written in Pali verse, and forms what is universally received as an authentic and most invaluable record of the national history of Ceylon. A scholarly translation of the same is now extant in English. Pali, as the reader doubtless knows, is a dead language founded upon the Sanscrit, though Buddhists claim that it is the original of all tongues. This is an assumption easily disproved by Egyptian inscriptions dating back over six thousand years. The island, under its Sanskrit name of Lanka, is also the subject of a mythical poem of the Hindus, and its conquest by Rama is the theme of the Ramayana, doubtless one of the most ancient epics in existence. The Mahawanso, though the oldest, is by no means the only Singhalese chronicle of a historic character. It was designed by a priest named Mahanamo, who compiled the early portion, commencing five centuries and more before Christ, and bringing it down to the year 301 of our era. After this it was continued by able successors, who carried on the original plan of the beginner to the period when the English took forcible possession of Ceylon. There are several comprehensive manuscripts devoted to native history, written upon talipot palm-leaf, carefully preserved in the museum at Colombo.
Besides these important records there is abundant evidence of a tangible character to show that there once existed upon this island a great and powerful empire in a condition of advanced civilization. The gigantic remains of palaces and temples tell us this. There are also evidences of a system of irrigation which was remarkably perfect in conception and consummation, though it must have been achieved by the simplest means, that is, by the aid of no mechanical facilities such as we possess. This system covered the face of the country, north and south, like a network. Immense lakes were formed by
