change his place; and in that way it comes about that sometimes you have to outspan one or two or even more oxen in the middle of a trek.
That is how Pezulu used to get caught: the minute he saw outspanning begin, he would nip off with all the hens following him and wander about looking for food, chasing locusts or grasshoppers, and making darts at beetles and all sorts of dainties – very much interested in his job and wandering further from the waggons at every step. The boys would watch him, and as soon as they were fixed up again, would start off without a word of warning to Pezulu. Then there was a scene. At the first sound of the waggon-wheels moving he would look up from where he was or walk briskly into the open or get on to an ant-heap to see what was up, and when to his horror he saw the waggon actually going without him, he simply screamed open-mouthed and tore along with wings outstretched – the old gentleman shouting “Stop the train, stop the train,” with his family straggling along behind him. It never took him long to catch up and scramble on, but even then he was not a bit less excited: he was perfectly hysterical, and his big red comb seemed to get quite purple as if he might be going to have apoplexy, and he twitched and jerked about so that it flapped first over one eye and then over the other. This was the boys’ practical joke which they played on him whenever they could.
That was old Pezulu – Pezulu the First. He was thick in the body, all chest and tail, short in the legs, and had enormous spurs; and his big comb made him; look so red in the face that one could not help thinking he was too fond of his dinner. In some old Christmas number we came across a coloured caricature of a militia colonel in full uniform, and for quite a long time it remained tacked on to the coop with “Pezulu” written on it.
Pezulu the Great – who was Pezulu the Second – was not like that: he was a game cock, all muscle and no frills, with a very resolute manner and a real love of his profession; he was a bit like Jock in some things; and that is why I fancy perhaps Jock and he were friends in a kind of way. But Jock could not get on with the others: they were constantly changing; new ones who had to be taught manners were always coming; so he just lumped them together, and hated fowls. He taught them manners, but they taught him something too – at any rate, one of them did; and one of the biggest surprises and best lessons Jock ever had was given him by a hen while he was still a growing-up puppy.
He was beginning to fancy that he knew a good deal, and like most young dogs was very inquisitive and wanted to know everything and at once. At that time he was very keen on hunting mice, rats and bush squirrels, and had even fought and killed a meerkat after the plucky little rikkitikki had bitten him rather badly through the lip; and he was still much inclined to poke his nose in or rush on to things instead of sniffing round about first.
However, he learned to be careful, and an old hen helped to teach him. The hens usually laid their eggs in the coop because it was their home, but sometimes they would make nests in the bush at the outspan places. One of the hens had done this, and the bush she had chosen was very low and dense. No one saw the hen make the nest and no one saw her sitting on it, for the sunshine was so bright everywhere else, and the shade of the bush so dark that it was impossible to see anything there; but while we were at breakfast Jock, who was bustling about everywhere as a puppy will, must have scented the hen or have seen this brown thing in the dark shady hole.
The hen was sitting with her head sunk right down into her chest, so that he could not see any head, eyes or beak – just a sort of brown lump. Suddenly we saw Jock stand stock-still, cock up one ear, put his head down and his nose out, hump up his shoulders a bit and begin to walk very slowly forward in a crouching attitude. He lifted his feet so slowly and so softly that you could count five between each step. We were all greatly amused and thought he was pointing a mouse or a locust, and we watched him.
He crept up like a boy showing off until he was only six inches from the object, giving occasional cautious glances back at us to attract attention. Just as he got to the hole the hen let out a vicious peck on the top of his nose and at the same time flapped over his head, screaming and cackling for dear life. It was all so sudden and so surprising that she was gone before he could think of making a grab at her; and when he heard our shouts of laughter he looked as foolish as if he understood all about it.
Chapter Six.
The First Hunt
Jock’s first experience in hunting was on the Crocodile River not far from the spot where afterwards we had the great fight with The Old Crocodile. In the summer when the heavy rains flood the country the river runs ‘bank high,’ hiding everything – reeds, rocks, islands, and stunted trees – in some places silent and oily like a huge gorged snake, in others foaming and turbulent as an angry monster. In the rainless winter when the water is low and clear the scene is not so grand, but is quiet, peaceful, and much more beautiful. There is an infinite variety in it then – the river sometimes winding along in one deep channel, but more often forking out into two or three streams in the broad bed. The loops and lacings of the divided water carve out islands and spaces of all shapes and sizes, banks of clean white sand or of firm damp mud swirled up by the floods, on which tall green reeds with yellow tasselled tops shoot up like crops of Kaffir corn. Looked down upon from the flood banks the silver streaks of water gleam brightly in the sun, and the graceful reeds, bowing and swaying slowly with the gentlest breeze and alternately showing their leaf-sheathed stems and crested tops, give the appearance of an ever-changing sea of green and gold. Here and there a big rock, black and polished, stands boldly out, and the sea of reeds laps round it like the waters of a lake on a bright still day. When there is no breeze the rustle of the reeds is hushed, and the only constant sound is the ever-varying voice of the water, lapping, gurgling, chattering, murmuring, as it works its way along the rocky channels; sometimes near and loud, sometimes faint and distant; and sometimes, over long sandy reaches, there is no sound at all.
Get up on some vantage point upon the high bank and look down there one day in the winter of the tropics as the heat and hush of noon approach, and it will seem indeed a scene of peace and beauty – a place to rest and dream, where there is neither stir nor sound. Then, as you sit silently watching and thinking, where all the world is so infinitely still, you will notice that one reed down among all those countless thousands is moving. It bows slowly and gracefully a certain distance, and then with a quivering shuddering motion straightens itself still more slowly and with evident difficulty, until at last it stands upright again like the rest but still all a-quiver while they do not move a leaf. Just as you are beginning to wonder what the reason is, the reed bows slowly again, and again struggles back; and so it goes on as regularly as the swing of a pendulum. Then you know that, down at the roots where you cannot see it, the water is flowing silently, and that something attached to this reed is dragging in the stream and pulling it over, and swinging back to do it again each time the reed lifts it free – a perpetual seesaw.
You are glad to find the reason, because it looked a little uncanny; but the behaviour of that one reed has stopped your dreaming and made you look about more carefully. Then you find that, although the reeds appear as still as the rocks, there is hardly a spot where, if you watch for a few minutes, you will not see something moving. A tiny field-mouse climbing one reed will sway it over; a river rat gnawing at the roots will make it shiver and rustle; little birds hopping from one to another will puzzle you; and a lagavaan turning in his sunbath will make half a dozen sway outwards.
All feeling that it is a home of peace, a place to rest and dream, leaves you; you are wondering what goes on down below the green and gold where you can see nothing; and when your eye catches a bigger, slower, continuous movement in another place, and for twenty yards from the bank to the stream you see the tops of the reeds silently and gently parting and closing again as something down below works its way along without the faintest sound, the place seems too quiet, too uncanny and mysterious, too silent, stealthy and treacherous for you to sit still in comfort: you must get up and do something.
There is always good shooting along the rivers in a country where water is scarce. Partridges, bush-pheasants and stembuck were plentiful along the banks and among the thorns, but
