The Mysteries of Paris, Volume 3 of 6. Эжен Сю
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"Your liberty?"
"Yes, I might go as forewoman to the person who keeps the warehouse for which I work; she would give me four hundred francs a year, with board and lodging."
"And you will not accept it?"
"No, indeed! I should then be the slave and servant of another; whereas, however humble my home, at least there is no one there to control me. I am free to come and go as I please. I owe nothing to any one. I have good health, good courage, good heart, and good spirits; and now that I can say a good neighbour also, what is there left to desire?"
"Then you have never thought of marriage?"
"Marriage, indeed! Why, what would be the use of my thinking about it, when, poor as I am, I could not expect to meet with a husband better off than myself? Look at the poor Morels; just see the consequences of burthening yourself with a family before you have the means of providing for one; whilst, so long as there is only oneself to provide for, one can always manage somehow."
"And do you never build castles in the air? – never dream?"
"Dream? Oh, yes! – of my chimney ornaments; but, besides them, what can I have to wish for?"
"But, suppose now some relation you never heard of in your life were to die, and leave you a nice little fortune – twelve hundred francs a year, for instance – you have made five hundred sufficient to supply all your wants?"
"Perhaps it might prove a good thing; perhaps a bad one."
"How could it be a bad one?"
"Because I am happy and contented as I am; but I do not know what I might be if I came to be rich. I can assure you that, when, after a hard day's work, I go to bed in my own snug little room, when my lamp is extinguished, and by the glimmer of the few cinders left in my stove I see my neat, clean little apartment, my curtains, my chest of drawers, my chairs, my birds, my watch, my table covered with the work confided to me, left all ready to begin the first thing in the morning, and I say to myself, all this is mine, – I have no one to thank for it but myself, – oh, neighbour, the very thoughts lull me into such a happy state of mind that I fall asleep believing myself the most fortunate creature on earth to be so surrounded with comforts. But, I declare, here we are at the Temple! You must own it is a beautiful object?"
Although not partaking of the profound admiration expressed by Rigolette at the first glimpse of the Temple, Rodolph was, nevertheless, much struck by the singular appearance of this enormous bazar with its many diverging passages and dependencies. Towards the middle of the Rue du Temple, not far from the fountain which stands in the corner of a large square, may be seen an immense parallelogram, built of wood, and surmounted with a slated roof. This building is the Temple, bounded on the left by the Rue du Petit Thouars, and on the right by the Rue Percée; it leads to a large circular building, – a colossal rotunda, surrounded with a gallery, forming a sort of arcade. A long opening, intersecting this parallelogram in its length and breadth, divides it into two equal parts, which are again divided and subdivided into an infinity of small lateral and transverse openings, crossing each other in all directions, and sheltered by the roof of the building from all severity of weather. In this bazar new merchandise is generally prohibited; but the smallest fragment of any sort of material, the merest morsel of iron, brass, lead, or pewter, will here find both a buyer and a seller.
Here are to be found dealers in pieces of every coloured cloth, of all ages, qualities, shades, and capabilities, for the service of such as wish to repair or alter damaged or ill-fitting garments. Some of the shops present huge piles of old shoes, some trodden down of heel, others twisted, torn, worn, split, and in holes, presenting a mass of nameless, formless, colourless objects, among which are grimly visible some species of fossil soles about an inch thick, studded with thick nails, resembling the door of a prison and hard as a horse's hoof, the actual skeletons of shoes whose other component parts have long since been consumed by the devouring hand of Time. Yet all this mouldy, dried up accumulation of decaying rubbish will find a willing purchaser, an extensive body of merchants trading in this particular line.
Then there are the vendors of gimps, fringes, bindings, cords, tassels, and edgings of silk, cotton, or thread, arising out of the demolition of curtains past all cure and defying all reparation. Other enterprising individuals devote themselves to the sale of females' hats and bonnets, these articles only reaching their emporium by the means of the dealers in old clothes, and after having performed the strangest journeys and undergone the most surprising transformations, the most singular changes of colour.
In order that the article traded in may not take up too much room in a warehouse ordinarily the size of a large box, these bonnets are carefully folded in half, then flattened and laid upon each other as closely as they can be packed, with the exception of the brim. They are treated in every respect the same as herrings, requiring to be stowed in a cask. By these means it is almost incredible what a quantity of these usually fragile articles may be accommodated in a small space of about four feet square.
Should a purchaser present himself, the various specimens are removed from the high pressure to which they have been exposed, the vendor, with a dégagé air, gives the crown a dexterous blow with his fist, which makes the centre rise to its accustomed situation, then presses the front out upon his knee, concluding by holding up, with an air of intense satisfaction at his own ingenuity, an object so wild, so whimsical, and withal so irresistibly striking, as to remind one of those traditional costumes ascribed for ages past to fishwomen, apple-women, or any whose avocation involves the necessity of carrying a basket on the head.
Farther on, at the sign of the Goût du Jour, beneath the arcades of the Rotunda, elevated at the end of the large opening which intersects the Temple and divides it into two parts, are suspended myriads of vestments of all colours, forms, and fashions, even more various and extraordinary in their respective styles than the bonnets just described. There may be seen stylish coats of unbleached linen, adorned with three rows of brass buttons à la hussarde, and sprucely ornamented with a small fur collar of fox-skin; great-coats, originally bottle-green, but changed, by age and service, to the hue of the pistachio nut, edged with black braid, and set off with a bright flaming lining of blue and yellow plaid, giving quite a fresh and youthful appearance, and producing the most genteel and tasty effect; coats that, when new, bore the appellation, as regards their cut, of being à queue de Morue, of a dark drab colour, with velvet, shag, or plush collar, and further decorated with buttons, once silver-gilt, but now changed to a dull coppery hue. In the same emporium may be observed sundry pelisses or polonaises of maroon-coloured cloth, with cat-skin collar, trimmed with braiding, and rich in brandenburgs, tassels, and cords. Not far from these are displayed a great choice of dressing-gowns most artistically constructed out of old cloaks, whose triple collars and capes have been removed, the inside lined with remnants of printed cotton, the most in request being blue or dark green, made up here and there with pieces of various distinct