the Celtic stones; that would interest me very much. When you saw them, had they opened the galgal of Lockmariaker and cleared away the ground near Plouharnel?
Those people used to write, because there are stones covered with hieroglyphics, and they used to work in gold very well, because very beautifully made torques [Footnote: Gallic necklaces.] have been found.
My children, who are, like myself, great admirers of you, send you their compliments, and I kiss your forehead, since Sainte-Beuve lied.
G. Sand
Have you any sun today? Here it is stifling. The country is lovely.
When will you come here?
XIX. TO GEORGE SAND
Croisset, Saturday evening, … 1866
Good, I have it, that beautiful, dear and famous face! I am going to have a large frame made and hang it on my wall, being able to say, as did M. de Talleyrand to Louis Philippe: "It is the greatest honor that my house has received"; a poor phrase, for we two are worth more than those two amiable men.
Of the two portraits, I like that of Couture's the better. As for
Marchal's he saw in you only "the good woman," but I who am an old
Romantic, find in the other, "the head of the author" who made me dream so much in my youth.
XX. TO GEORGE SAND
Croisset, Saturday evening, 1866
Your sending the package of the two portraits made me think that you were in Paris, dear master, and I wrote you a letter which is waiting for you at rue des Feuillantines.
I have not found my article on the dolmens. But I have my manuscript (entire) of my trip in Brittany among my "unpublished works." We shall have to gabble when you are here. Have courage.
I don't experience, as you do, this feeling of a life which is beginning, the stupefaction of a newly commenced existence. It seems to me, on the contrary, that I have always lived! And I possess memories which go back to the Pharaohs. I see myself very clearly at different ages of history, practising different professions and in many sorts of fortune. My present personality is the result of my lost personalities. I have been a boatman on the Nile, a leno in Rome at the time of the Punic wars, then a Greek rhetorician in Subura where I was devoured by insects. I died during the Crusade from having eaten too many grapes on the Syrian shores, I have been a pirate, monk, mountebank and coachman. Perhaps also even emperor of the East?
Many things would be explained if we could know our real genealogy. For, since the elements which make a man are limited, should not the same combinations reproduce themselves? Thus heredity is a just principle which has been badly applied.
There is something in that word as in many others. Each one takes it by one end and no one understands the other. The science of psychology will remain where it lies, that is to say in shadows and folly, as long as it has no exact nomenclature, so long as it is allowed to use the same expression to signify the most diverse ideas. When they confuse categories, adieu, morale!
Don't you really think that since '89 they wander from the point? Instead of continuing along the highroad which was broad and beautiful, like a triumphal way, they stray off by little sidepaths and flounder in mud holes. Perhaps it would be wise for a little while to return to Holbach. Before admiring Proudhon, supposing one knew Turgot? But le Chic, that modern religion, what would become of it!
Opinions chic (or chiques): namely being pro-Catholicism (without believing a word of it) being pro-Slavery, being pro-the House of Austria, wearing mourning for Queen Amelie, admiring Orphee aux Enfers, being occupied with Agricultural Fairs, talking Sport, acting indifferent, being a fool up to the point of regretting the treaties of 1815. That is all that is the very newest.
Oh! You think that because I pass my life trying to make harmonious phrases, in avoiding assonances, that I too have not my little judgments on the things of this world? Alas! Yes! and moreover I shall burst, enraged at not expressing them.
But a truce to joking, I should finally bore you.
The Bouilhet play will open the first part of November. Then in a month we shall see each other.
I embrace you very warmly, dear master.
XXI. TO GUSTAVE FLAUBERT, at Croisset
Nohant, Monday evening, 1 October, 1866
Dear friend,
Your letter was forwarded to me from Paris. It isn't lost. I think too much of them to let any be lost. You don't speak to me of the floods, therefore I think that the Seine did not commit any follies at your place and that the tulip tree did not get its roots wet. I feared lest you were anxious and wondered if your bank was high enough to protect you. Here we have nothing of that sort to be afraid of; our streams are very wicked, but we are far from them.
You are happy in having such clear memories of other existences. Much imagination and learning – those are your memories; but if one does not recall anything distinct, one has a very lively feeling of one's own renewal in eternity. I have a very amusing brother who often used to say "at the time when I was a dog. …" He thought that he had become man very recently. I think that I was vegetable or mineral. I am not always very sure of completely existing, and sometimes I think I feel a great fatigue accumulated from having lived too much. Anyhow, I do not know, and I could not, like you, say, "I possess the past."
But then you believe that one does not really die, since one LIVES AGAIN? If you dare to say that to the Smart Set, you have courage and that is good. I have the courage which makes me pass for an imbecile, but I don't risk anything; I am imbecile under so many other counts.
I shall be enchanted to have your written impression of Brittany, I did not see enough to talk about. But I sought a general impression and that has served me for reconstructing one or two pictures which I need. I shall read you that also, but it is still an unformed mass.
Why did your trip remain unpublished? You are very coy. You don't find what you do worth being described. That is a mistake. All that issues from a master is instructive, and one should not fear to show one's sketches and drawings. They are still far above the reader, and so many things are brought down to his level that the poor devil remains common. One ought to love common people more than oneself, are they not the real unfortunates of the world? Isn't it the people without taste and without ideals who get bored, don't enjoy anything and are useless? One has to allow oneself to be abused, laughed at, and misunderstood by them, that is inevitable. But don't abandon them, and always throw them good bread, whether or not they prefer filth; when they are sated with dirt they will eat the bread; but if there is none, they will eat filth in secula seculorum.
I have heard you say, "I write for ten or twelve people only." One says in conversation, many things which are the result of the impression of the moment; but you are not alone in saying that. It was the opinion of the Lundi or the thesis of that day. I protested inwardly. The twelve persons for whom you write, who appreciate you, are as good as you are or surpass you. You never had any need of reading the eleven others to be yourself. But, one writes for all the world, for all who need to be initiated; when one is not understood, one is resigned and recommences. When one is understood, one rejoices and continues. There lies the whole secret of our persevering labors and of our love of art. What is art without the hearts and minds on which one pours it? A sun which would not project rays and would give life to no one.
After reflecting on it, isn't that your opinion? If you are convinced of that, you will never know disgust and
