style="font-size:15px;"> And in front of him he sees three cavaliers, mounted on wild asses, clad in green garments, holding lilies in their hands, and all resembling one another in figure.
Antony turns back, and sees three other cavaliers of the same kind, mounted on similar wild asses, in the same attitude.
He draws back. Then the wild asses, all at the same time, step forward a pace or two, and rub their snouts against him, trying to bite his garment. Voices exclaim, "This way! this way! Here is the place!" And banners appear between the clefts of the mountain, with camels' heads in halters of red silk, mules laden with baggage, and women covered with yellow veils, mounted astride on piebald horses.
The panting animals lie down; the slaves fling themselves on the bales of goods, roll out the variegated carpets, and strew the ground with glittering objects.
A white elephant, caparisoned with a fillet of gold, runs along, shaking the bouquet of ostrich feathers attached to his head-band.
On his back, lying on cushions of blue wool, cross-legged, with eyelids half-closed and well-poised head, is a woman so magnificently attired that she emits rays around her. The attendants prostrate themselves, the elephant bends his knees, and the Queen of Sheba, gliding down by his shoulder, steps lightly on the carpet and advances towards Antony. Her robe of gold brocade, regularly divided by furbelows of pearls, jet and sapphires, is drawn tightly round her waist by a close-fitting corsage, set off with a variety of colours representing the twelve signs of the Zodiac. She wears high-heeled pattens, one of which is black and strewn with silver stars and a crescent, whilst the other is white and is covered with drops of gold, with a sun in their midst.
Her loose sleeves, garnished with emeralds and birds' plumes, exposes to view her little, rounded arms, adorned at the wrists with bracelets of ebony; and her hands, covered with rings, are terminated by nails so pointed that the ends of her fingers are almost like needles.
A chain of plate gold, passing under her chin, runs along her cheeks till it twists itself in spiral fashion around her head, over which blue powder is scattered; then, descending, it slips over her shoulders and is fastened above her bosom by a diamond scorpion, which stretches out its tongue between her breasts. From her ears hang two great white pearls. The edges of her eyelids are painted black. On her left cheek-bone she has a natural brown spot, and when she opens her mouth she breathes with difficulty, as if her bodice distressed her.
As she comes forward, she swings a green parasol with an ivory handle surrounded by vermilion bells; and twelve curly negro boys carry the long train of her robe, the end of which is held by an ape, who raises it every now and then.
She says:
"Ah! handsome hermit! handsome hermit! My heart is faint! By dint of stamping with impatience my heels have grown hard, and I have split one of my toe-nails. I sent out shepherds, who posted themselves on the mountains, with their bands stretched over their eyes, and searchers, who cried out your name in the woods, and scouts, who ran along the different roads, saying to each passer-by: 'Have you seen him?'
"At night I shed tears with my face turned to the wall. My tears, in the long run, made two little holes in the mosaic-work – like pools of water in rocks – for I love you! Oh! yes; very much!"
She catches his beard.
"Smile on me, then, handsome hermit! Smile on me, then! You will find I am very gay! I play on the lyre, I dance like a bee, and I can tell many stories, each one more diverting than the last.
"You cannot imagine what a long journey we have made. Look at the wild asses of the green-clad couriers – dead through fatigue!"
The wild asses are stretched motionless on the ground.
"For three great moons they have journeyed at an even pace, with pebbles in their teeth to cut the wind, their tails always erect, their hams always bent, and always in full gallop. You will not find their equals. They came to me from my maternal grandfather, the Emperor Saharil, son of Jakhschab, son of Jaarab, son of Kastan. Ah! if they were still living, we would put them under a litter in order to get home quickly. But … how now? … What are you thinking of?"
She inspects him.
"Ah! when you are my husband, I will clothe you, I will fling perfumes over you, I will pick out your hairs."
Antony remains motionless, stiffer than a stake, pale as a corpse.
"You have a melancholy air: is it at quitting your cell? Why, I have given up everything for your sake – even King Solomon, who has, no doubt, much wisdom, twenty thousand war-chariots, and a lovely beard! I have brought you my wedding presents. Choose."
She walks up and down between the row of slaves and the merchandise.
"Here is balsam of Genesareth, incense from Cape Gardefan, ladanum, cinnamon and silphium, a good thing to put into sauces. There are within Assyrian embroideries, ivories from the Ganges, and the purple cloth of Elissa; and this case of snow contains a bottle of Chalybon, a wine reserved for the Kings of Assyria, which is drunk pure out of the horn of a unicorn. Here are collars, clasps, fillets, parasols, gold dust from Baasa, tin from Tartessus, blue wood from Pandion, white furs from Issidonia, carbuncles from the island of Palæsimundum, and tooth-picks made with the hair of the tachas – an extinct animal found under the earth. These cushions are from Emathia, and these mantle-fringes from Palmyra. Under this Babylonian carpet there are … but come, then! Come, then!"
She pulls Saint Antony along by the beard. He resists. She goes on:
"This light tissue, which crackles under the fingers with the noise of sparks, is the famous yellow linen brought by the merchants from Bactriana. They required no less than forty-three interpreters during their voyage. I will make garments of it for you, which you will put on at home.
"Press the fastenings of that sycamore box, and give me the ivory casket in my elephant's packing-case!"
They draw out of a box some round objects covered with a veil, and bring her a little case covered with carvings.
"Would you like the buckler of Dgian-ben-Dgian, the builder of the Pyramids? Here it is! It is composed of seven dragons' skins placed one above another, joined by diamond screws, and tanned in the bile of a parricide. It represents, on one side, all the wars which have taken place since the invention of arms, and, on the other, all the wars that will take place till the end of the world. Above, the thunderbolt rebounds like a ball of cork. I am going to put it on your arm, and you will carry it to the chase.
"But if you knew what I have in my little case! Try to open it! Nobody has succeeded in doing that. Embrace me, and I will tell you."
She takes Saint Antony by the two cheeks. He repels her with outstretched arms.
"It was one night when King Solomon had lost his head. At length, we had concluded a bargain. He arose, and, going out with the stride of a wolf …"
She dances a pirouette.
"Ah! ah! handsome hermit! you shall not know it! you shall not know it!"
She shakes her parasol, and all the little bells begin to ring.
"I have many other things besides – there, now! I have treasures shut up in galleries, where they are lost as in a wood. I have summer palaces of lattice-reeds, and winter palaces of black marble. In the midst of great lakes, like seas, I have islands round as pieces of silver all covered with mother-of-pearl, whose shores make music with the beating of the liquid waves that roll over the sand. The slaves of my kitchen
