Red Money. Hume Fergus

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even you have the right to ask me such a question," replied Lambert in a quiet and decisive tone. "Let us change the subject."

      Miss Greeby pointed to the beautiful face smiling on the easel. "I advise you to," she said significantly.

      "You seem to have come here to give me good advice."

      "Which you won't take," she retorted.

      "Because it isn't needed."

      "A man's a man and a woman's a woman."

      "That's as true as taxes, as Mr. Barkis observed, if you are acquainted with the writings of the late Charles Dickens. Well?"

      Again Miss Greeby pointed to the picture. "She's very pretty."

      "I shouldn't have painted her otherwise."

      "Oh, then the original of that portrait does exist?"

      "Could you call it a portrait if an original didn't exist?" demanded the young man tartly. "Since you want to know so much, you may as well come to the gypsy encampment on the verge of the wood and satisfy yourself." He threw on a Panama hat, with a cross look. "Since when have you come to the conclusion that I need a dry nurse?"

      "Oh, don't talk bosh!" said Miss Greeby vigorously, and springing to her feet. "You take me at the foot of the letter and too seriously. I only came here to see how my old pal was getting on."

      "I'm all right and as jolly as a sandboy. Now are you satisfied?"

      "Quite. Only don't fall in love with the original of your portrait."

      "It's rather late in the day to warn me," said Lambert dryly, "for I have known the girl for six months. I met her in a gypsy caravan when on a walking tour, and offered to paint her. She is down here with her people, and you can see her whenever you have a mind to."

      "There's no time like the present," said Miss Greeby, accepting the offer with alacrity. "Come along, old boy." Then, when they stepped out of the cottage garden on to the lawns, she asked pointedly, "What is her name?"

      "Chaldea."

      "Nonsense. That is the name of the country."

      "I never denied that, my dear girl. But Chaldea was born in the country whence she takes her name. Down Mesopotamia way, I believe. These gypsies wander far and wide, you know. She's very pretty, and has the temper of the foul fiend himself. Only Kara can keep her in order."

      "Who is Kara?"

      "A Servian gypsy who plays the fiddle like an angel. He's a crooked-backed, black-faced, hairy ape of a dwarf, but highly popular on account of his music. Also, he's crazy about Chaldea, and loves her to distraction."

      "Does she love him?" Miss Greeby asked in her direct fashion.

      "No," replied Lambert, coloring under his tan, and closed his lips firmly. He was a very presentable figure of a man, as he walked beside the unusually tall woman. His face was undeniably handsome in a fair Saxon fashion, and his eyes were as blue as those of Miss Greeby herself, while his complexion was much more delicate. In fact, she considered that it was much too good a complexion for one of the male sex, but admitted inwardly that its possessor was anything but effeminate, when he had such a heavy jaw, such a firm chin, and such set lips. Lambert, indeed, at first sight did indeed look so amiable, as to appear for the moment quite weak; but danger always stiffened him into a dangerous adversary, and his face when aroused was most unpleasantly fierce. He walked with a military swing, his shoulders well set back and his head crested like that of a striking serpent. A rough and warlike life would have brought out his best points of endurance, capability to plan and strike quickly, and iron decision; but the want of opportunity and the enervating influences of civilized existence, made him a man of possibilities. When time, and place, and chance offered he could act the hero with the best; but lacking these things he remained innocuous like gunpowder which has no spark to fire it.

      Thinking of these things, Miss Greeby abandoned the subject of Chaldea, and of her possible love for Lambert, and exclaimed impulsively, "Why don't you chuck civilization and strike the out-trail?"

      "Why should I?" he asked, unmoved, and rather surprised by the change of the subject. "I'm quite comfortable here."

      "Too comfortable," she retorted with emphasis. "This loafing life of just-enough-to-live-on doesn't give you a chance to play the man. Go out and fight and colonize and prove your qualities."

      Lambert's color rose again, and his eyes sparkled. "I would if the chance – "

      "Ah, bah, Hercules and Omphale!" interrupted his companion.

      "What do you mean?"

      "Never mind," retorted Miss Greeby, who guessed that he knew what she meant very well. His quick flush showed her how he resented this classical allusion to Agnes Pine. "You'd carry her off if you were a man."

      "Chaldea?" asked Lambert, wilfully misunderstanding her meaning.

      "If you like. Only don't try to carry her off at night. Garvington says he will shoot any burglar who comes along after dark."

      "I never knew Garvington had anything to do with Chaldea."

      "Neither did I. Oh, I think you know very well what I mean."

      "Perhaps I do," said the young man with an angry shrug, for really her interference with his affairs seemed to be quite unjustifiable. "But I am not going to bring a woman I respect into the Divorce Court."

      "Respect? Love, you mean to say."

      Lambert stopped, and faced her squarely. "I don't wish to quarrel with you, Clara, as we are very old friends. But I warn you that I do possess a temper, and if you wish to see it, you are going the best way to get what you evidently want. Now, hold your tongue and talk of something else. Here is Chaldea."

      "Watching for you," muttered Miss Greeby, as the slight figure of the gypsy girl was seen advancing swiftly. "Ha!" and she snorted suspiciously.

      "Rye!" cried Chaldea, dancing toward the artist. "Sarishan rye."

      Miss Greeby didn't understand Romany, but the look in the girl's eyes was enough to reveal the truth. If Lambert did not love his beautiful model, it was perfectly plain that the beautiful model loved Lambert.

      "O baro duvel atch' pa leste!" said Chaldea, and clapped her slim hands.

      CHAPTER III.

      AN UNEXPECTED RECOGNITION

      "I wish you wouldn't speak the calo jib to me, Chaldea," said Lambert, smiling on the beautiful eager face. "You know I don't understand it."

      "Nor I," put in Miss Greeby in her manly tones. "What does Oh baro devil, and all the rest of it mean?"

      "The Great God be with you," translated Chaldea swiftly, "and duvel is not devil as you Gorgios call it."

      "Only the difference of a letter," replied the Gentile lady good-humoredly. "Show us round your camp, my good girl."

      The mere fact that the speaker was in Lambert's company, let alone the offensively patronizing tone in which she spoke, was enough to rouse the gypsy girl's naturally hot temper. She retreated and swayed like a cat making ready to spring, while her black eyes snapped fire

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