Harper's New Monthly Magazine, Volume 1, No. 2, July, 1850.. Various
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What may be called the artistical portion of globe-making here commences. In the manufactory we are describing there are two skilled workers, who may take their rank as artists, but whose skill is limited, and at the same time perfected, by the uniformity of their operations. One of these artists, a young woman, who has been familiar with the business from her earliest years, takes the polished globe in her lap, for the purpose of marking it with lines of direction for covering it with engraved strips, which will ultimately form a perfect map. The inspection of a finished globe will show that the larger divisions of longitude are expressed by lines drawn from pole to pole, and those of latitude by a series of concentric rings. The polished plaster has to be covered with similar lines. These lines are struck with great rapidity, and with mathematical truth, by an instrument called a "beam compass," in the use of which this workwoman is most expert. The sphere is now ready for receiving the map, which is engraved in fourteen distinct pieces. The arctic and antarctic poles form two circular pieces, from which the lines of longitude radiate. These having been fitted and pasted, one of the remaining twelve pieces, containing 30 degrees, is also pasted on the sphere, in the precise space where the lines of longitude have been previously marked its lines of latitude corresponding in a similar manner. The paper upon which these portions of the earth's surface are engraved is thin and extremely tough. It is rubbed down with the greatest care, through all the stages of this pasting process. We have at length a globe covered with a plain map, so perfectly joined that every line and every letter fit together as if they had been engraved in one piece – which, of course, would be absolutely impossible for the purpose of covering a ball.
The artist who thus covers the globe, called a paster, is also a colorer. This is, of necessity, a work which can not be carried on with any division of labor. It is not so with the coloring of an atlas. A map passes under many hands in the coloring. A series of children, each using one color, produce in combination a map colored in all its parts, with the rapidity and precision of a machine. But a globe must be colored by one hand. It is curious to observe the colorer working without a pattern. By long experience the artist knows how the various boundaries are to be defined, with pink continents, and blue islands, and the green oceans, connecting the most distant regions. To a contemplative mind, how many thoughts must go along with the work, as he covers Europe with indications of populous cities, and has little to do with Africa and Australia but to mark the coast lines; as year after year he has to make some variation in the features of the great American continent, which indicates the march of the human family over once trackless deserts, while the memorable places of the ancient world undergo few changes but those of name. And then, as he is finishing a globe for the cabin of some "great ammirall," may he not think that, in some frozen nook of the Arctic Sea, the friendly Esquimaux may come to gaze upon his work, and seeing how petty a spot England is upon the ball, wonder what illimitable riches nature spontaneously produces in that favored region, some of which is periodically scattered by her ships through those dreary climes in the search for some unknown road amidst everlasting icebergs, while he would gladly find a short track to the sunny south. And then, perhaps, higher thoughts may come into his mind; and as this toy of a world grows under his fingers, and as he twists it around upon its material axis, he may think of the great artificer of the universe, having the feeling, if not knowing the words of the poet:
"In ambient air this ponderous ball He hung."
Contemplative, or not, the colorer steadily pursues his uniform labor, and the sphere is at length fully colored.
The globe has now to be varnished with a preparation technically known as "white hard," to which some softening matter is added to prevent the varnish cracking. This is a secret which globe-makers preserve. Four coats of varnish complete the work.
And next the ball has to be mounted. We have already mentioned an instrument by which the brass meridian ring is accurately graduated; that is, marked with lines representing 360 degrees, with corresponding numerals. Of whatever size the ring is, an index-hand, connected with the graduating instrument, shows the exact spot where the degree is to be marked with a graver. The operation is comparatively rapid; but for the largest globes it involves considerable expense. After great trouble, the ingenious men whose manufactory we are describing, have succeeded in producing cast-iron rings, with the degrees and figures perfectly distinct; and these applied to 36-inch globes, instead of the engraved meridians, make a difference of ten guineas in their price. For furniture they are not so beautiful; for use they are quite as valuable. There is only one other process which requires great nicety. The axis of the globe revolves on the meridian ring, and of course it is absolutely necessary that the poles should be exactly parallel. This is effected by a little machine which drills each extremity at one and the same instant; and the operation is termed poleing the meridian.
The mounting of the globe – the completion of a pair of globes – is now handed over to the cabinet-maker. The cost of the material and the elaboration of its workmanship determine the price.
Before we conclude, we would say a few words as to the limited nature of the demand for globes. Our imperfect description of this manufacture will have shown that experience, and constant application of ingenuity, have succeeded in reducing to the lowest amount the labor employed in the production of globes. The whole population of English globe-makers does not exceed thirty or forty men, women, and boys. Globes are thus produced at the lowest rate of cheapness, as regards the number of laborers, and with very moderate profits to the manufacturer, on account of the smallness of his returns. The durability of globes is one great cause of the limitation of the demand. Changes of fashion, or caprices of taste, as to the mounting, new geographical discoveries, and modern information as to the position and nomenclature of the stars, may displace a few old globes annually, which then find their way from brokers' shops into a class somewhat below that of their original purchasers. But the pair of globes generally maintain for years their original position in the school-room or the library. They are rarely injured, and suffer very slight decay. The new purchasers represent that portion of society which is seeking after knowledge, or desires to manifest some pretension to intellectual tastes. The number of globes annually sold represents to a certain extent the advance of education. But if the labor-saving expedients did not exist in the manufacture the cost would be much higher, and the purchasers greatly reduced in number. The contrivances by which comparative cheapness is produced arise out of the necessity of contending against the durability of the article by encouraging a new demand. If these did not exist, the supply would outrun the demand; the price of the article would less and less repay the labor expended in its production; the manufacture of globes would cease till the old globes were worn out, and the few rich and scientific purchasers had again raised up a market.
The Body. – Among the strange compliments which superstition pays to the Creator, is a scorn and contempt for the fleshy investiture which he has bestowed on us, at least among Christians; for the Pagans were far more pious in this respect; and Mohammed agreed with them in doing justice to the beauty and dignity of the human frame. It is quite edifying, in the Arabian Nights, to read the thanks that are so often and so rapturously given to the Supreme Being for his bestowal of such charms on his creatures. Nor was a greater than Mahomet of a nature to undervalue the earthly temples of gentle and loving spirits. Ascetic mistakes have ever originated in want of heartiness or of heart; in consciousness of defect, or vulgarity of nature, or in spiritual pride. A well-balanced body and soul never, we may be sure, gave way to it. What an extraordinary flattery of the Deity to say, "Lord! I thank thee for this jewel of a soul which I possess; but what a miserable casket