Harper's New Monthly Magazine, No. VI, November 1850, Vol. I. Various

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Harper's New Monthly Magazine, No. VI, November 1850, Vol. I - Various

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he left, by night, the kind friends who had hospitably concealed him for six months, and wandered to such a distance from his asylum as to secure his protectors from any danger on his account. Through the long hours of the winter's night he continued his dreary walk, till the first gray of the morning appeared in the east. Drawing a long stilletto from the inside of his walking-stick, he placed the head of it against the trunk of a tree, and threw himself upon the sharp weapon. The point pierced his heart, and he fell lifeless upon the frozen ground. Some peasants passing by discovered his body. A piece of paper was pinned to the breast of his coat, upon which there were written these words: "Whoever thou art that findest these remains, respect them as those of a virtuous man. After hearing of my wife's death, I would not stay another day in a world so stained with crime."

[From Dickens's Household Words.]

      CHEMICAL CONTRADICTIONS

      Science, whose aim and end is to prove the harmony and "eternal fitness of things," also proves that we live in a world of paradoxes; and that existence itself is a whirl of contradictions. Light and darkness, truth and falsehood, virtue and vice, the negative and positive poles of galvanic or magnetic mysteries, are evidences of all-pervading antitheses, which, acting like the good and evil genii of Persian Mythology, neutralize each other's powers when they come into collision. It is the office of science to solve these mysteries. The appropriate symbol of the lecture-room is a Sphinx; for a scientific lecturer is but a better sort of unraveler of riddles.

      Who would suppose, for instance, that water – which every body knows, extinguishes fire – may, under certain circumstances, add fuel to flame, so that the "coming man," who is to "set the Thames on fire," may not be far off. If we take some mystical gray-looking globules of potassium (which is the metallic basis of common pearl-ash) and lay them upon water, the water will instantly appear to ignite. The globules will swim about in flames, reminding us of the "death-fires" described by the Ancient Mariner, burning "like witches' oil" on the surface of the stagnant sea. Sometimes even, without any chemical ingredient being added, fire will appear to spring spontaneously from water; which is not a simple element, as Thales imagined, when he speculated upon the origin of the Creation, but two invisible gases – oxygen and hydrogen, chemically combined. During the electrical changes of the atmosphere in a thunder-storm, these gases frequently combine with explosive violence, and it is this combination which takes place when "the big rain comes dancing to the earth." These fire-and-water phenomena are thus accounted for; certain substances have peculiar affinities or attractions for one another; the potassium has so inordinate a desire for oxygen, that the moment it touches, it decomposes the water, abstracts all the oxygen, and sets free the hydrogen or inflammable gas. The potassium, when combined with the oxygen, forms that corrosive substance known as caustic potash, and the heat, disengaged during this process, ignites the hydrogen. Here the mystery ends; and the contradictions are solved; Oxygen and hydrogen when combined, become water; when separated the hydrogen gas burns with a pale, lambent flame. Many of Nature's most delicate deceptions are accounted for by a knowledge of these laws.

      Your analytical chemist sadly annihilates, with his scientific machinations, all poetry. He bottles up at pleasure the Nine Muses, and proves them – as the fisherman in the Arabian Nights did the Afrite – to be all smoke. Even the Will-o'-the-Wisp can not flit across its own morass without being pursued, overtaken, and burnt out by this scientific detective policeman. He claps an extinguisher upon Jack-o'-Lantern thus: He says that a certain combination of phosphorus and hydrogen, which rises from watery marshes, produces a gas called phosphureted hydrogen, which ignites spontaneously the moment it bubbles up to the surface of the water and meets with atmospheric air. Here again the Ithuriel wand of science dispels all delusion, pointing out to us, that in such places animal and vegetable substances are undergoing constant decomposition; and as phosphorus exists under a variety of forms in these bodies, as phosphate of lime, phosphate of soda, phosphate of magnesia, &c., and as furthermore the decomposition of water itself is the initiatory process in these changes, so we find that phosphorus and hydrogen are supplied from these sources; and we may therefore easily conceive the consequent formation of phosphureted hydrogen. This gas rises in a thin stream from its watery bed, and the moment it comes in contact with the oxygen of the atmosphere, it bursts into a flame so buoyant, that it flickers with every breath of air, and realizes the description of Goethe's Mephistopheles, that the course of Jack-o'-Lantern is generally "zig-zag."

      Who would suppose that absolute darkness may be derived from two rays of light! Yet such is the fact. If two rays proceed from two luminous points very close to each other, and are so directed as to cross at a given point on a sheet of white paper in a dark room, their united light will be twice as bright as either ray singly would produce. But if the difference in the distance of the two points be diminished only one-half, the one light will extinguish the other, and produce absolute darkness. The same curious result may be produced by viewing the flame of a candle through two very fine slits near to each other in a card. So, likewise, strange as it may appear, if two musical strings be so made to vibrate, in a certain succession of degrees, as for the one to gain half a vibration on the other, the two resulting sounds will antagonize each other and produce an interval of perfect silence. How are these mysteries to be explained? The Delphic Oracle of science must again be consulted, and among the high priests who officiate at the shrine, no one possesses more recondite knowledge, or can recall it more instructively than Sir David Brewster. "The explanation which philosophers have given," he observes, "of these remarkable phenomena, is very satisfactory, and may easily be understood. When a wave is made on the surface of a still pool of water by plunging a stone into it, the wave advances along the surface, while the water itself is never carried forward, but merely rises into a height and falls into a hollow, each portion of the surface experiencing an elevation and a depression in its turn. If we suppose two waves equal and similar, to be produced by two separate stones, and if they reach the same spot at the same time, that is, if the two elevations should exactly coincide, they would unite their effects, and produce a wave twice the size of either; but if the one wave should be put so far before the other, that the hollow of the one coincided with the elevation of the other, and the elevation of the one with the hollow of the other, the two waves would obliterate or destroy one another; the elevation, as it were, of the one filling up half the hollow of the other, and the hollow of the one taking away half the elevation of the other, so us to reduce the surface to a level. These effects may be exhibited by throwing two equal stones into a pool of water; and also may be observed in the Port of Batsha, where the two waves arriving by channels of different lengths actually obliterate each other. Now, as light is supposed to be produced by waves or undulations of an ethereal medium filling all nature, and occupying the pores of the transparent bodies; and as sound is produced by undulations or waves in the air: so the successive production of light and darkness by two bright lights, and the production of sound and silence by two loud sounds, may be explained in the very same manner as we have explained the increase and obliteration of waves formed on the surface of water."

      The apparent contradictions in chemistry are, indeed, best exhibited in the lecture-room, where they may be rendered visible and tangible, and brought home to the general comprehension. The Professor of Analytical Chemistry, J.H. Pepper, who demonstrates these things in the Royal Polytechnic Institution, is an expert manipulator in such mysteries; and, taking a leaf out of his own magic-book, we shall conjure him up before us, standing behind his own laboratory, surrounded with all the implements of his art. At our recent visit to this exhibition we witnessed him perform, with much address, the following experiments: He placed before us a pair of tall glass vessels, each filled, apparently, with water; he then took two hen's eggs, one of these he dropped into one of the glass vessels, and, as might have been expected, it immediately sank to the bottom. He then took the other egg, and dropped it into the other vessel of water, but, instead of sinking as the other had done, it descended only half way, and there remained suspended in the midst of the transparent fluid. This, indeed, looked like magic – one of Houdin's sleight-of-hand performances – for what could interrupt its progress? The water surrounding it appeared as pure below as around and above the egg, yet there it still hung like Mahomet's coffin, between heaven and earth, contrary to all the well-established laws of gravity. The problem, however, was easily solved. Our modern Cagliostro had dissolved in one half

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