Flagg's The Far West, 1836-1837, part 1. Flagg Edmund

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Flagg's The Far West, 1836-1837, part 1 - Flagg Edmund

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one to Springfield, seventy miles distant, and the other to Mount Carmel on the Wabash. The stock of each has been mostly subscribed, and they cannot fail, when completed, to add much to the importance of the places. Alton is also a proposed terminus of two of the state railroads, and of the Cumberland Road.85

      At Alton terminates the "American Bottom," and here commences that singular series of green, grassy mounds, rounding off the steep summits of the cliffs as they rise from the water, which every traveller cannot but have noticed and admired. It was a calm, beautiful evening when we left the village; and, gliding beneath the magnificent bluffs, held our way up the stream, breaking in upon its tranquil surface, and rolling its waters upon either side in tumultuous waves to the shore. The rich purple of departing day was dying the western heavens; the light gauzy haze of twilight was unfolding itself like a veil over the forest-tops; "Maro's shepherd star" was stealing timidly forth upon the brow of night; the flashing fireflies along the underbrush were beginning their splendid illuminations, and the mild melody of a flute and a few fine voices floating over the shadowy waters, lent the last touching to a scene of beauty. A little French village, with its broad galleries, and steep roofs, and venerable church, in a few miles appeared among the underbrush on the left.86 Upon the opposite shore the bluffs began to assume a singular aspect, as if the solid mass of limestone high up had been subjected to the excavation of rushing waters. The cliffs elevated themselves from the river's edge like a regular succession of enormous pillars, rendered more striking by their ashy hue. This giant colonnade – in some places exceeding an altitude of an hundred feet, and exhibiting in its façade the openings of several caves – extended along the stream until we reached Grafton,87 at the mouth of the Illinois; the calm, beautiful, ever-placid Illinois; beautiful now as on the day the enthusiast voyageur first deemed it the pathway to a "paradise upon earth." The moon was up, and her beams were resting mellowly upon the landscape. Far away, even to the blue horizon, the mirror-surface of the stream unfolded its vistas to the eye; upon its bosom slumbered the bright islets, like spirits of the waters, from whose clear depths stood out the reflection of their forests, while to the left opened upon the view a glimpse of the "Mamelle Prairie," rolling its bright waves of verdure beneath the moonlight like a field of fairy land. For an hour we gazed upon this magnificent scene, and the bright waves dashed in sparkles from our bow, retreating in lengthened wake behind us, until our steamer turned from the Mississippi, and we were gliding along beneath the deep shadows of the forested Illinois.

      Illinois River.

      IX

      "A tale of the times of old! The deeds of days of other years!"

Ossian.

      "Thou beautiful river! Thy bosom is calm

      And o'er thee soft breezes are shedding their balm;

      And Nature beholds her fair features portray'd,

      In the glass of thy bosom serenely display'd."

Bengal Annual.

      "Tam saw an unco sight."

Burns.

      It is an idea which has more than once occurred to me, while throwing together these hasty delineations of the beautiful scenes through which, for the past few weeks, I have been moving, that, by some, a disposition might be suspected to tinge every outline indiscriminately with the "coleur de rose." But as well might one talk of an exaggerated emotion of the sublime on the table-rock of Niagara, or amid the "snowy scalps" of Alpine scenery, or of a mawkish sensibility to loveliness amid the purple glories of the "Campagna di Roma," as of either, or of both combined, in the noble "valley beyond the mountains." Nor is the interest experienced by the traveller for many of the spots he passes confined to their scenic beauty. The associations of by-gone times are rife in the mind, and the traditionary legend of the events these scenes have witnessed yet lingers among the simple forest-sons. I have mentioned that remarkable range of cliffs commencing at Alton, and extending, with but little interruption, along the left shore of the Mississippi to the mouth of the Illinois. Through a deep, narrow ravine in these bluffs flows a small stream called the Piasa. The name is of aboriginal derivation, and, in the idiom of the Illini, denotes "The bird that devours men." Near the mouth of this little stream rises a bold, precipitous bluff, and upon its smooth face, at an elevation seemingly unattainable by human art, is graven the figure of an enormous bird with extended pinions. This bird was by the Indians called the "Piasa;" hence the name of the stream. The tradition of the Piasa is said to be still extant, among the tribes of the Upper Mississippi, and is thus related:88

      "Many thousand moons before the arrival of the pale faces, when the great megalonyx and mastodon, whose bones are now thrown up, were still living in the land of the green prairies, there existed a bird of such dimensions that he could easily carry off in his talons a full-grown deer. Having obtained a taste of human flesh, from that time he would prey upon nothing else. He was as artful as he was powerful; would dart suddenly and unexpectedly upon an Indian, bear him off to one of the caves in the bluff, and devour him. Hundreds of warriors attempted for years to destroy him, but without success. Whole villages were depopulated, and consternation spread throughout all the tribes of the Illini. At length Owatoga, a chief whose fame as a warrior extended even beyond the great lakes, separating himself from the rest of his tribe, fasted in solitude for the space of a whole moon, and prayed to the Great Spirit, the Master of Life, that he would protect his children from the Piasa. On the last night of his fast the Great Spirit appeared to him in a dream, and directed him to select twenty of his warriors, each armed with a bow and pointed arrows, and conceal them in a designated spot. Near the place of their concealment another warrior was to stand in open view as a victim for the Piasa, which they must shoot the instant he pounced upon his prey. When the chief awoke in the morning he thanked the Great Spirit, returned to his tribe, and told them his dream. The warriors were quickly selected and placed in ambush. Owatoga offered himself as the victim, willing to die for his tribe; and, placing himself in open view of the bluff, he soon saw the Piasa perched on the cliff, eying his prey. Owatoga drew up his manly form to its utmost height; and, placing his feet firmly upon the earth, began to chant the death-song of a warrior: a moment after, the Piasa rose in the air, and, swift as a thunderbolt, darted down upon the chief. Scarcely had he reached his victim when every bow was sprung and every arrow was sped to the feather into his body. The Piasa uttered a wild, fearful scream, that resounded far over the opposite side of the river, and expired. Owatoga was safe. Not an arrow, not even the talons of the bird had touched him; for the Master of Life, in admiration of his noble deed, had held over him an invisible shield. In memory of this event, this image of the Piasa was engraved in the face of the bluff."

      Such is the Indian tradition. True or false, the figure of the bird, with expanded wings, graven upon the surface of solid rock, is still to be seen at a height perfectly inaccessible; and to this day no Indian glides beneath the spot in his canoe without discharging at this figure his gun. Connected with this tradition, as the spot to which the Piasa conveyed his human victims, is one of those caves to which I have alluded. Another, near the mouth of the Illinois, situated about fifty feet from the water, and exceedingly difficult of access, is said to be crowded with human remains to the depth of many feet in the earth of the floor. The roof of the cavern is vaulted. It is about twenty-five feet in height, thirty in length, and in form is very irregular. There are several other cavernous fissures among these cliffs not unworthy description.

      The morning's dawn found our steamer gliding quietly along upon the bright waters of the Illinois. The surface of the stream was tranquil; not a ripple disturbed its slumbers; it was currentless; the mighty mass of the Mississippi was swollen, and, acting as a dam across the mouth of its tributary, caused a back-water of an hundred miles. The waters of the Illinois were consequently stagnant, tepid, and by no means agreeable to the taste. There was present, also, a peculiarly bitter twang, thought to be imparted by the roots of the trees and plants along its banks,

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<p>85</p>

The plans mentioned here were probably being agitated when Flagg visited Alton in 1836. The act incorporating the first railroad in Illinois was approved January 17, 1835; it provided for the construction of a road from Chicago to a point opposite Vincennes. By the internal improvement act of February 27, 1837, a road was authorized to be constructed from Alton to Terre Haute, by way of Shelbyville, and another from Alton to Mount Carmel, by way of Salem, Marion County; but the act was repealed before the roads were completed. The Cumberland road was constructed only to Vandalia, Fayette County, though the internal improvement act contemplated its extension to St. Louis. – Ed.

<p>86</p>

The French village is no doubt Portage des Sioux. In 1799 Francis Leseuer, a resident of St. Charles, visited the place, which was then an Indian settlement. Pleased with the location he returned to St. Charles, and secured a grant of the land from Don Carlos Dehault Delassus, lieutenant-governor of Upper Louisiana, organized a colony from among the French inhabitants of St. Charles and St. Louis, and occupied the place the same autumn. – Ed.

<p>87</p>

Grafton, Jersey County, Illinois, was settled in 1832 by James Mason, and named by him in honor of his native place. It was laid out (1836) by Paris and Sarah Mason. – Ed.

<p>88</p>

The Illinois Indians (from "Illini," meaning "men") were of Algonquian stock, and formerly occupied the state to which they gave the name. They were loyal to the French during their early wars, later aided the English, and were with great difficulty subdued by the United States government. Separate tribes of the Illinois Indians were the Cahokia, Kaskaskia, Michigami, Moingewena, Peoria, and Tamaroa.

On a high bluff just above Alton there was formerly to be seen a huge painted image known among the Indians as the Piasa Bird. To the natives it was an object of much veneration, and in time many superstitions became connected therewith. First described in the Journal of Father Jacques Marquette (1673) its origin was long a subject of speculation among early writers. Traces of this strange painting could be seen until 1840 or 1845, when they were entirely obliterated through quarrying. See P. A. Armstrong, The Piasa or the Devil among the Indians (Morris, Illinois, 1887).

The version of the tradition given by Flagg was probably from the pen of John Russell, who in 1837 began editing at Grafton, Illinois, the Backwoodsman, a local newspaper. Russell had in 1819 or 1820 published in the Missourian an article entitled "Venomous Worm," which won for him considerable reputation. Russell admitted that the version was largely imaginative; nevertheless it had a wide circulation. – Ed.