The Three Cities Trilogy, Complete. Emile Zola
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Then, upon the north, on the right bank of the Gave, beyond the hills followed by the railway line, the heights of La Buala ascended, their wooded slopes radiant in the morning light. On that side lay Bartres. More to the left arose the Serre de Julos, dominated by the Miramont. Other crests, far off, faded away into the ether. And in the foreground, rising in tiers among the grassy valleys beyond the Gave, a number of convents, which seemed to have sprung up in this region of prodigies like early vegetation, imparted some measure of life to the landscape. First, there was an Orphan Asylum founded by the Sisters of Nevers, whose vast buildings shone brightly in the sunlight. Next came the Carmelite convent, on the highway to Pau, just in front of the Grotto; and then that of the Assumptionists higher up, skirting the road to Poueyferre; whilst the Dominicans showed but a corner of their roofs, sequestered in the far-away solitude. And at last appeared the establishment of the Sisters of the Immaculate Conception, those who were called the Blue Sisters, and who had founded at the far end of the valley a home where they received well-to-do lady pilgrims, desirous of solitude, as boarders.
At that early hour all the bells of these convents were pealing joyfully in the crystalline atmosphere, whilst the bells of other convents, on the other, the southern horizon, answered them with the same silvery strains of joy. The bell of the nunnery of Sainte Clarissa, near the old bridge, rang a scale of gay, clear notes, which one might have fancied to be the chirruping of a bird. And on this side of the town, also, there were valleys that dipped down between the ridges, and mountains that upreared their bare sides, a commingling of smiling and of agitated nature, an endless surging of heights amongst which you noticed those of Visens, whose slopes the sunlight tinged ornately with soft blue and carmine of a rippling, moire-like effect.
However, when Marie and Pierre turned their eyes to the west, they were quite dazzled. The sun rays were here streaming on the large and the little Beout with their cupolas of unequal height. And on this side the background was one of gold and purple, a dazzling mountain on whose sides one could only discern the road which snaked between the trees on its way to the Calvary above. And here, too, against the sunlit background, radiant like an aureola, stood out the three superposed churches which at the voice of Bernadette had sprung from the rock to the glory of the Blessed Virgin. First of all, down below, came the church of the Rosary, squat, circular, and half cut out of the rock, at the farther end of an esplanade on either side of which, like two huge arms, were colossal gradient ways ascending gently to the Crypt church. Vast labour had been expended here, a quarryful of stones had been cut and set in position, there were arches as lofty as naves supporting the gigantic terraced avenues which had been constructed so that the processions might roll along in all their pomp, and the little conveyances containing sick children might ascend without hindrance to the divine presence. Then came the Crypt, the subterranean church within the rock, with only its low door visible above the church of the Rosary, whose paved roof, with its vast promenade, formed a continuation of the terraced inclines. And at last, from the summit sprang the Basilica, somewhat slender and frail, recalling some finely chased jewel of the Renascence, and looking very new and very white – like a prayer, a spotless dove, soaring aloft from the rocks of Massabielle. The spire, which appeared the more delicate and slight when compared with the gigantic inclines below, seemed like the little vertical flame of a taper set in the midst of the vast landscape, those endless waves of valleys and mountains. By the side, too, of the dense greenery of the Calvary hill, it looked fragile and candid, like childish faith; and at sight of it you instinctively thought of the little white arm, the little thin hand of the puny girl, who had here pointed to Heaven in the crisis of her human sufferings. You could not see the Grotto, the entrance of which was on the left, at the base of the rock. Beyond the Basilica, the only buildings which caught the eye were the heavy square pile where the Fathers of the Immaculate Conception had their abode, and the episcopal palace, standing much farther away, in a spreading, wooded valley. And the three churches were flaming in the morning glow, and the rain of gold scattered by the sun rays was sweeping the whole countryside, whilst the flying peals of the bells seemed to be the very vibration of the light, the musical awakening of the lovely day that was now beginning.
Whilst crossing the Place du Rosaire, Pierre and Marie glanced at the Esplanade, the public walk with its long central lawn skirted by broad parallel paths and extending as far as the new bridge. Here, with face turned towards the Basilica, was the great crowned statue of the Virgin. All the sufferers crossed themselves as they went by. And still passionately chanting its canticle, the fearful cortege rolled on, through nature in festive array. Under the dazzling sky, past the mountains of gold and purple, amidst the centenarian trees, symbolical of health, the running waters whose freshness was eternal, that cortege still and ever marched on with its sufferers, whom nature, if not God, had condemned, those who were afflicted with skin diseases, those whose flesh was eaten away, those who were dropsical and inflated like wine-skins, and those whom rheumatism and paralysis had twisted into postures of agony. And the victims of hydrocephalus followed, with the dancers of St. Vitus, the consumptives, the rickety, the epileptic, the cancerous, the goitrous, the blind, the mad, and the idiotic. “Ave, ave, ave, Maria!” they sang; and the stubborn plaint acquired increased volume, as nearer and nearer to the Grotto it bore that abominable torrent of human wretchedness and pain, amidst all the fright and horror of the passers-by, who stopped short, unable to stir, their hearts frozen as this nightmare swept before their eyes.
Pierre and Marie were the first to pass under the lofty arcade of one of the terraced inclines. And then, as they followed the quay of the Gave, they all at once came upon the Grotto. And Marie, whom Pierre wheeled as near to the railing as possible, was only able to raise herself in her little conveyance, and murmur: “O most Blessed Virgin, Virgin most loved!”
She had seen neither the entrances to the piscinas nor the twelve-piped fountain, which she had just passed; nor did she distinguish any better the shop on her left hand where crucifixes, chaplets, statuettes, pictures, and other religious articles were sold, or the stone pulpit on her right which Father Massias already occupied. Her eyes were dazzled by the splendour of the Grotto; it seemed to her as if a hundred thousand tapers were burning there behind the railing, filling the low entrance with the glow of a furnace and illuminating, as with star rays, the statue of the Virgin, which stood, higher up, at the edge of a narrow ogive-like cavity. And for her, apart from that glorious apparition, nothing existed there, neither the crutches with which a part of the vault had been covered, nor the piles of bouquets fading away amidst the ivy and the eglantine, nor even the altar placed in the centre near a little portable organ over which a cover had been thrown. However, as she raised her eyes above the rock, she once more beheld the slender white Basilica profiled against the sky, its slight, tapering spire soaring into the azure of the Infinite like a prayer.
“O Virgin most powerful – Queen of the Virgins – Holy Virgin of Virgins!”
Pierre