Harper's New Monthly Magazine, No. XI.—April, 1851—Vol. II.. Various

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Harper's New Monthly Magazine, No. XI.—April, 1851—Vol. II. - Various

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she was surrounded in this house, it opened a strange chapter of sprightly malevolence to observe how they criticised her, and picked off her feathers, whenever she happened to be out of the room. They affected the most sublime regard for her, and the way they showed it was by wondering why she remained single, and trying to account for it by sundry flattering inuendos, with a sneer lurking under each of them.

      The men had no taste – this was said so slily as to make every body laugh – or perhaps they were afraid of her; she was hard to please; her mind was too masculine, which made her appear more repulsive than she really was; she did not relish female society, and men are always jealous of women who are superior to themselves, and so, between the two – hem! – there was the old adage! Then she aimed at eccentricity, and had some uncommon tastes; she was fond of poetry and philosophy, and blue stockings are not so marketable as hosiery of a plainer kind: in short, it was not surprising that such a woman should find it rather difficult to suit herself with a husband. But whoever did succeed in overcoming her fastidiousness would get a prize!

      These criticisms, probably, awakened an interest in my mind about this lady. She was evidently not understood by her critics; and it was by no means unlikely that, in attributing peculiarities to her which did not exist, they might have overlooked the true excellencies of her character. In proportion as they depreciated her, she rose in my estimation, by the rule of contrarieties. It had always been a weakness of mine to set myself against the multitude on questions of taste, and to reverse their judgment by a foregone conclusion. I then believed, and do still in a great measure believe, that persons of genius are not appreciated or comprehended by the mob; but I occasionally committed the mistake of taking it for granted that persons who were depreciated by the mob must of necessity be persons of genius.

      Astræa – for so she was familiarly called, at first in the way of covert ridicule, but afterward from habit – was thoroughly in earnest in every thing she said and did. She could adapt herself to the passing humor of vivacity or sarcasm without any apparent effort, but her natural manner was grave and dominant. Beneath the severity of her air was an unsettled spirit, which a close observer could not fail to detect. It was to carry off or hide this secret disquietude of soul (such, at least, it appeared to me), that, with a strong aversion to frivolity, she heeded all the frivolous amusements; but then it was done with an effort and excess that showed how little her taste lay in it, and that it was resorted to only as an escape from criticism. She had no skill in these relaxations, and blundered sadly in her attempts to get through them; and people tried to feel complimented by her condescension, but were never really satisfied. And when she had succeeded in getting up the group to the height of its gayety, and thought that every body was fully employed, she would take advantage of the general merriment and relapse into her own thoughts. It was then you could see clearly how little interest she took in these things. But she was too important a person to be allowed to drop out, and as she was well aware of the invidious distinction with which she was treated, she would speedily rally and mix in the frivolity again. All this was done with a struggle that was quite transparent to me. She never played that part with much tact. Yet her true character baffled me, notwithstanding. There was an evident restlessness within; as if she were out of her sphere, or as if there were a void to be filled, a longing after something which was wanted to awaken her sympathies, and set her soul at repose. Of that I was convinced; but all beyond was impenetrable obscurity.

      The mystery that hovered about her manner, her looks, her words, attracted me insensibly toward her. She was an enigma to the world as I was myself; and a secret feeling took possession of me that there were some latent points of unison in our natures which would yet be drawn out in answering harmony. This feeling was entirely exempt from passion. Gertrude had absorbed all that was passionate and loving in my nature – at least, I thought so then. And the difference between them was so wide, that it was impossible to feel in the same way about Gertrude first and Astræa afterward. Simplicity, gentleness, and timidity, were the characteristics of Gertrude; while Astræa was proud, grand, almost haughty, with a reserve which I could not fathom. If it be true that the individual nature can find a response only in another of a certain quality, then it would have been absurd to delude myself by any dreams of that kind about Astræa. If I had really loved Gertrude, I could not love Astræa. They were essentially in direct opposition to each other. As for Astræa, she appeared inaccessible to the weaknesses of passion; her conversation was bold, and she selected topics that invited argument, but rarely awakened emotion. Energetic, lofty, and severe, her very bearing repelled the approaches of love. He would have been a brave man who should have dared to love Astræa. I wondered at her beauty, which was not captivating at a glance, but full of dignity. I wondered, admired, listened, but was not enslaved.

      She treated me with a frankness which she did not extend to others. This did not surprise me in the circle in which I found her. It was natural enough that she should avail herself of any escape that offered from that atmosphere of persiflage. I was guided by a similar impulse. But the same thing occurs every day in society. People always, when they can, prefer the intercourse which comes nearest to their own standard. It does not follow, however, that they must necessarily fall in love. Such a suspicion never entered my head.

      I soon discovered that her knowledge was by no means profound; and that her judgment was not always accurate. Setting aside the showy accomplishments which go for nothing as mental culture she was self-educated. She had been an extensive reader, but without method. She touched the surface of many subjects, and carried away something from each, to show that she had been there, trusting to her vigorous intellect for the use she should make of her fragmentary acquisitions. It was only when you discussed a subject fully with her that you discovered her deficiencies. In the ordinary way, rapidly lighting upon a variety of topics, she was always so brilliant and suggestive that you gave her credit for a larger field of acquirements than she really traversed. This discovery gave me an advantage over her; and my advantage gave me courage.

      One evening we were talking of the mythology, one of her favorite themes.

      "And you seriously think," I observed, in answer to something she said, "that the story of Hercules and the distaff has a purpose?"

      "A deep purpose, and a very obvious moral," she replied.

      "Will you expound it to me?"

      "It is quite plain – the parable of strength vanquished by gentleness. There is nothing so strong as gentleness."

      This reply took me by surprise, and I observed, "I should hardly have expected that from you." I was thinking more of the unexpected admission of the power of gentleness from the lips of Astræa, than of the truth or depth of the remark.

      "Do you mean that as a compliment?" she inquired.

      "Well – no. But from a mind constituted like yours, I should have looked for a different interpretation."

      "Then you think that my mind ought to prostrate itself before a brawny development of muscles?"

      "No, no; remember, you spoke of gentleness."

      "That is the mind of woman," she answered, "taking its natural place, and asserting its moral power. For gentleness, like beauty, is a moral power."

      "Beauty a moral power?" I exclaimed.

      "That is its true definition, unless you would degrade it by lowering it to the standard of the senses," she replied, kindling as she spoke. "It elevates the imagination; we feel a moral exaltation in the contemplation of it; it is the essential grace of nature; it refines and dignifies our whole being; and appreciated in this aspect, it inspires the purest and noblest aspirations."

      This creed of beauty was very unlike any thing I had anticipated from her. If any body in a crowded drawing-room had spoken in this style, I should have expected that she would have smiled somewhat contemptuously upon them.

      "Your definition is imperfect," I ventured to

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