Blackwood's Edinburgh Magazine, Vol. 66 No.406, August 1849. Various

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to the son's fortunes, and ultimately reconciling him to the father, – through her own agency; – it would atone for any fault of which Roland could accuse herself in the old time.

      She undertook to impart the secret to Trevanion, for she would have no secrets from him, and to secure his acquiescence in its concealment from all others.

      And here I must a little digress from the chronological course of my explanatory narrative, to inform the reader that, when Lady Ellinor had her interview with Roland, she had been repelled by the sternness of his manner from divulging Vivian's secret. But on her first attempt to sound or conciliate him, she had begun with some eulogies on Trevanion's new friend and assistant, Mr Gower, and had awakened Roland's suspicions of that person's identity with his son – suspicions which had given him a terrible interest in our joint deliverance of Miss Trevanion. But so heroically had the poor soldier sought to resist his own fears, that on the way he shrank to put to me the questions that might paralyse the energies which, whatever the answer, were then so much needed. "For," said he to my father, "I felt the blood surging to my temples; and if I had said to Pisistratus, 'Describe this man,' and by his description I had recognised my son, and dreaded lest I might be too late to arrest him from so treacherous a crime, my brain would have given way; – and so I did not dare!"

      I return to the thread of my story. From the time that Vivian confided in Lady Ellinor, the way was cleared to his most ambitious hopes; and though his acquisitions were not sufficiently scholastic and various to permit Trevanion to select him as a secretary, yet, short of sleeping at the house, he was little less intimate there than I had been.

      Among Vivian's schemes of advancement, that of winning the hand and heart of the great heiress had not been one of the least sanguine. This hope was annulled when, not long after his intimacy at her father's house, she became engaged to young Lord Castleton. But he could not see Miss Trevanion with impunity – (alas! who, with a heart yet free, could be insensible to attractions so winning?) He permitted the love – such love as his wild, half-educated, half-savage nature acknowledged – to creep into his soul – to master it; but he felt no hope, cherished no scheme while the young lord lived. With the death of her betrothed, Fanny was free; then he began to hope – not yet to scheme. Accidentally he encountered Peacock. Partly from the levity that accompanied a false good-nature that was constitutional with him, partly from a vague idea that the man might be useful, Vivian established his quondam associate in the service of Trevanion. Peacock soon gained the secret of Vivian's love for Fanny, and, dazzled by the advantages that a marriage with Miss Trevanion would confer on his patron, and might reflect on himself, and delighted at an occasion to exercise his dramatic accomplishments on the stage of real life, he soon practised the lesson that the theatres had taught him – viz: to make a sub-intrigue between maid and valet serve the schemes and insure the success of the lover. If Vivian had some opportunities to imply his admiration, Miss Trevanion gave him none to plead his cause. But the softness of her nature, and that graceful kindness which surrounded her like an atmosphere, emanating unconsciously from a girl's harmless desire to please, tended to deceive him. His own personal gifts were so rare, and, in his wandering life, the effect they had produced had so increased his reliance on them, that he thought he wanted but the fair opportunity to woo in order to win. In this state of mental intoxication, Trevanion, having provided for his Scotch secretary, took him to Lord N – 's. His hostess was one of those middle-aged ladies of fashion, who like to patronise and bring forward young men, accepting gratitude for condescension, as a homage to beauty. She was struck by Vivian's exterior, and that 'picturesque' in look and in manner which belonged to him. Naturally garrulous and indiscreet, she was unreserved to a pupil whom she conceived the whim to make 'au fait to society.' Thus she talked to him, among other topics in fashion, of Miss Trevanion, and expressed her belief that the present Lord Castleton had always admired her; but it was only on his accession to the marquisate that he had made up his mind to marry, or, from his knowledge of Lady Ellinor's ambition, thought that the Marquis of Castleton might achieve the prize which would have been refused to Sir Sedley Beaudesert. Then, to corroborate the predictions she hazarded, she repeated, perhaps with exaggeration, some passages from Lord Castleton's replies to her own suggestions on the subject. Vivian's alarm became fatally excited; unregulated passions easily obscured a reason so long perverted, and a conscience so habitually dulled. There is an instinct in all intense affection, (whether it be corrupt or pure,) that usually makes its jealousy prophetic. Thus, from the first, out of all the brilliant idlers round Fanny Trevanion, my jealousy had pre-eminently fastened on Sir Sedley Beaudesert, though, to all seeming, without a cause. From the same instinct, Vivian had conceived the same vague jealousy – a jealousy, in his instance, coupled with a deep dislike to his supposed rival, who had wounded his self-love. For the marquis, though to be haughty or ill-bred was impossible to the blandness of his nature, had never shown to Vivian the genial courtesies he had lavished upon me, and kept politely aloof from his acquaintance – while Vivian's personal vanity had been wounded by that drawing-room effect, which the proverbial winner of all hearts produced without an effort – an effect that threw into the shade the youth, and the beauty (more striking, but infinitely less prepossessing) of the adventurous rival. Thus animosity to Lord Castleton conspired with Vivian's passion for Fanny, to rouse all that was worst by nature and by rearing, in this audacious and turbulent spirit.

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      1

      The Works of Charles Lamb. Final Memorials of Charles Lamb. By Thomas Noon Talfourd.

      2

      Final Memorials, vol. ii., p. 212.

      3

      Vol. ii., p. 157.

      4

      The author of Ion ought not to be held in remembrance for any of these prosaic blunders he may have committed.

      5

      A Spaniard very rarely indeed marries a Gitána or female gipsy. But occasionally (observes Mr Borrow) a wealthy Gitáno marries a Spanish female.

1

The Works of Charles Lamb. Final Memorials of Charles Lamb. By Thomas Noon Talfourd.

2

Final Memorials, vol. ii., p. 212.

3

Vol. ii., p. 157.

4

The author of Ion ought not to be held in remembrance for any of these prosaic blunders he may have committed.

5

A Spaniard very rarely indeed marries a Gitána or female gipsy

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