occupation, interchange of converse sweet, and recreative study, can make the country anything better than altogether odious and detestable. A garden was the primitive prison, till man, with Promethean felicity and boldness, luckily sinned himself out of it."
Any further summary than what we have already given, of the literary character of Lamb, would be only tedious. He is one who will be generally liked, who with a smaller class will be greatly admired, and who will never excite hostile criticism, unless his injudicious friends shall elevate him to a higher pedestal than is due to him, or than he is manifestly fit to occupy. Such is the cold and calm verdict with which criticism must dismiss him. But those who have thoroughly enjoyed the essays of Elia and the letters of Lamb, will feel a warmer, a more partial affection than Criticism knows well how to express: she becomes somewhat impatient of her own enforced gravity; she would willingly throw away those scales with which, like Justice, we suppose, she is symbolically supplied, and, embracing the man as he is, laugh and be pleased with the rest of the world, without further thought of the matter.
THE CAXTONS. – PART XV
"Please, sir, be this note for you?" asked the waiter.
"For me – yes; it is my name."
I did not recognise the handwriting, and yet the note was from one whose writing I had often seen. But formerly the writing was cramped, stiff, perpendicular, (a feigned hand, though I guessed not it was feigned;) now it was hasty, irregular, impatient – scarce a letter formed, scarce a word that seemed finished – and yet strangely legible withal, as the handwriting of a bold man almost always is. I opened the note listlessly, and read —
"I have watched for you all the morning. I saw her go. Well! – I did not throw myself under the hoofs of the horses. I write this in a public-house, not far. Will you follow the bearer, and see once again the outcast whom all the rest of the world will shun?"
Though I did not recognise the hand, there could be no doubt who was the writer.
"The boy wants to know if there's an answer," said the waiter.
I nodded, took up my hat, and left the room. A ragged boy was standing in the yard, and scarcely six words passed between us, before I was following him through a narrow lane that faced the inn, and terminated in a turnstile. Here the boy paused, and, making me a sign to go on, went back his way whistling. I passed the turnstile, and found myself in a green field, with a row of stunted willows hanging over a narrow rill. I looked round, and saw Vivian (as I intend still to call him) half kneeling, and seemingly intent upon some object in the grass.
My eye followed his mechanically. A young unfledged bird, that had left the nest too soon, stood, all still and alone, on the bare short sward – its beak open as for food, its gaze fixed on us with a wistful stare. Methought there was something in the forlorn bird that softened me more to the forlorner youth, of whom it seemed a type.
"Now," said Vivian, speaking half to himself, half to me, "did the bird fall from the nest, or leave the nest at its own wild whim? The parent does not protect it. Mind, I say not it is the parent's fault – perhaps the fault is all with the wanderer. But, look you, though the parent is not here, the foe is! – yonder, see!"
And the young man pointed to a large brindled cat, that, kept back from its prey by our unwelcome neighbourhood, still remained watchful, a few paces off, stirring its tail gently backwards and forwards, and with that stealthy look in its round eyes, dulled by the sun – half fierce, half frightened – which belongs to its tribe, when man comes between the devourer and the victim.
"I do see," said I, "but a passing footstep has saved the bird!"
"Stop!" said Vivian, laying my hand on his own, and with his old bitter smile on his lip – "stop! do you think it mercy to save the bird? What from? and what for? From a natural enemy – from a short pang and a quick death? Fie! – is not that better than slow starvation? or, if you take more heed of it, than the prison-bars of a cage? You cannot restore the nest, you cannot recall the parent. Be wiser in your mercy: leave the bird to its gentlest fate!"
I looked hard on Vivian; the lip had lost the bitter smile. He rose and turned away. I sought to take up the poor bird, but it did not know its friends, and ran from me, chirping piteously – ran towards the very jaws of the grim enemy. I was only just in time to scare away the beast, which sprang up a tree, and glared down through the hanging boughs. Then I followed the bird, and, as I followed, I heard, not knowing, at first whence the sound came, a short, quick, tremulous note. Was it near? was it far? – from the earth? in the sky? Poor parent-bird! – like parent-love, it seemed now far and now near; now on earth, now in sky!
And at last, quick and sudden, as if born of the space, lo! the little wings hovered over me!
The young bird halted, and I also. "Come," said I, "ye have found each other at last – settle it between you!"
I went back to the outcast.
Pisistratus. – How came you to know we had stayed in the town?
Vivian. – Do you think I could remain where you left me? I wandered out – wandered hither. Passing at dawn through yon streets, I saw the ostlers loitering by the gates of the yard, overheard them talk, and so knew you were all at the inn – all! (He sighed heavily.)
Pisistratus. – Your poor father is very ill! O cousin, how could you fling from you so much love!
Vivian. – Love! – his! – my father's!
Pisistratus. – Do you really not believe, then, that your father loved you?
Vivian. – If I had believed it, I had never left him! All the gold of the Indies had never bribed me to leave my mother!
Pisistratus. – This is indeed a strange misconception of yours. If we can remove it, all may be well yet. Need there now be any secrets between us? (persuasively.) Sit down, and tell me all, cousin.
After some hesitation, Vivian complied; and by the clearing of his brow, and the very tone of his voice, I felt sure that he was no longer seeking to disguise the truth. But, as I afterwards learned the father's tale as well as now the son's, so, instead of repeating Vivian's words, which – not by design, but by the twist of a mind habitually wrong – distorted the facts, I will state what appears to me the real case, as between the parties so unhappily opposed. Reader, pardon me if the recital be tedious. And if thou thinkest that I bear not hard enough on the erring hero of the story, remember that he who recites judges as Austin's son must judge of Roland's.
Vivian.
AT THE ENTRANCE OF LIFE SITS – THE MOTHER.
It was during the war in Spain that a severe wound, and the fever which ensued, detained Roland at the house of a Spanish widow. His hostess had once been rich; but her fortune had been ruined in the general calamities of the country. She had an only daughter, who assisted to nurse and tend the wounded Englishman; and when the time approached for Roland's departure, the frank grief of the young Ramouna betrayed the impression that the guest had made upon her affections. Much of gratitude, and something, it might be, of an exquisite sense of honour, aided, in Roland's breast, the charm naturally produced by the beauty of his young nurse, and the knightly compassion he felt for her ruined fortunes and desolate condition.
In one of those hasty impulses common to a generous nature – and which too often fatally vindicate the rank of Prudence amidst the tutelary Powers of Life – Roland committed the error of marriage with a girl of whose connexions he knew
