p>Crete-Mycenaean culture and religion as part of the Indo-European culture of the Bronze Age of Eurasia
Sergey Solovyov
© Sergey Solovyov, 2018
ISBN 978-5-4490-6644-2
Created with Ridero smart publishing system
Solovyov Sergej Yurievich
Crete-Mycenaean culture and religion as part of the Indo-European culture of the Bronze Age of Eurasia.
Contents. Introduction
Hellas and Hellenism. Tain meanders, acanthus and palmettes.
Date of the Treasure of Schliemann Tactics of the Achaean chariots in battle Chariot fighters of Ancient Greece of the Bronze Age.
Lenses and products from rock crystal. Discoveries of the Bronze Age of the Century from Troy, Mycenae and Crete.
On the stela No. 1428 from the grave circle «A» Mycenae, the meaning of this image, and the possible translation of the pictorial relief.
Ritual cups on a fresco from the grave of Rehmir. Buckets as one of the signs of Indo-European culture.
Trident, as one of the iconic symbols of Indo-European culture.
The discovery of iron is ancient. Ethiopians and Colchis. Ancestral home of Ancient Greece and the Caucasus.
The double helix as a cultural and religious symbol in the Indo-European culture, and its connection with Acanthus, Meander and Palmetta.
Ilios and Leto, like the deities of the sun and ice, and the gods-twins Apollo and Elisia.
Acanthus in the Middle Ages.
Griffins, lions and sphinxes in the Knossos and Pylos palaces of the Crete-Mycenaean culture. The serpent (Issaya) in the hand of Elisia is the attribute, meaning and meaning of this symbol in Indo-European culture.
Image of the Priest King from the island of Crete. Apollo and Krishna. Identification of this relief as the oldest cultural and religious image of Apollo-Krishna, as a common Indo-European deity of the Bronze Age era.
The world tree. Guardians of the World Tree – Apollo (Ill) and Elecia (Helen) in ancient Greek mythology.
Delphic oracle Warriors led by Ill in new lands and in just wars Combes with helmets of warriors and their meaning.
The oldest Indo-European myths in the tales of Hans Christian Andersen. Apollo and Elisius. Akant, Meander and Palmetta.
Swastika, left and right. The true meaning of these signs.
The Archangel Cathedral of the Moscow Kremlin. Feat of the creativity of Alevizo the New. Acanthus and Palmetta on the walls of the Cathedral.
Regular parks.
Horsemen of the Apocalypse. Eschatological views in Indo-European culture. The oldest relief with the image of the Battle on the Kalinov Bridge with a three-headed serpent.
Lamb in the Indo- European religions.
Secret signs on pedestals of garden and park sculpture of Kuskovo Park.
The conclusion.
Introduction
Pic.1. Map of the Aegean world and the Crete-Mycenaean civilization
It is impossible to study the culture, art of any country outside the comprehension of the principles and organization of the religion of this country, they are an external, visible part of it. After all, culture and art, attitude to the beautiful, to
science, are derived from the customs and faith professed by the people, and therefore fully understanding the monuments and achievements is unrealistic without studying religion. The ancient Greek religious system was based on the belief in the Olympic deities, with its inherent hierarchy, this system was described by Hesiod in his «Theogony», led by a host of deities was Zeus and Hera, with his subordinate gods. On the first step stood him, Zeus, brothers and sisters (Poseidon, Demeter, Hades), the next step-their children. With each level in the hierarchy, the power of the deity changed. So there was a host of different spirits and demons. But this system was a simplified system for simple, uninitiated people, and people of a higher rank were included in the circle of initiates in various sacraments, which were left with certain information left by Plato, Pausanias, Ptolemy Hephaestion, Heraclitus, Praxitel, Callimachus. Often analyzing the information conveyed by these individuals, we can say that the popular and «elite» religion differed to non-recognition. The religion of the initiates was more demanding of the adept, and was based on the Indo-European cults of the Bronze Age that remained intact, the time of the migration of the Hellenic tribes to Hellas. It is believed that the Hellenic religion religion did not have a single organization and teaching, but consisted of community cults of various deities that were not omnipotent, but patronized one or more of the elements, spheres of human activity or geographic areas. Mythology in fact was extremely developed. This book dispels this delusion, the delusion about the entanglement and contradiction of the cult of the Ancient Greek gods, on these pages the true meaning of the numerous attributes of the ancient Greek deities, their connection with the oldest Indo-European cults is revealed. And a clear correspondence with the names of the deities of Northern Europe and Eurasia is shown, a clear and consistent similarity of the Indo-European afterlife cults, their origin and development over time is proved. The most
a mysterious legend about the consistency of fire and ice, which gave birth to this union, and what kind of deities personified it. True mythology and the circle of deities, their functions, meaning and origin, kinship, become clear and consistent, explains the seeming incredible philosophers of ancient Greece, the repeated birth of deities on Earth among humans, as well as repeated deaths of deities. The true number of deities of ancient Greece is proved, the connection of deities with the World Tree and the afterlife. The meaning and meaning of ornaments of antiquity-double spiral, acanthus, meander, palmette, swastika are revealed. The mystery of the origin of the name of Hellas and Hellenes, the time of the foundation of Mycenae and the date of the Trojan War, the history and the true meaning of the founding of the Olympic Games of antiquity, which was explored in connection with the Hellenic religion. The importance for Ancient Greece of the Delphic oracle is justified, and to whom the divinities were sought, who of the deities disclosed the secrets of the future. It shows the development of technologies opened by Indo-Europeans-combat chariots, optics, and iron. It was very important and necessary to show and prove the cultural and religious community of Indo-Europeans of the Bronze Age. It would be difficult and wrong to affirm ethnic identity, but the similarity, and often the identity of the most important attributes, ornaments, mythology that survived to our time four thousand
