(Ella) and Fricke is slipping. And it seems that the first Hellas (Hellas) was a Trojan. After the Trojan War, Neoptolemus took Andromache and took part of the Trojans to Thessaly. The first area, called Hellas, was in Northern Greece. Now, more in detail about Persephone and Perseus. So, the meaning of the word «Persephone» is «Perseus + phonos, that is, the sound or voice.» That is the voice of the dead.This is not even a name, but an epithet, like Tritiginea for Athena. Perseus, his birth is also associated with the cult of the dead He was born in a tomb from a deceased mother, or taken for a deceased mother, Danai.The exact translation of the word
«Perseus» is not yet obtained, but the meaning, as in the analogy with Persephone is clear, and is connected with the dead. The cult of Persephone is associated with Eleusis, with the famous Eleusinian mysteries. And then the fun begins. The root of «Ela-Eli» is the name of the goddess Aphrodite. That is, the city is named after the goddess Ella-Aphrodite. And Persephone is only one of her epithets. The connection of Aphrodite with the cult of resurrection is clearly visible in the photos of Acroteri. But the legends about Persephone to the goddess of the dead from the Greeks did not survive in the epics, because they were part of the Eleusinian mysteries and were secret. With Elesia, the name of the Champs Elysees, a place in the next world, where the chosen ones fall, is also connected, that is, these fields belong to Elisia, Ἠλύσιον πεδίον-the Champs Elysees, the name of Lysias the next, and Alexius the resurrected. Therefore, here you can reconstruct part of the fairy tales of Mary-Morevna and Mary-Iskusnitsa, that is, the Mara-goddess of death. But the name of the Iranians-Parsa or Persians comes to the aid. The self-name of Iran in ancient times was «Arya-nim», the country of Aryans. That is, Persian-Parsa refers to religion, or rather to the rite of burial. The photo below shows the birth of a goddess from the waters of the sea, from the flower, and depicts the symbol of the revival of the palmetta. Below is also a helmet made of gold with an acanthus-symbol of rebirth.
Pic. 11 of a born goddess
pic.12 Gold Scythian helmet, or rather the crown. Hermitage, St. Petersburg
In the photo below, it seems, but in the center there is either an inflorescence, a ready-to-blossom, or an egg, as a symbol of a new life… So this obviously symbolizes the hope for the resurrection of the Goddess worshiper.
pic 13. Palmetto on acroteria (tombstone)
It is possible to reconstruct the meaning of the Eleusinian Mysteries as the greatest mystery of Ancient Greece, the Hellas-the True Name of the Mother Goddess-Ella-Elena, and the proof that both Hera, and Athena, and Persephone, and Artemis, (known numerous images of Artemis-Orphia, and from her the head grows a flower) and Aphrodite is only her incarnation. as she manifests herself in the world of people. And, the most important, can be considered proven. What and the self-name is Hellenes. and the name of the Hellenic country, this is the manifestation of the Hellenic belief that they are created by the goddess Ella, and believe in their resurrection after death, and are under her protection. The name is Helen in Greek – from ancient Greeks. ἐλένη (helen) – «torch, torch». And everything in the world is the product of her mind (photo above). the last photo-Mycenaean work of the 16th century BC, the first-bronze statuette from the Pushkin Museum of Fine Arts. Pushkin). In the exposition of the Pushkin Museum there is a bronze statuette of Aphrodite with Eroth. And now, from above, behind the head, is the same symbol of the creation of the Goddess of all things with his mind. A photograph from the Athenian Museum (a hairpin made of gold in the form of a goddess) -Mikena work of the 16th century BC. similar to Aphrodite with Eros from the collection of the Pushkin Museum. Pushkin. To the right of the plate from Sparta. the classic time, the image of Artemis-Orifii. In the photo below the image of the sprouting shoots of the goddess, the Goddess-Mother, Who created Everything from Self, this is what these images are dedicated to. That is, as sprouting from itself to all living things, the goddess is the creator of everything. And also images with animals to which she also gave life.
pic.14 Birth of the Goddess
pic.15 Hairpin with the image of Elisia
Many of the capitals of the Greek columns in the temples depict the symbol of the goddess Ella-Helena, a blossoming flower, Acanthus or palmetta, as a symbol of the rebirth from death. The custom of giving flowers, bouquets, is obviously connected with this cult. And here, one of the hints of the ancient philosophers becomes clear: «Everything in the world is a product of love.» And it turns out that the Christian priests were right, identifying Hellenism and paganism. Ellinism is not a nationality, but a system of very stable religious and cultural ideas, the most important of which is the belief in the Mother Goddess, and the hope of resurrection after death.
Dating of Schliemann’s Treasure
A number of Schliemann’s finds, called the «Priam’s Treasure», were found on the site of the site of the site, recognized as the ruins of Troy. Artifacts were found on the foundations of the main building of the Troy Acropolis from 1873. to 1882. with interruptions. These are treasures with ordinal numbers A to R. As it is already believed, the treasure has nothing to do with the king of Troy Priam. It dates from 2400—2300 years. BC., that is, existed a thousand years before Priam. Let’s try to clarify this date. William Taylor, in his book The Mycenaean and Mycenaeans, writes about the origin of the Hellenes (or rather the Achaeans), that materials and a large archaeological work inspired researchers to answer the question of the origin and differences of those people who created Mycenaean monuments and culture.
Is it correct to say that the Mycenaean century marked the beginning of Hellenic culture? In Greece, not once and not two fell different peoples, including in historical time. Finds of archaeologists show that up to the classical period the continuous development of civilization continued. In the period from 1900—1800 BC. across the whole of Greece began to spread new ceramics with characteristic features, known as gray «minyan» products. The name was offered by Schliemann, who first came across it during excavations in Orchomen. He named it in honor of the Mynyan tribe, which, according to legend, is associated with this city. The name was unsuccessful, because in fact this tribe is not associated with the origin of ceramics. Minyan ceramics are easy to distinguish from all other gray products due to their excellent quality and very specific finishing technique. Most likely, according to Taylor, she was brought to Greece by representatives of one of the nomadic tribes. In the form of vases, a resemblance to metal products is seen in Taylor’s opinion. The ceramic products, similar to the gray minyan ceramics, were found by archaeologists throughout North-West Turkey, they have distinctly expressed signs of TroyVI ceramics, which indicates a homogeneous population of this region of Asia Minor at the beginning of the second millennium BC and the base the sixth settlement around the XIX century. BC. Practically simultaneous appearance of similar ceramics in two separate but not very distant territories suggests that both Troy and Greece were invaded by the same invaders. It is commonly believed that they brought to Greece and one of the forms of the Greek language. The bearers of this culture came from the east, passing through the northern Anatolian plateau in Troy. Indeed, the Mycenaean ceramics are in some ways similar to gray products from the northeast of Iran. The invaders brought with them new types of weapons, primarily cavalry and chariots, which played a decisive role in keeping the occupied territories. For the first time, the horses’ bones were found
