The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Volume 14: Switzerland. Giacomo Casanova
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"You confess, then, that you are the waiter at the 'Sword'?"
"Well, not quite that, madam, but I confess that I was the waiter for an hour, and that you cruelly disdained to address a single word to me, though I was only a waiter, because I longed for the bliss of seeing you. But I hope I shall be a little more fortunate here, and that you will allow me to pay you my respectful homage."
"This is very wonderful! You played your part so well that the sharpest eye would have been deceived. Now we shall see if you play your new part as well. If you do me the honour to call on me I will give you a good welcome."
After these complimentary speeches, the story became public property, and the whole table was amusing itself with it, when I had the happiness of seeing M.– and Madame coming into the room.
"There is the good-natured waiter," said she to her husband.
The worthy man stepped forward, and politely thanked me for having done his wife the honour of taking off her boots.
This told me that she had concealed nothing, and I was glad. Dinner was served, M. de Chavigni made my charmer sit at his right hand, and I was placed between my two calumniators. I was obliged to hide my game, so, although I disliked them intensely, I made love to them, hardly raising my eyes to glance at Madame, who looked ravishing. I did not find her husband either as old or as jealous as I had expected. The ambassador asked him and his wife to stay the evening to an impromptu ball, and then said, that in order for me to be able to tell the Duc de Choiseul that I was well amused at Soleure, he would be delighted to have a play, if Madame would act the fair 'Ecossaise' again. She said she should be delighted, but two more actors were wanted.
"That is all right," said the kind old gentleman, "I will play Montrose."
"And I, Murray," I remarked.
My lame friend, angry at this arrangement, which only left her the very bad part of Lady Alton, could not help lancing a shaft at me.
"Oh! why isn't there a waiter's part in the play?" said she, "you would play it so well."
"That is well said, but I hope you will teach me to play Murray even better."
Next morning, I got the words of my part, and the ambassador told me that the ball would be given in my honour. After dinner I went to my inn, and after making an elaborate toilette I returned to the brilliant company.
The ambassador begged me to open the ball, and introduced me to the highest born but not the most beautiful lady in the place. I then danced with all the ladies present until the good-natured old man got me the object of my vows as a partner in the quadrilles, which he did so easily that no one could have made any remark. "Lord Murray," said he, "must dance with no one but Lindane."
At the first pause I took the opportunity of saying that I had only come to Soleure for her sake, that it was for her sake that I had disguised myself at Zurich, and that I hoped she would permit me to pay my addresses to her.
"I cannot invite you to my house," said she, "for certain sufficient reasons; but if you will stay here some time we shall be able to see each other. But I entreat you not to shew me any marked attention in public, for there are those who will spy upon our actions, and it is not pleasant to be talked about."
I was quite satisfied with this, and told her that I would do all in my power to please her, and that the most prying eyes should have nothing to fix on. I felt that the pleasure I looked forward to would be rendered all the sweeter by a tincture of mystery.
I had proclaimed myself as a novice in the mimic art, and had entreated my lame friend to be kind enough to instruct me. I therefore went to her in the morning, but she could only flatter herself that hers was a reflected light, as I had opportunities for paying my court to my charmer in her house, and however great her vanity may have been, she must have had some suspicions of the truth.
This woman was a widow, aged between thirty and forty years, of a jaundiced complexion, and a piercing and malicious aspect. In her efforts to hide the inequality of her legs, she walked with a stiff and awkward air; and, wishing to be thought a wit, she increased her natural dullness by a ceaseless flow of small talk. I persisted in behaving towards her with a great air of respect, and one day she said that, having seen me in the disguise of a waiter, she would not have thought I was a man of a timid nature.
"In what respect do you think me timid?" said I; to which she gave me no answer, but I knew perfectly well what she meant. I was tired of my part, and I had determined to play it no more when we had acted L'Ecossaise.
All the best people at Soleure were present at our first performance. The lame lady was delighted with the horror inspired by her acting; but she might credit a great deal of it to her appearance. M. de Chavigni drew forth the tears of the audience, his acting was said to be better than the great Voltaire's. As for me, I remember how near I was to fainting when, in the third scene of the fifth act, Lindane said to me,
"What! You! You dare to love me?"
She pronounced these words with such fiery scorn that all the spectators applauded vehemently. I was almost put out of countenance, for I thought I detected in her voice an insult to my honour. However, I collected myself in the minute's respite which the loud applause gave me, and I replied,–
"Yes; I adore you! How should I not?"
So pathetically and tenderly did I pronounce these words that the hall rang again with the applause, and the encores from four hundred throats made me repeat the words which, indeed, came from my heart.
In spite of the pleasure we had given to the audience, we judged ourselves not perfect in our parts, and M. de Chavigni advised us to put off our second performance for a couple of days.
"We will have a rehearsal to-morrow at my country house," said he, "and I beg the favour of all your companies to dinner there."
However, we all made each other compliments on our acting. My lame friend told me I had played well, but not so well as in the part of waiter, which really suited me admirably. This sarcasm got the laugh on her side, but I returned it by telling her that my performance was a work of art, while her playing of Lady Alton was pure nature. M. de Chavigni told Madame that the spectators were wrong to applaud when she expressed her wonder at my loving her, since she had spoken the words disdainfully; and it was impossible that Lindane could have despised Murray. The ambassador called for me the next day in his carriage, and when we reached his country-house we found all the actors assembled there. His excellency addressed himself in the first place to M.–, telling him he thought his business was as good as done, and that they would talk about it after dinner. We sat down to table, and afterwards rehearsed the piece without any need of the prompter's assistance.
Towards evening the ambassador told the company that he would expect them to supper that evening at Soleure, and everyone left with the exception of the ambassador, myself, and M.– and Madame–. Just as we were going I had an agreeable surprise.
"Will you come with me," said the Ambassador to M.–, "we can talk the matter over at our ease? M. Casanova will have the honour of keeping your wife company in your carriage."
I gave the fair lady my hand respectfully, and she took it with an air of indifference, but as I was helping her in she pressed my hand with all her might. The reader can imagine how