heart the ideal which it unconsciously sought. He was pleased to hear that she had been beautiful and good. He paused from his books to muse on her, and picture her image to his fancy. That there was some mystery in her fate was evident to him; and while that conviction deepened his interest, the mystery itself by degrees took a charm which he was not anxious to dispel. He resigned himself to Mrs. Fairfield’s obstinate silence. He was contented to rank the dead amongst those holy and ineffable images which we do not seek to unveil. Youth and Fancy have many secret hoards of idea which they do not desire to impart, even to those most in their confidence. I doubt the depth of feeling in any man who has not certain recesses in his soul into which none may enter.
Hitherto, as I have said, the talents of Leonard Fairfield had been more turned to things positive than to the ideal,—to science and investigation of fact than to poetry, and that airier truth in which poetry has its element. He had read our greater poets, indeed, but without thought of imitating; and rather from the general curiosity to inspect all celebrated monuments of the human mind than from that especial predilection for verse which is too common in childhood and youth to be any sure sign of a poet. But now these melodies, unknown to all the world beside, rang in his ear, mingled with his thoughts,—set, as it were, his whole life to music. He read poetry with a different sentiment,—it seemed to him that he had discovered its secret. And so reading, the passion seized him, and “the numbers came.”
To many minds, at the commencement of our grave and earnest pilgrimage, I am Vandal enough to think that the indulgence of poetic taste and revery does great and lasting harm; that it serves to enervate the character, give false ideas of life, impart the semblance of drudgery to the noble toils and duties of the active man. All poetry would not do this,—not, for instance, the Classical, in its diviner masters; not the poetry of Homer, of Virgil, of Sophocles; not, perhaps, even that of the indolent Horace. But the poetry which youth usually loves and appreciates the best—the poetry of mere sentiment—does so in minds already over-predisposed to the sentimental, and which require bracing to grow into healthful manhood.
On the other hand, even this latter kind of poetry, which is peculiarly modern, does suit many minds of another mould,—minds which our modern life, with its hard positive forms, tends to produce. And as in certain climates plants and herbs, peculiarly adapted as antidotes to those diseases most prevalent in the atmosphere, are profusely sown, as it were, by the benignant providence of Nature, so it may be that the softer and more romantic species of poetry, which comes forth in harsh, money-making, unromantic times, is intended as curatives and counter-poisons. The world is so much with us, nowadays, that we need have something that prates to us, albeit even in too fine a euphuism, of the moon and stars.
Certes, to Leonard Fairfield, at that period of his intellectual life, the softness of our Helicon descended as healing dews. In his turbulent and unsettled ambition, in his vague grapple with the giant forms of political truths, in his bias towards the application of science to immediate practical purposes, this lovely vision of the Muse came in the white robe of the Peacemaker; and with upraised hand pointing to serene skies, she opened to him fair glimpses of the Beautiful, which is given to Peasant as to Prince,—showed to him that on the surface of earth there is something nobler than fortune, that he who can view the world as a poet is always at soul a king; while to practical purpose itself, that larger and more profound invention, which poetry stimulates, supplied the grand design and the subtle view,—leading him beyond the mere ingenuity of the mechanic, and habituating him to regard the inert force of the matter at his command with the ambition of the Discoverer. But, above all, the discontent that was within him finding a vent, not in deliberate war upon this actual world, but through the purifying channels of song, in the vent itself it evaporated, it was lost. By accustoming ourselves to survey all things with the spirit that retains and reproduces them only in their lovelier or grander aspects, a vast philosophy of toleration for what we before gazed on with scorn or hate insensibly grows upon us. Leonard looked into his heart after the Enchantress had breathed upon it; and through the mists of the fleeting and tender melancholy which betrayed where she had been, he beheld a new sun of delight and joy dawning over the landscape of human life.
Thus, though she was dead and gone from his actual knowledge, this mysterious kinswoman—“a voice, and nothing more”—had spoken to him, soothed, elevated, cheered, attuned each discord into harmony; and if now permitted from some serener sphere to behold the life that her soul thus strangely influenced, verily with yet holier joy the saving and lovely spirit might have glided onward in the Eternal Progress.
We call the large majority of human lives obscure. Presumptuous that we are! How know we what lives a single thought retained from the dust of nameless graves may have lighted to renown?
CHAPTER XI
It was about a year after Leonard’s discovery of the family manuscripts that Parson Dale borrowed the quietest pad-mare in the squire’s stables, and set out on an equestrian excursion. He said that he was bound on business connected with his old parishioners of Lansmere; for, as it has been incidentally implied in a previous chapter, he had been connected with that borough town (and, I may here add, in the capacity of curate) before he had been inducted into the living of Hazeldean.
It was so rarely that the parson stirred from home, that this journey to a town more than twenty miles off was regarded as a most daring adventure, both at the Hall and at the Parsonage. Mrs. Dale could not sleep the whole previous night with thinking of it; and though she had naturally one of her worst nervous headaches on the eventful morn, she yet suffered no hands less thoughtful than her own to pack up the saddle-bags which the parson had borrowed along with the pad. Nay, so distrustful was she of the possibility of the good man’s exerting the slightest common-sense in her absence, that she kept him close at her side while she was engaged in that same operation of packing-up,—showing him the exact spot in which the clean shirt was put; and how nicely the old slippers were packed up in one of his own sermons. She implored him not to mistake the sandwiches for his shaving-soap, and made him observe how carefully she had provided against such confusion, by placing them as far apart from each other as the nature of saddle-bags will admit. The poor parson—who was really by no means an absent man, but as little likely to shave himself with sandwiches and lunch upon soap as the most commonplace mortal may be—listened with conjugal patience, and thought that man never had such a wife before; nor was it without tears in his own eyes that he tore himself from the farewell embrace of his weeping Carry.
I confess, however, that it was with some apprehension that he set his foot in the stirrup, and trusted his person to the mercies of an unfamiliar animal. For, whatever might be Mr. Dale’s minor accomplishments as man and parson, horsemanship was not his forte. Indeed, I doubt if he had taken the reins in his hand more than twice since he had been married.
The squire’s surly old groom, Mat, was in attendance with the pad; and, to the parson’s gentle inquiry whether Mat was quite sure that the pad was quite safe, replied laconically, “Oi, oi; give her her head.”
“Give her her head!” repeated Mr. Dale, rather amazed, for he had not the slightest intention of taking away that part of the beast’s frame, so essential to its vital economy,—“give her her head!”
“Oi, oi; and don’t jerk her up like that, or she’ll fall a doincing on her hind-legs.”
The parson instantly slackened the reins; and Mrs. Dale—who had tarried behind to control her tears—now running to the door for “more last words,” he waved his hand with courageous amenity, and ambled forth into the lane.
Our equestrian was absorbed at first in studying the idiosyncrasies of the pad-mare, and trying thereby to arrive at some notion of her general character: guessing, for instance, why she raised one ear and laid down the other; why she kept bearing so close to the left that she brushed his leg against the hedge; and why, when she arrived at a little
