up at the cross on the wall, was telling her beads feverishly.
At last the question was asked: 'Is this book for sale?'
There was the same hesitation, the same plunge of determination that he had noticed before, and then came the welcome answer: 'If monsieur pleases.'
'How much do you ask for it?'
'I will take two hundred and fifty francs.'
This was confounding. Even a collector's conscience is sometimes stirred, and Dennistoun's conscience was tenderer than a collector's.
'My good man!' he said again and again, 'your book is worth far more than two hundred and fifty francs. I assure you—far more.'
But the answer did not vary: 'I will take two hundred and fifty francs—not more.'
There was really no possibility of refusing such a chance. The money was paid, the receipt signed, a glass of wine drunk over the transaction, and then the sacristan seemed to become a new man. He stood upright, he ceased to throw those suspicious glances behind him, he actually laughed or tried to laugh. Dennistoun rose to go.
'I shall have the honour of accompanying monsieur to his hotel?' said the sacristan.
'Oh, no, thanks! it isn't a hundred yards. I know the way perfectly, and there is a moon.'
The offer was pressed three or four times and refused as often.
'Then, monsieur will summon me if—if he finds occasion; he will keep the middle of the road, the sides are so rough.'
'Certainly, certainly,' said Dennistoun, who was impatient to examine his prize by himself; and he stepped out into the passage with his book under his arm.
Here he was met by the daughter; she, it appeared, was anxious to do a little business on her own account; perhaps, like Gehazi, to 'take somewhat' from the foreigner whom her father had spared.
'A silver crucifix and chain for the neck; monsieur would perhaps be good enough to accept it?'
Well, really, Dennistoun hadn't much use for these things. What did mademoiselle want for it?
'Nothing—nothing in the world. Monsieur is more than welcome to it.'
The tone in which this and much more was said was unmistakably genuine, so that Dennistoun was reduced to profuse thanks, and submitted to have the chain put round his neck. It really seemed as if he had rendered the father and daughter some service which they hardly knew how to repay. As he set off with his book they stood at the door looking after him, and they were still looking when he waved them a last good night from the steps of the Chapeau Rouge.
Dinner was over, and Dennistoun was in his bedroom, shut up alone with his acquisition. The landlady had manifested a particular interest in him since he had told her that he had paid a visit to the sacristan and bought an old book from him. He thought, too, that he had heard a hurried dialogue between her and the said sacristan in the passage outside the salle à manger; some words to the effect that 'Pierre and Bertrand would be sleeping in the house' had closed the conversation.
All this time a growing feeling of discomfort had been creeping over him—nervous reaction, perhaps, after the delight of his discovery. Whatever it was, it resulted in a conviction that there was someone behind him, and that he was far more comfortable with his back to the wall. All this, of course, weighed light in the balance as against the obvious value of the collection he had acquired. And now, as I said, he was alone in his bedroom, taking stock of Canon Alberic's treasures, in which every moment revealed something more charming.
'Bless Canon Alberic!' said Dennistoun, who had an inveterate habit of talking to himself. 'I wonder where he is now? Dear me! I wish that landlady would learn to laugh in a more cheering manner; it makes one feel as if there was someone dead in the house. Half a pipe more, did you say? I think perhaps you are right. I wonder what that crucifix is that the young woman insisted on giving me? Last century, I suppose. Yes, probably. It is rather a nuisance of a thing to have round one's neck—just too heavy. Most likely her father has been wearing it for years. I think I might give it a clean up before I put it away.'
He had taken the crucifix off, and laid it on the table, when his attention was caught by an object lying on the red cloth just by his left elbow. Two or three ideas of what it might be flitted through his brain with their own incalculable quickness.
A penwiper? No, no such thing in the house. A rat? No, too black. A large spider? I trust to goodness not—no. Good God! a hand like the hand in that picture!
In another infinitesimal flash he had taken it in. Pale, dusky skin, covering nothing but bones and tendons of appalling strength; coarse black hairs, longer than ever grew on a human hand; nails rising from the ends of the fingers and curving sharply down and forward, grey, horny, and wrinkled.
He flew out of his chair with deadly, inconceivable terror clutching at his heart. The shape, whose left hand rested on the table, was rising to a standing posture behind his seat, its right hand crooked above his scalp. There was black and tattered drapery about it; the coarse hair covered it as in the drawing. The lower jaw was thin—what can I call it?—shallow, like a beast's; teeth showed behind the black lips; there was no nose; the eyes, of a fiery yellow, against which the pupils showed black and intense, and the exulting hate and thirst to destroy life which shone there, were the most horrifying features in the whole vision. There was intelligence of a kind in them—intelligence beyond that of a beast, below that of a man.
The feelings which this horror stirred in Dennistoun were the intensest physical fear and the most profound mental loathing. What did he do? What could he do? He has never been quite certain what words he said, but he knows that he spoke, that he grasped blindly at the silver crucifix, that he was conscious of a movement towards him on the part of the demon, and that he screamed with the voice of an animal in hideous pain.
Pierre and Bertrand, the two sturdy little serving-men, who rushed in, saw nothing, but felt themselves thrust aside by something that passed out between them, and found Dennistoun in a swoon. They sat up with him that night, and his two friends were at St Bertrand by nine o'clock next morning. He himself, though still shaken and nervous, was almost himself by that time, and his story found credence with them, though not until they had seen the drawing and talked with the sacristan.
Almost at dawn the little man had come to the inn on some pretence, and had listened with the deepest interest to the story retailed by the landlady. He showed no surprise.
'It is he—it is he! I have seen him myself,' was his only comment; and to all questionings but one reply was vouchsafed: 'Deux fois je l'ai vu: mille fois je l'ai senti.' He would tell them nothing of the provenance of the book, nor any details of his experiences. 'I shall soon sleep, and my rest will be sweet. Why should you trouble me?' he said.2
We shall never know what he or Canon Alberic de Mauléon suffered. At the back of that fateful drawing were some lines of writing which may be supposed to throw light on the situation:
Contradictio Salomonis cum demonio nocturno. Albericus de Mauléone delineavit. V. Deus in adiutorium. Ps. Qui habitat. Sancte Bertrande, demoniorum effugator, intercede pro me miserrimo. Primum uidi nocte 12(mi) Dec. 1694: uidebo mox ultimum. Peccaui et passus sum, plura adhuc passurus. Dec. 29, 1701.3
Saint Bertrand, who puttest devils to flight, pray for me most unhappy. I saw it first on the night of Dec. 12, 1694: soon I shall see it for the last time. I have sinned and suffered, and
He died that summer; his daughter married, and settled at St Papoul. She never understood the circumstances of her father's 'obsession'.
