the woods all that afternoon. Dear, dear! a hodd child she was, so silent in her ways and all, but I was wonderful taken up with her, so domesticated she was—surprising.'
'And what about the little boy?' said Stephen.
'Ah, that pore boy!' sighed Mrs Bunch. 'He were a foreigner—Jevanny he called hisself—and he come a-tweaking his 'urdy-gurdy round and about the drive one winter day, and master 'ad him in that minute, and ast all about where he came from, and how old he was, and how he made his way, and where was his relatives, and all as kind as heart could wish. But it went the same way with him. They're a hunruly lot, them foreign nations, I do suppose, and he was off one fine morning just the same as the girl. Why he went and what he done was our question for as much as a year after; for he never took his 'urdy-gurdy, and there it lays on the shelf.'
The remainder of the evening was spent by Stephen in miscellaneous cross-examination of Mrs Bunch and in efforts to extract a tune from the hurdy-gurdy.
That night he had a curious dream. At the end of the passage at the top of the house, in which his bedroom was situated, there was an old disused bathroom. It was kept locked, but the upper half of the door was glazed, and, since the muslin curtains which used to hang there had long been gone, you could look in and see the lead-lined bath affixed to the wall on the right hand, with its head towards the window.
On the night of which I am speaking, Stephen Elliott found himself, as he thought, looking through the glazed door. The moon was shining through the window, and he was gazing at a figure which lay in the bath.
His description of what he saw reminds me of what I once beheld myself in the famous vaults of St Michan's Church in Dublin, which possesses the horrid property of preserving corpses from decay for centuries. A figure inexpressibly thin and pathetic, of a dusty leaden colour, enveloped in a shroud-like garment, the thin lips crooked into a faint and dreadful smile, the hands pressed tightly over the region of the heart.
As he looked upon it, a distant, almost inaudible moan seemed to issue from its lips, and the arms began to stir. The terror of the sight forced Stephen backwards and he awoke to the fact that he was indeed standing on the cold boarded floor of the passage in the full light of the moon. With a courage which I do not think can be common among boys of his age, he went to the door of the bathroom to ascertain if the figure of his dreams were really there. It was not, and he went back to bed.
Mrs Bunch was much impressed next morning by his story, and went so far as to replace the muslin curtain over the glazed door of the bathroom. Mr Abney, moreover, to whom he confided his experiences at breakfast, was greatly interested and made notes of the matter in what he called 'his book'.
The spring equinox was approaching, as Mr Abney frequently reminded his cousin, adding that this had been always considered by the ancients to be a critical time for the young: that Stephen would do well to take care of himself, and to shut his bedroom window at night; and that Censorinus had some valuable remarks on the subject. Two incidents that occurred about this time made an impression upon Stephen's mind.
The first was after an unusually uneasy and oppressed night that he had passed—though he could not recall any particular dream that he had had.
The following evening Mrs Bunch was occupying herself in mending his nightgown.
'Gracious me, Master Stephen!' she broke forth rather irritably, 'how do you manage to tear your nightdress all to flinders this way? Look here, sir, what trouble you do give to poor servants that have to darn and mend after you!'
There was indeed a most destructive and apparently wanton series of slits or scorings in the garment, which would undoubtedly require a skilful needle to make good. They were confined to the left side of the chest—long, parallel slits about six inches in length, some of them not quite piercing the texture of the linen. Stephen could only express his entire ignorance of their origin: he was sure they were not there the night before.
'But,' he said, 'Mrs Bunch, they are just the same as the scratches on the outside of my bedroom door: and I'm sure I never had anything to do with making them.'
Mrs Bunch gazed at him open-mouthed, then snatched up a candle, departed hastily from the room, and was heard making her way upstairs. In a few minutes she came down.
'Well,' she said, 'Master Stephen, it's a funny thing to me how them marks and scratches can 'a' come there—too high up for any cat or dog to 'ave made 'em, much less a rat: for all the world like a Chinaman's finger-nails, as my uncle in the tea-trade used to tell us of when we was girls together. I wouldn't say nothing to master, not if I was you, Master Stephen, my dear; and just turn the key of the door when you go to your bed.'
'I always do, Mrs Bunch, as soon as I've said my prayers.'
'Ah, that's a good child: always say your prayers, and then no one can't hurt you.'
Herewith Mrs Bunch addressed herself to mending the injured nightgown, with intervals of meditation, until bed-time. This was on a Friday night in March, 1812.
On the following evening the usual duet of Stephen and Mrs Bunch was augmented by the sudden arrival of Mr Parkes, the butler, who as a rule kept himself rather to himself in his own pantry. He did not see that Stephen was there: he was, moreover, flustered and less slow of speech than was his wont.
'Master may get up his own wine, if he likes, of an evening,' was his first remark. 'Either I do it in the daytime or not at all, Mrs Bunch. I don't know what it may be: very like it's the rats, or the wind got into the cellars; but I'm not so young as I was, and I can't go through with it as I have done.'
'Well, Mr Parkes, you know it is a surprising place for the rats, is the Hall.'
'I'm not denying that, Mrs Bunch; and, to be sure, many a time I've heard the tale from the men in the shipyards about the rat that could speak. I never laid no confidence in that before; but tonight, if I'd demeaned myself to lay my ear to the door of the further bin, I could pretty much have heard what they was saying.'
'Oh, there, Mr Parkes, I've no patience with your fancies! Rats talking in the wine-cellar indeed!'
'Well, Mrs Bunch, I've no wish to argue with you: all I say is, if you choose to go to the far bin, and lay your ear to the door, you may prove my words this minute.'
'What nonsense you do talk, Mr Parkes—not fit for children to listen to! Why, you'll be frightening Master Stephen there out of his wits.'
'What! Master Stephen?' said Parkes, awaking to the consciousness of the boy's presence. 'Master Stephen knows well enough when I'm a-playing a joke with you, Mrs Bunch.'
In fact, Master Stephen knew much too well to suppose that Mr Parkes had in the first instance intended a joke. He was interested, not altogether pleasantly, in the situation; but all his questions were unsuccessful in inducing the butler to give any more detailed account of his experiences in the wine-cellar.
We have now arrived at March 24, 1812. It was a day of curious experiences for Stephen: a windy, noisy day, which filled the house and the gardens with a restless impression. As Stephen stood by the fence of the grounds, and looked out into the park, he felt as if an endless procession of unseen people were sweeping past him on the wind, borne on resistlessly and aimlessly, vainly striving to stop themselves, to catch at something that might arrest their flight and bring them once again into contact with the living world of which they had formed a part. After luncheon that day Mr Abney said:
'Stephen, my boy, do you think you could manage to come to me tonight as late as eleven o'clock in my study? I shall be busy until that time, and I wish to show you something connected
