the earth-gnomes, the Khnumu, “the modellers”, the helpers of the Egyptian artisan god Ptah, who shaped the world. “Countless little figures of these gods are found in Egyptian tombs; for even as once the Khnumu had helped in the making of the world, so would they help to reconstruct in all its members the body of the dead man in whose tomb they were laid.”51 The Ribhus similarly renovated aged and decrepit parents; “they reunited the old cow to the calf”; they are also credited with having shaped the heavens and the earth,52 and with having fashioned the “cow of plenty”, and also a man named Vibhvan.53
According to the Oxford Dictionary, they are “the three genii of the seasons in Hindu mythology”. The Sanskrit word “Ribhu” is sometimes compared with the Germanic word “Elf”. Professor Macdonell considers it “likely that the Ribhus were originally terrestrial or aerial elves”.54 They are evidently of common origin with the Teutonic elfin artisans who are associated with Thor, the Germanic Indra.
The mother of the Ribhus was Saranyu, daughter of Twashtri, “the Hindu Vulcan”, the “master workman”. Twashtri forms the organism in maternal wombs and supports the races of man.55 As we have seen, he was the fashioner of Indra's thunderbolt: similarly the Teutonic elfin artisan Sindre makes Thor's hammer.56
The two groups of Teutonic wonder-smiths were rivals; so were the Ribhus and Twashtri. The elfin artisans prove their skill in both cases by producing wonderful gifts for the gods. Loke acts as a mischief-making spy in Germanic myth, and Dadyak in Indian, and both lose their heads for wagers, but save them by cunning.
The Ribhus had provided the Celestials with horses and chariots, but Twashtri fashioned a wonderful bowl which filled itself with Soma for the gods. In the contest that ensued the Ribhus transformed the bowl into four cups. “This bowl”, says Professor Macdonell, “perhaps represents the moon, the four cups being its phases.” One of the Ribhus was a famous archer, like the elfin artisan Egil of Teutonic mythology.
The artisan of Babylonian mythology is Ea, father of Bel-Merodach. He is “King of the abyss, creator of everything, lord of all”. He was the god of artisans in general, and is identified with the sea-deity of the Persian Gulf—half-fish, half-man—who landed “during the day to teach the inhabitants the building of houses and temples, the gathering of fruits, and also geometry, law and letters”. His pupils included “potters, blacksmiths, sailors, stonecutters, gardeners, farmers, &c.”57
The Ribhus and Twashtri were the artisans of nature, the spirits of growth, the genii of the seasons, the elves of earth and air. Indra's close association with them emphasizes his character as a god of fertility, who brought the quickening rain, and as the corn god, and the rice god. He was the son of Father Heaven and Mother Earth, two vague deities who were never completely individualized, but were never forgotten. Heaven was the sky-god Dyaus-pita (from div = to shine), the Zeus pater of the Greeks, Jupiter of the Romans, and Tivi58 (later, Odin) of the Germanic peoples, whose wife was the earth-goddess Jord, mother of Thor. The Hindu earth-mother (Terra mater) was Prithivi. Dyaus is sometimes referred to as a ruddy bull, whose bellowing is the thunder; as the Night heaven he is depicted as a black steed decked with pearls which are the stars; in one of the Vedic hymns reference is made to his “thunderstone”. Prithivi, who is sometimes symbolized as a cow, is the source of all vegetation, the supporter of earth, the female principle. She never assumes the importance of the Assyrian Ishtar, or the north Egyptian “earth-mother” Neith, or the “earth-mothers” of Europe. The Vedic Aryans were Great Father worshippers rather than Great Mother worshippers: their female deities were Night, Dawn, Earth, and the Rivers, but they were not sharply individualized until late; they are vague in the Vedas.
As the Greek Cronus (Roman Saturn) slew his father Urănus (Heaven), so did Indra slay his father Dyaus (Heaven). His earth-mother addresses him, saying: “Who has made thy mother a widow? Who has sought to slay the sleeping and the waking? What deity has been more gracious than thou, since thou hast slain thy father, having seized him by the foot?”59
The Indian father-slaying myth appears to be connected with the doctrine of reincarnation. In the Laws of Manu it is stated that “the husband, after conception by his wife, becomes an embryo and is born again of her; for that is the wifehood of a wife, that he is born again by her”.60 In the famous story of Shakuntălā, the husband is similarly referred to as the son of his wife, the son being a reincarnation of the father.61 This belief resembles the Egyptian conception which is summed up in the phrase “husband of his mother”.62
At the barley harvest in spring and the rice harvest in autumn offerings were made to the gods. A sacrificial cake of the new barley or rice was offered to Indra and Agni, a mess of old grain boiled and mixed with milk and water was given to the other gods, and a cake was also offered to Father Heaven and Mother Earth in which clarified butter was an important ingredient; or the offering might consist entirely of butter, because “clarified butter is manifestly the sap of these two, Heaven and Earth; … he (the offerer) therefore gladdens these two with their own sap or essence”.
The reason for this harvest offering is explained as follows: The gods and the demons contended for supremacy. It chanced that the demons defiled, partly by magic and partly by poison, the plants used by men and beasts, hoping thus to overcome the gods. Men ceased to eat and the beasts stopped grazing; all creatures were about to perish because of the famine.
Said the gods: “Let us rid the plants of this.”
Then they offered sacrifices and “accomplished all that they wanted to accomplish, and so did the Rishis”.
A dispute then arose among the gods as to who should partake of the offerings of the firstfruits—that is, of the new plants which replaced those the demons had poisoned. It was decided to run a race to settle the matter. Indra and Agni won the race and were therefore awarded the cake. These two gods were divine Kshatriyas (noblemen), the others were “common people”. Whatever Kshatriyas conquer, the commoners are permitted to share; therefore the other gods received the mess of old grain.
After the magic spell was removed from the plants by the gods, men ate food and cattle grazed once again. Ever afterwards, at the beginning of each harvest, the first fruits were offered up to Indra and Agni. The fee of the priest was the first-born calf “for that is, as it were, the firstfruits of the cattle”.63
The popular Thunder god of the Vedic period bears a close resemblance to the hard-drinking, kindly, and impulsive Thor, the Teutonic god of few words and mighty deeds, the constant “friend of man” and the inveterate enemy of demons. In the hymns Indra is pictured as a burly man, with “handsome, prominent nose”, “good lips”, and “comely chin”; he is “long-necked, big-bellied, strongly armed”, and has a weakness for ornaments. He is much addicted to drinking “sweet, intoxicating Soma”; he “fills his stomach”; he quaffs “thirty bowls” at a single draught ere he hastens to combat against “hostile air demons”. Sometimes he is placed in a difficulty when two tribes of his worshippers are in conflict: both cry to him for victory, but—
The god giveth victory unto him
Who with generous heart pours out
The draught he thirsts for—
Nor feels regret in giving;
Indra
An old Germanic name of Odin related to Divus. Odin's descendants were the “Tivar”. (Pronounce
See
