them. Not that I was always what I am now. Oh, bless your heart! plums and nectarines, and luscious things that ripen and develop all their rare juices, were green once, and so was I. Awkward, tumble-about, near-sighted, till I was twenty, a real raw-head-and-bloody-bones to all society; then mamma, who was never well in our diving-bell atmosphere, was ordered to the West Indies, and papa said it was what I needed, and I went, too,—and oh, how sea-sick! Were you ever? You forget all about who you are, and have a vague notion of being Universal Disease. I have heard of a kind of myopy that is biliousness, and when I reached the islands my sight was as clear as my skin; all that tropical luxuriance snatched me to itself at once, recognized me for kith and kin; and mamma died, and I lived. We had accidents between wind and water, enough to have made me considerate for others, Lu said; but I don't see that I'm any less careful not to have my bones spilt in the flood than ever I was. Slang? No,—poetry. But if your nature had such a wild, free tendency as mine, and then were boxed up with proprieties and civilities from year's end to year's end, may-be you, too, would escape now and then in a bit of slang.
We always had a little boy to play with, Lu and I, or rather Lu,—because, though he never took any dislike to me, he was absurdly indifferent, while he followed Lu about with a painful devotion. I didn't care, didn't know; and as I grew up and grew awkwarder, I was the plague of their little lives. If Lu had been my sister instead of my orphan cousin, as mamma was perpetually holding up to me, I should have bothered them twenty times more; but when I got larger and began to be really distasteful to his fine artistic perception, mamma had the sense to keep me out of his way; and he was busy at his lessons, and didn't come so much. But Lu just fitted him then, from the time he daubed little adoring blotches of her face on every barn-door and paling, till when his scrap-book was full of her in all fancies and conceits, and he was old enough to go away and study Art. Then he came home occasionally, and always saw us; but I generally contrived, on such occasions, to do some frightful thing that shocked every nerve he had, and he avoided me instinctively as he would an electric torpedo; but—do you believe?—I never had an idea of such a thing, till, when sailing from the South, so changed, I remembered things, and felt intuitively how it must have been. Shortly after I went away, he visited Europe. I had been at home a year, and now we heard he had returned; so for two years he hadn't seen me. He had written a great deal to Lu,—brotherly letters they were,—he is so peculiar,—determining not to give her the least intimation of what he felt, if he did feel anything, till he was able to say all. And now he had earned for himself a certain fame, a promise of greater; his works sold; and if he pleased, he could marry. I merely presume this might have been his thought; he never told me. A certain fame! But that's nothing to what he will have. How can he paint gray, faint, half-alive things now? He must abound in color,—be rich, exhaustless: wild sea-sketches,—sunrise,—sunset,—mountain mists rolling in turbid crimson masses, breaking in a milky spray of vapor round lofty peaks, and letting out lonely glimpses of a melancholy moon,—South American splendors,—pomps of fruit and blossom,—all this affluence of his future life must flash from his pencils now. Not that he will paint again directly. Do you suppose it possible that I should be given him merely for a phase of wealth and light and color, and then taken,—taken, in some dreadful way, to teach him the necessary and inevitable result of such extravagant luxuriance? It makes me shiver.
It was that very noon when papa brought in the amber, that he came for the first time since his return from Europe. He hadn't met Lu before. I ran, because I was in my morning wrapper. Don't you see it there, that cream-colored, undyed silk, with the dear palms and ferns swimming all over it? And all my hair was just flung into a little black net that Lu had made me; we both had run down as we were when we heard papa. I scampered; but he saw only Lu; and grasped her hands. Then, of course, I stopped on the baluster to look. They didn't say anything, only seemed to be reading up for the two years in each other's eyes; but Lu dropped her kid box, and as he stooped to pick it up, he held it, and then took out the ring, looked at her and smiled, and put it on his own finger. The one she had always worn was no more a mystery. He has such little hands! they don't seem made for anything but slender crayons and watercolors, as if oils would weigh them down with the pigment; but there is a nervy strength about them that could almost bend an ash.
Papa's breezy voice blew through the room next minute, welcoming him; and then he told Lu to put up her jewels, and order luncheon, at which, of course, the other wanted to see the jewels nearer; and I couldn't stand that, but slipped down and walked right in, lifting my amber, and saying, "Oh, but this is what you must look at!"
He turned, somewhat slowly, with such a lovely indifference, and let his eyes idly drop on me. He didn't look at the amber at all; he didn't look at me; I seemed to fill his gaze without any action from him, for he stood quiet and passive; my voice, too, seemed to wrap him in a dream,—only an instant; though then I had reached him.
"You've not forgotten Yone," said papa, "who went persimmon and came apricot?"
"I've not forgotten Yone," answered he, as if half asleep. "But who is this?"
"Who is this?" echoed papa. "Why, this is my great West Indian magnolia, my Cleopatra in light colors, my"–
"Hush, you silly man!"
"This is she," putting his hands on my shoulders,—"Miss Giorgione
Willoughby."
By this time he had found his manners.
"Miss Giorgione Willoughby," he said, with a cool bow, "I never knew you."
"Very well, Sir," I retorted. "Now you and my father have settled the question, know my amber!" and lifting it again, it got caught in that curl.
I have good right to love my hair. What was there to do, when it snarled in deeper every minute, but for him to help me? and then, at the friction of our hands, the beads gave out slightly their pungent smell that breathes all through the Arabian Nights, you know; and the perfumed curls were brushing softly over his fingers, and I a little vexed and flushed as the blind blew back and let in the sunshine and a roistering wind;—why, it was all a pretty scene, to be felt then and remembered afterward. Lu, I believe, saw at that instant how it would be, and moved away to do as papa had asked; but no thought of it came to me.
"Well, if you can't clear the tangle," I said, "you can see the beads."
But while with delight he examined their curious fretting, he yet saw me.
I am used to admiration now, certainly; it is my food; without it I should die of inanition; but do you suppose I care any more for those who give it to me than a Chinese idol does for—whoever swings incense before it? Are you devoted to your butcher and milkman? We desire only the unpossessed or unattainable, "something afar from the sphere of our sorrow." But, though unconsciously, I may have been piqued by this manner of his. It was new; not a word, not a glance; I believed it was carelessness, and resolved—merely for the sake of conquering, I fancied, too—to change all that. By-and-by the beads dropped out of the curl, as if they had been possessed of mischief and had held there of themselves. He caught them.
"Here, Circe," he said.
That was the time I was so angry; for, at the second, he meant all it comprehended. He saw, I suppose, for he added at once,—
"Or what was the name of the Witch of Atlas,
'The magic circle of whose voice and eyes
All savage natures did imparadise?'"
I wonder what made me think him mocking me. Frequently since then he has called me by that name.
"I don't know much about geography," I said. "Besides, these didn't come from there. Little Asian—the imp of my name, you remember—owned them."
"Ah?" with the utmost apathy; and turning to my father, "I saw the painting that enslaved
