style="font-size:15px;"> "Yes, yes," said papa, gleefully. "And then why didn't you make me a copy?"
"Why?" Here he glanced round the room, as if he weren't thinking at all of the matter in hand. "The coloring is more than one can describe, though faded. But I don't think you would like it so much now. Moreover, Sir, I cannot make copies."
I stepped towards them, quite forgetful of my pride. "Can't?" I exclaimed. "Oh, how splendid! Because then no other man comes between you and Nature; your ideal hangs before you, and special glimpses open and shut on you, glimpses which copyists never obtain."
"I don't think you are right," he said, coldly, his hands loosely crossed behind him, leaning on the corner of the mantel, and looking unconcernedly out of the window.
Wasn't it provoking? I remembered myself,—and remembered, too, that I never had made a real exertion to procure anything, and it wasn't worth while to begin then, beside not being my forte; things must come to me. Just then Lu reentered, and one of the servants brought a tray, and we had lunch. Then our visitor rose to go.
"No, no," said papa. "Stay the day out with the girls. It's Mayday, and there are to be fireworks on the other bank to-night."
"Fireworks for Mayday?"
"Yes, to be sure. Wait and see."
"It would be so pleasant!" pleaded Lu.
"And a band, I forgot to mention. I have an engagement myself, so you'll excuse me; but the girls will do the honors, and I shall meet you at dinner."
So it was arranged. Papa went out. I curled up on a lounge,—for Lu wouldn't have liked to be left, if I had liked to leave her,—and soon, when he sat down by her quite across the room, I half shut my eyes and pretended to sleep. He began to turn over her work-basket, taking up her thimble, snipping at the thread with her scissors: I see now he wasn't thinking about it, and was trying to recover what he considered a proper state of feeling, but I fancied he was very gentle and tender, though I couldn't hear what they said, and I never took the trouble to listen in my life. In about five minutes I was tired of this playing 'possum, and took my observations.
What is your idea of a Louise? Mine is dark eyes, dark hair, decided features, pale, brown pale, with a mole on the left cheek,—and that's Louise. Nothing striking, but pure and clear, and growing always better.
For him,—he's not one of those cliff-like men against whom you are blown as a feather, I don't fancy that kind; I can stand of myself, rule myself. He isn't small, though; no, he's tall enough, but all his frame is delicate, held to earth by nothing but the cords of a strong will, —very little body, very much soul. He, too, is pale, and has dark eyes with violet darks in them. You don't call him beautiful in the least, but you don't know him. I call him beauty itself, and I know him thoroughly. A stranger might have thought, when I spoke of those copals Rose carved, that Rose was some girl. But though he has a feminine sensibility, like Correggio or Schubert, nobody could call him womanish. "Les races se féminisent." Don't you remember Matthew Roydon's Astrophill?
"A sweet, attractive kind of grace,
A full assurance given by looks,
Continual comfort in a face."
I always think of that flame in an alabaster vase, when I see him; "one sweet grace fed still with one sweet mind"; a countenance of another sphere: that's Vaughan Rose. It provokes me that I can't paint him myself, without other folk's words; but you see there's no natural image of him in me, and so I can't throw it strongly on any canvas. As for his manners, you've seen them;—now tell me, was there ever anything so winning when he pleases, and always a most gracious courtesy in his air, even when saying an insufferably uncivil thing? He has an art, a science, of putting the unpleasant out of his sight, ignoring or looking over it, which sometimes gives him an absent way; and that is because he so delights in beauty; he seems to have woven a mist over his face then, and to be shut in on his own inner loveliness; and many a woman thinks he is perfectly devoted, when, very like, he is swinging over some lonely Spanish sierra beneath the stars, or buried in noonday Brazilian forests, half stifled with the fancied breath of every gorgeous blossom of the zone. Till this time, it had been the perfection of form rather than tint that had enthralled him; he had come home with severe ideas, too severe; he needed me, you see.
But while looking at him and Lu, on that day, I didn't perceive half of this, only felt annoyed at their behavior, and let them feel that I was noticing them. There's nothing worse than that; it is a very upas-breath, it puts on the brakes, and of course a chill and a restraint overcame them till Mr. Dudley was announced.
"Dear! dear!" I exclaimed, getting upon my feet. "What ever shall we do, Lu? I'm not dressed for him." And while I stood, Mr. Dudley came in.
Mr. Dudley didn't seem to mind whether I was dressed in cobweb or sheet-iron; for he directed his looks and conversation so much to Lu, that Rose came and sat on a stool before me and began to talk.
"Miss Willoughby"—
"Yone, please."
"But you are not Yone."
"Well, just as you choose. You were going to say?"
"Merely to ask how you liked the Islands."
"Oh, well enough."
"No more?" he said. "They wouldn't have broken your spell so, if that had been all. Do you know I actually believe in enchantments now?"
I was indignant, but amused in spite of myself.
"Well," he continued, "why don't you say it? How impertinent am I? You won't? Why don't you laugh, then?"
"Dear me!" I replied. "You are so much on the 'subtle-souled-psychologist' line, that there's no need of my speaking at all."
"I can carry on all the dialogue? Then let me say how you liked the
Islands."
"I shall do no such thing. I liked the West Indies because there is life there; because the air is a firmament of balm, and you grow in it like a flower in the sun; because the fierce heat and panting winds wake and kindle all latent color, and fertilize every germ of delight that might sleep here forever. That's why I liked them; and you knew it just as well before as now."
"Yes; but I wanted to see if you knew it. So you think there is life there in that dead Atlantis."
"Life of the elements, rain, hail, fire, and snow."
"Snow thrice bolted by the northern blast, I fancy, by which time it becomes rather misty. Exaggerated snow."
"Everything there is an exaggeration. Coming here from England is like stepping out of a fog into an almost exhausted receiver; but you've no idea what light is, till you've been in those inland hills. You think a blue sky the perfection of bliss? When you see a white sky, a dome of colorless crystal, with purple swells of mountain heaving round you, and a wilderness of golden greens royally languid below, while stretches of a scarlet blaze, enough to ruin a weak constitution, flaunt from the rank vines that lace every thicket, and the whole world, and you with it, seems breaking into blossom,—why, then you know what light is and can do. The very wind there by day is bright, now faint, now stinging, and makes a low, wiry music through the loose sprays, as if they were tense harp-strings. Nothing startles; all is like a grand composition utterly wrought out. What a blessing it is that the blacks have been imported there,—their swarthiness is in such consonance!"
"No; the native race was in better consonance. You are so enthusiastic,
