Christine. Elizabeth von Arnim

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and much esteemed by the rest, detached himself from them and made me a carefully patient speech, in which he said how sorry they all were to see so young and gifted a lady,—(he bowed, and I bowed)—oh yes, he said, raising his hand as though to ward off any modest objections I might be going to make, only I wasn't going to make any, he had heard that I was undoubtedly gifted, and not only gifted but also, he would not be deterred from saying, and he felt sure his colleagues at the table would not be deterred from saying either if they were in his place, a lady of personal attractions,—(he bowed and I bowed,)—how sorry they all were to see a young Fraulein with these advantages, filled at the same time with opinions and views that were not only highly unsuitable to her sex but were also, in any sex, so terribly wrong. Every lady, he said, should have some knowledge of history, and sufficient acquaintance with the three kinds of politics,—Politik, Weltpolitik, and Realpolitik, to enable her to avoid wrong and frivolous conclusions such as the one the young Fraulein had just informed them she had reached, and to listen intelligently to her husband or son when they discuss these matters. He said a great deal more, about a woman knowing these things just enough but not too well, for her intelligence must not be strained because of her supreme function of being the cradle of the race; and the cradle part of her, I gather, isn't so useful if she is allowed to develop the other part of her beyond what is necessary for making an agreeable listener.

      It was no use even trying to explain what I had meant about Germany really being in love with England, because I hadn't got words enough; but that is exactly the impression I've received from my brief experiences of one corner of its life. In this small corner of it, anyhow, it behaves exactly like a woman who is so unlucky as to love somebody who doesn't care about her. She naturally, I imagine,—for I can only guess at these enslavements,—is very much humiliated and angry, and all the more because the loved and hated one—isn't it possible to love and hate at the same time, little mother? I can imagine it quite well—is so indifferent as to whether she loves or hates. And whichever she does, he is polite,—"Always gentleman," as the Germans say. Which is, naturally, maddening.

      Evening.

      Do you know I wrote to you the whole morning? I wrote and wrote, with no idea how time was passing, and was astonished and indignant, for I haven't half told you all I want to, when I was called to dinner. It seemed like shutting a door on you and leaving you outside without any dinner, to go away and have it without you.

      If it weren't for its being my day with you I don't know what I'd do with Sundays. I would hate them. I'm not allowed to play on Sundays, because practising is forbidden on that day, and, as Frau Berg said, how is she to know if I am practising or playing? Besides, it would disturb the others, which of course is true, for they all rest on Sundays, getting up late, sleeping after dinner, and not going out till they have had coffee about five. Today, when I hoped they had all gone out, I had such a longing to play a little that I muted my strings and played to myself in a whisper what I could remember of a very beautiful thing of Ravel's that Kloster showed me the other day,—the most haunting, exquisite thing; and I hummed the weird harmonies as I went along, because they are what is so particularly wonderful about it. Well, it really was a whisper, and I had to bend my head right over the violin to hear it at all whenever a tram passed, yet in five minutes Frau Berg appeared, unbuttoned and heated from her Mittagsruhe, and requested me to have some consideration for others as well as for the day.

      I was very much ashamed of myself, besides feeling as though I were fifteen and caught at school doing something wicked. I didn't mind not having consideration for the day, because I think Ravel being played on it can't do Sunday anything but good, but I did mind having disturbed the other people in the flat. I could only say I was sorry, and wouldn't do it again,—just like an apologetic schoolgirl. But what do you think I wanted to do, little mother? Run to Frau Berg, and put my arms round her neck, and tell her I was lonely and wanting you, and would she mind just pretending she was fond of me for a moment? She did look so comfortable and fat and kind, standing there filling up the doorway, and she wasn't near enough for me to see her eyes, and it is her eyes that make one not want to run to her.

      But of course I didn't run. I knew too well that she wouldn't understand. And indeed I don't know why I should have felt such a longing to run into somebody's arms. Perhaps it was because writing to you brings you so near to me that I realize how far away you are. During the week I work, and while I work I forget; and there's the excitement of my lessons, and the joy of hearing Kloster appreciate and encourage. But on Sundays the day is all you, and then I feel what months can mean when they have to be lived through each in turn and day by day before one gets back to the person one loves. Why are you so dear, my darling mother? If you were an ordinary mother I'd be so much more placid. I wouldn't mind not being with an ordinary mother. When I look at other people's mothers I think I'd rather like not being with them. But having known what it is to live in love and understanding with you, it wants a great deal of persistent courage, the sort that goes on steadily with no intervals, to make one able to do without it.

      Now please don't think I am fretting, will you, because I'm not. It's only that I love you. We're such friends. You always understand, you are never shocked. I can say whatever comes into my head to you. It is as good as saying one's prayers. One never stops in those to wonder whether one is shocking God, and that is what one loves God for,—because we suppose he always understands, and therefore forgives; and how much more—is this very wicked?—one loves one's mother who understands, because, you see, there she is, and one can kiss her as well. There's a great virtue in kissing, I think; an amazing comfort in just touching the person one loves. Goodnight, most blessed little mother, and good-bye for a week. Your Chris.

      Perhaps I might write a little note—not a letter, just a little note,—on Wednesdays? What do you think? It would be nothing more, really, than a postcard, except that it would be in an envelope.

      Berlin, Sunday, June 14th, 1914

      Well, I didn't write on Wednesday, I resisted. (Good morning, darling mother.) I knew quite well it wouldn't be a postcard, or anything even remotely related to the postcard family. It would be a letter. A long letter. And presently I'd be writing every day, and staying all soft; living in the past, instead of getting on with my business, which is the future. That is what I've got to do at this moment: not think too much of you and home, but turn my face away from both those sweet, desirable things so that I may get back to them quicker. It's true we haven't got a home, if a home is a house and furniture; but home to your Chris is where you are. Just simply anywhere and everywhere you are. It's very convenient, isn't it, to have it so much concentrated and so movable. Portable, I might say, seeing how little you are and how big I am.

      But you know, darling mother, it makes it easier for me to harden and look ahead with my chin in the air rather than over my shoulder back at you when I see, as I do see all day long, the extreme sentimentality of the Germans. It is very surprising. They're the oddest mixture of what really is a brutal hardness, the kind of hardness that springs from real fundamental differences from ours in their attitude towards life, and a squashiness that leaves one with one's mouth open. They can't bear to let a single thing that has happened to them ever, however many years ago, drop away into oblivion and die decently in its own dust. They hold on to it, and dig it out that day year and that day every year, for years apparently,—I expect for all their lives. When they leave off really feeling about it—which of course they do, for how can one go on feeling about a thing forever?—they start pretending that they feel. Conceive going through life clogged like that, all one's pores choked with the dust of old yesterdays. I picture the Germans trailing through life more and more heavily as they grow old, hauling an increasing number of anniversaries along with them, rolling them up as they go, dragging at each remove a lengthening chain, as your dear Goldsmith says,—and if he didn't, or it wasn't, you'll rebuke me and tell me who did and what it was, for you know I've no books here, except those two that are married as securely on one's tongue as Tennyson and Browning, or Arnold Bennet and his, I imagine reluctant, bride, H. G. Wells,—I mean Shakespeare and the Bible.

      I went into

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