surrounding the western vestibule is still in place.2
Still, as these were strictly decorations, and wholly subordinate to the organic parts of the structure, their presence, while it would doubtless greatly enhance the effect of the whole, is not felt to be essential to its completeness. The whole Doric columns still bear the massive entablature sheltered by the covering roof. The simple greatness of the conception, the just proportion of the several parts, together with the elaborate finishing of the whole work, invest it with a charm such as the works of man seldom possess—the pure and lasting pleasure which flows from apparent perfection Entering the principal apartment of the building, traces are seen of the stucco and pictures with which the walls were covered when it was fitted up as a Christian church in the Byzantine period. Near the centre of the marble pavement is a rectangular space laid with dark stone from the Peirseus or from Eleusis. It marks the probable site of the colossal precious statue of the goddess in gold and ivory—one of the most celebrated works of Phidias. The smaller apartment beyond, accessible only from the opposite front of the temple, was used by the state as a place of deposit and safekeeping for bullion and other valuables in the care of the state treasurer.
Having examined the great temple, and tested the curvature of its seemingly horizontal lines by sighting along the unencumbered platform, and having stopped at several points of the grand portico to admire the fine views of the city and surrounding country, the traveler picks his way northward, across a thick layer of fragments of columns, statues and blocks of marble, toward the low-placed, irregular but elegant Erechtheum, the temple of the most ancient worship and statue of the patron-goddess of the city. This building sits close by the northern as the Parthenon does by the southern wall of the enclosure. It has suffered equally with the other from the ravages of time, and its ruins, though less grand, are more beautiful. Most of the graceful Ionic columns are still standing, but large portions of the roof and entablature have fallen. Fragments of decorated cornice strew the ground, some of them of considerable length, and afford a near view of that delicate ornamentation and exquisite finish so rare outside the limits of Greece. The elevated porch of the Caryatides, lately restored by the substitution of a new figure in place of the missing statue now in the British Museum, attracts attention as a unique specimen of Greek art, and also as showing how far a skillful treatment will overcome the inherent difficulties of a subject. The row of fair maidens looking out toward the Parthenon do not seem much oppressed by the burden which rests upon them, while their graceful forms lend a pleasing variety to the scene. Passing out by the northern wing of the Propylaea, a survey is had of the numerous fragments of sculpture discovered among the ruins upon the hill, and temporarily placed in the ancient Pinacotheca. The eye rests upon sweet infant faces and upon rugged manly ones. Sometimes a single feature only remains, which, touched by the finger of genius, awakens admiration. A naked arm severed from the trunk, of feminine cast, but with muscles tightly strained and hand clenched as in agony, will arrest attention and dwell in the memory.
North-west of the Acropolis, across a narrow chasm, lies the low, rocky height of the Areopagus, accessible at the southeast angle by a narrow flight of sixteen rudely-cut steps, which lead to a small rectangular excavation on the summit, which faces the Acropolis, and is surrounded upon three sides by a double tier of benches hewn out of the rock. Here undoubtedly the most venerable court of justice at Athens had its seat and tried its cases in the open air. Here too, without doubt, stood the great apostle when, with bold spirit and weighty words, he declared unto the men of Athens that God of whom they confessed their ignorance; who was not to be represented by gold or silver or stone graven by art and man's device; who dwelt not in temples made with hands, and needed not to be worshiped with men's hands. In no other place can one feel so sure that he comes upon the very footsteps of the apostle, and on no other spot can one better appreciate his high gifts as an orator or the noble devotion of his whole soul to the work of the Master. How poor in comparison with his life-work appear the performances of the greatest of the Athenian thinkers or doers!
A little more than a quarter of a mile west of the Acropolis is another rocky hill—the Pnyx—celebrated as the place where the assembly of all the citizens met to transact the business of the state. A large semicircular area was formed, partly by excavation, partly by building up from beneath, the bounds of which can be distinctly traced. Considerable remains of the terrace-wall at the foot of the slope exist—huge stones twelve or fourteen feet in length by eight or ten in breadth. The chord of the semicircle is near the top of the hill, formed by the perpendicular face of the excavated rock, and is about four hundred feet in length by twenty in depth. Projecting from it at the centre, and hewn out of the same rock, is the bema or stone platform from which the great orators from the time of Themistocles and Aristides, and perhaps of Solon, down to the age of Demosthenes and the Attic Ten, addressed the mass of their fellow-citizens. It is a massive cubic block, with a linear edge of eleven feet, standing upon a graduated base of nearly equal height, and is mounted on either side by a flight of nine stone steps. From its connection with the most celebrated efforts of some of the greatest orators our race has yet seen, it is one of the most interesting relics in the world, and its solid structure will cause it to endure as long as the world itself shall stand, unless, as there is some reason to apprehend will be the case, it is knocked to pieces and carried off in the carpet-bags of travelers. No traces of the Agora, which occupied the shallow valley between the Pnyx and the Acropolis, remain. It was the heart of the city, and was adorned with numerous public buildings, porticoes, temples and statues. It was often thronged with citizens gathered for purposes of trade, discussion, or to hear and tell some new thing.
Half a mile or more to the south-east, on the banks of the Ilissus, stood a magnificent structure dedicated to Olympian Zeus—one of the four largest temples of Greece, ranking with that of Demeter at Eleusis and that of Diana at Ephesus. Its foundations remain, and sixteen of the huge Corinthian columns belonging to its majestic triple colonnade. One of these is fallen. Breaking up into the numerous disks of which it was composed—six and a half feet in diameter by two or more in thickness—and stretching out to a length of over sixty feet, it gives an impressive conception of the size of these columns, said to be the largest standing in Europe. The level area of the temple is now used as a training-ground for soldiers. Close by, and almost in the bed of the stream, which is dry the larger part of the year, issues from beneath a ledge of rock the copious fountain of sweet waters known to the ancients as Calirrhoe. It furnished the only good drinking-water of the city, and was used in all the sacrifices to the gods. A little way above, on the opposite bank of the Ilissus, is the site of the Panathenaic stadium, whose shape is perfectly preserved in the smooth grass-grown hollow with semicircular extremity which here lies at right angles to the stream, between parallel ridges partly artificial.
Northward from the Acropolis, on a slight elevation, is the best-preserved and one of the most ancient structures of Athens—the temple of Theseus, built under the administration of Cimon by the generation preceding Pericles and the Parthenon. It is of the Doric order, and shaped like the Parthenon, but considerably inferior to it in size as well as in execution. It has been roofed with wood in modern times, and was long used as a church, but is now a place of deposit for the numerous statues and sculptured stones of various kinds—mostly sepulchral monuments—which have been recently discovered in and about the city. They are for the most part unimportant as works of art, though many are interesting from their antiquity or historic associations. Among these is the stone which once crowned the burial-mound on the plain of Marathon. It bears a single figure, said to represent the messenger who brought the tidings of victory to his countrymen.
Near the Theseium was the double gate (Dipylum) in the ancient wall of the city whence issued the Sacred Way leading to Eleusis, and bordered, like the Appian Way at Rome, with tombs, many of them cenotaphs of persons who died in the public service and were deemed worthy of a monument in the public burying-ground. Within a few years an excavation has been made through an artificial mound of ashes, pottery and other refuse emptied out of the city, and a section of a few rods of this celebrated road has been laid bare. The sepulchral monuments are ranged on one side rather thickly, and crowd somewhat closely upon the narrow pavement. They are, for the most part, simple, thick slabs of white marble, with a triangular or pediment-shaped top, beneath which
Among the figures of this bas-relief, twelve are recognized by their lofty stature and sitting posture as those of divinities. One group is represented in the engraving.
