International Miscellany of Literature, Art and Science, Vol. 1. Various

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International Miscellany of Literature, Art and Science, Vol. 1 - Various

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all in white, upon a violet bank

        I saw thee half reclining; while the moon

        Fell on upturn'd faces of these roses,

        And on thine own, upturn'd—alas, in sorrow!

        "Was it not Fate, that, on this July midnight—

        Was it not Fate, (whose name is also Sorrow,)

        That bade me pause before the garden-gate,

        To breathe the incense of those Slumbering roses?

        No footstep stirred; the hated world all slept,

        Save only thee and me. (Oh, Heaven!—oh, God!

        How my heart beats in coupling those two words!)

        Save only thee and me. I paused—I looked—

        And in an instant all things disappeared.

        (Ah, bear in mind this garden was enchanted!)

        The pearly luster of the moon went out:

        The mossy banks and the meandering paths,

        The happy flowers and the repining trees,

        Were seen no more: the very roses' odors

        Died in the arms of the adoring airs,

        All—all expired save thee—save less than thou:

        Save only the divine light in thine eyes—

        Save but the soul in thine uplifted eyes.

        I saw but them—they were the world to me.

        I saw but them—saw only them for hours—

        Saw only them until the moon went down.

        What wild heart histories seemed to lie enwritten

        Upon those crystalline celestial spheres!

        How dark a woe! yet how sublime a hope!

        How silently serene a sea of pride!

        How daring an ambition! Yet how deep—

        How fathomless a capacity for love!

        "But now, at length, dear Dian sank from sight

        Into a western couch of thunder-cloud;

        And thou, a ghost, amid the entombing trees

        Didst glide away. Only thine eyes remained.

        They would not go—they never yet have gone.

        Lighting my lonely pathway home that night,

        They have not left me (as my hopes have) since.

        They follow me—they lead me through the years

        They are my ministers—yet I their slave.

        Their office is to illumine and enkindle—

        My duty, to be saved by their bright light,

        And purified in their electric fire,

        And sanctified in their elysian fire.

        They fill my soul with Beauty (which is Hope,)

        And are far up in Heaven—the stars I kneel to

        In the sad, silent watches of my night;

        While even in the meridian glare of day

        I see them still—two sweetly scintillant

        Venuses, unextinguished by the sun!"

      They were not married, and the breaking of the engagement affords a striking illustration of his character. He said to an acquaintance in New York, who congratulated with him upon the prospect of his union with a person of so much genius and so many virtues—"It is a mistake: I am not going to be married." "Why, Mr. Poe, I understand that the bans have been published." "I cannot help what you have heard, my dear Madam: but mark me, I shall not marry her." He left town the same evening, and the next day was reeling through the streets of the city which was the lady's home, and in the evening—that should have been the evening before the bridal—in his drunkenness he committed at her house such outrages as made necessary a summons of the police. Here was no insanity leading to indulgence: he went from New York with a determination thus to induce an ending of the engagement; and he succeeded.

      Sometime in August, 1849, Mr. Poe left New York for Virginia. In Philadelphia he encountered persons who had been his associates in dissipations while he lived there, and for several days he abandoned himself entirely to the control of his worst appetites. When his money was all spent, and the disorder of his dress evinced the extremity of his recent intoxication, he asked in charity means for the prosecution of his journey to Richmond. There, after a few days, he joined a temperance society, and his conduct showed the earnestness of his determination to reform his life. He delivered in some of the principal towns of Virginia two lectures, which were well attended, and renewing his acquaintance with a lady whom he had known in his youth, he was engaged to marry her, and wrote to his friends that he should pass the remainder of his days among the scenes endeared by all his pleasantest recollections of youth.

      On Thursday, the 4th of October, he set out for New York, to fulfill a literary engagement, and to prepare for his marriage. Arriving in Baltimore he gave his trunk to a porter, with directions to convey it to the cars which were to leave in an hour or two for Philadelphia, and went into a tavern to obtain some refreshment. Here he met acquaintances who invited him to drink; all his resolutions and duties were soon forgotten; in a few hours he was in such a state as is commonly induced only by long-continued intoxication; after a night of insanity and exposure, he was carried to a hospital; and there, on the evening of Sunday, the 7th of October, 1849, he died, at the age of thirty-eight years.

      It is a melancholy history. No author of as much genius had ever in this country as much unhappiness; but Poe's unhappiness was in an unusual degree the result of infirmities of nature, or of voluntary faults in conduct. A writer who evidently knew him well, and who comes before us in the "Southern Literary Messenger" as his defender, is "compelled to admit that the blemishes in his life were effects of character rather than of circumstances."7 How this character might have been modified by a judicious education of all his faculties I leave for the decision of others, but it will be evident to those who read this biography that the unchecked freedom of his earlier years was as unwise as its results were unfortunate.

      It is contended that the higher intelligences, in the scrutiny to which they appeal, are not to be judged by the common laws; but I apprehend that this doctrine, as it is likely to be understood, is entirely wrong. All men are amenable to the same principles, to the extent of the parallelism of these principles with their experience; and the line of duty becomes only more severe as it extends into the clearer atmosphere of truth and beauty which is the life of genius. De mortuis nil nisi bonum is a common and an honorable sentiment, but its proper application would lead to the suppression of the histories of half of the most conspicuous of mankind; in this case it is impossible on account of the notoriety of Mr. Poe's faults; and it would be unjust to the living against whom his hands were always raided and who had no resort but in his outlawry from their sympathies. Moreover, his career is full of instruction and warning, and it has always been made a portion of the penalty of wrong that its anatomy should be displayed for the common study and advantage.

      The character of Mr. Poe's genius has been so recently and so admirably discussed by Mr. Lowell, with whose opinions on the subject I for the most part agree, that I shall say but little of it here, having already extended this notice beyond the limits at first designed. There is a singular harmony between his personal and his literary qualities. St. Pierre, who seemed to be without any nobility in his own nature, in his writings appeared to be moved only by the finest and highest impulses. Poe exhibits scarcely any virtue in either his life or his writings.

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<p>7</p>

Southern Literary Messenger, March, 1850, p. 179.