Hinduism and Buddhism, An Historical Sketch, Vol. 2. Charles Eliot

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Hinduism and Buddhism, An Historical Sketch, Vol. 2 - Charles Eliot

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translated into Chinese by Hsüan Chuang is said to consist of 200,000 verses and to comprise sixteen different sutras.130 The earliest translation of one of these treatises into Chinese (Nanjio, 5) was made about 170 A.D. and everything indicates that portions of the Prajñâ-pâramitâ are among the earliest Mahayanist works and date from about the first century of our era. Prajñâ not only means knowledge of the absolute truth, that is to say of śûnyatâ or the void, but is regarded as an ontological principle synonymous with Bodhi and Dharma-kâya. Thus Buddhas not only possess this knowledge in the ordinary sense but they are the knowledge manifest in human form, and Prajñâ is often personified as a goddess. All these works lay great stress on the doctrine of śûnyatâ, and the non-existence of the world of experience. The longest recension is said to contain a polemic against the Hinayana.

      The Diamond Cutter is one of the best known of these transcendental treatises and the two short works called Heart of the Prajñâ-pâramitâ, which are widely read in Japan, appear to be brief abstracts of the essence of this teaching.

      2. The Saddharma-Puṇḍarîka, or Lotus of the Good Law,131 is one of the best known Mahayanist sutras and is highly esteemed in China and Japan. It purports to be a discourse delivered by Śâkyamuni on the Vulture Peak to an assemblage of Bodhisattvas. The Lotus clearly affirms the multiplicity of vehicles, or various ways of teaching the law, and also the eternity of the Buddha, but it does not emphasize, although it mentions, the doctrine of śûnyatâ. The work consists of two parts of which the second (chaps. XXI-XXVI) is a later addition. This second part contains spells and many mythological narratives, including one of an ancient Bodhisattva who burnt himself alive in honour of a former Buddha. Portions of the Lotus were translated into Chinese under the Western Tsin Dynasty 265-316 A.D. and it is quoted in the Mahâ-prajñâ-pâramitâ-śâstra ascribed to Nâgârjuna.132 The first part is probably not later than the first century A.D. The Lotus is unfortunately accessible to English readers only in a most unpoetic translation by the late Professor Kern, but it is a great religious poem which starting from humanity regards religion as cosmic and universal, rather than something mainly concerned with our earth. The discourses of Śâkyamuni are accompanied in it by stupendous miracles culminating in a grand cosmic phantasmagoria in which is evoked the stupa containing the body of a departed Buddha, that is a shrine containing the eternal truth.

      3. The Lalita-vistara133 is a life of Śâkyamuni up to the commencement of his mission. Though the setting of the story is miraculous and Buddhas and Bodhisattvas innumerable are freely spoken of, yet the work does not enunciate the characteristic Mahayanist doctrines so definitely as the other treatises here enumerated. It is said to have originally belonged to the school of the Sarvâstivâdins and to have been subsequently accepted by the Mahayanists, and though it is not an epic but a collection of ballads and legends, yet it often reads as if it were a preliminary study for Aśvaghosha's Buddhacarita. It contains Sanskrit versions of old legends, which are almost verbal renderings of the Pali text, but also new material and seems to be conscious of relating novelties which may arouse scepticism for it interrupts the narrative to anathematize those who do not believe in the miracles of the Nativity and to extol the merits of faith (śraddhâ not bhakti). It is probably coeval with the earlier Gandharan art but there are no facts to fix its date.134

      4. The Lankâvatâra135 gives an account of the revelation of the good Law by Śâkyamuni when visiting Lanka. It is presumably subsequent to the period when Ceylon had become a centre of Buddhism, but the story is pure fancy and unconnected with history or with older legends. It relates how the Buddha alighted on Mt. Malaya in Lanka. Ravana came to pay his respects and asked for definitions of virtue and vice which were given. The Bodhisattva Mahâmati (apparently Mañjuśrî) proceeded to propound a series of more abstruse questions which are answered at considerable length. The Lankâvatâra represents a mature phase of speculation and not only criticizes the Sânkhya, Pâsupata and other Hindu schools, but is conscious of the growing resemblance of Mahayanism to Brahmanic philosophy and tries to explain it. It contains a prophecy about Nâgârjuna and another which mentions the Guptas, and it appears to allude to the domination of the Huns. This allusion would make its date as late as the sixth century but a translation into Chinese which is said to correspond with the Sanskrit text was made in 513. If so the barbarians referred to cannot be the Huns. An earlier translation made in 443 does not agree with our Sanskrit text and perhaps the work existed in several recensions.

      5. The Suvarṇa-prabhâsa or Glitter of Gold136 is a Vaipulya sûtra in many ways resembling the Lotus. It insists on the supernatural character of the Buddha. He was never really born nor entered into Nirvana but is the Dharma-kâya. The scene is laid at Râjagṛiha and many Brahmanic deities are among the interlocutors. It was translated into Chinese about 420 A.D. and fragments of a translation into Uigur have been discovered in Turkestan.137 The contents comprise philosophy, legends and spells.

      6. Gaṇḍa-vyûha138 or the Structure of the World, which is compared to a bubble. The name is not found in the catalogue of the Chinese Tripitaka but the work is said to be the same as the Avataṃsaka sûtra which is popular in the Far East under the name of Hua-yên in China or Ke-gon in Japan. The identity of the two books could not have been guessed from the extracts and analyses which have been published but is guaranteed by high authorities.139 It is possible however that the Gaṇḍa-vyûha is only a portion of the larger work called Avataṃsaka. So far as can be judged from the extracts, this text preaches in a fully developed form, the doctrines of Śûnyatâ, Dharma-kâya, the omnipresence of the Buddha and the redemption of the world by the exertions of Bodhisattvas. Yet it seems to be early, for a portion of it was translated into Chinese about 170 A.D. (Nanjio, 102) and about 405 Kumârajîva translated a commentary on it ascribed to Nâgârjuna (Nanjio, 1180).

      7. Tathâgata-guhyaka. This work is known by the analysis of Rajendralala Mitra from which it appears to be a Tantra of the worst class and probably late. Its proper title is said to be Śrîguhyasamaja. Watanabe states that the work catalogued by Nanjio under No. 1027 and translated into Chinese about 1000 A.D. is an expurgated version of it. The Śikshâsamuccaya cites the Tathâgata-guhya-sûtra several times. The relations of these works to one another are not quite clear.

      8. Samâdhirâja140 is a Vyâkaraṇa or narrative describing different forms of meditation of which the Samâdhirâja is the greatest and best. The scene is laid on the Vulture's Peak and the principal interlocutors are Śâkyamuni and Candraprabha, a rich man of Râjagṛiha. It appears to be the same as the Candrapradîpa-sûtra and is a complete and copious treatise, which not only expounds the topic from which it takes its name but incidentally enumerates the chief principles of Mahayanism. Watanabe141 states that it is the Yüeh-têng-san-mei-ching (Nanjio, 191) translated about 450 and again in 557 A.D.

      9. Daśabhûmîśvara.142 An account of the ten stages in the career of a Bodhisattva before he can attain to Buddhahood. The scene is laid in the paradise of Indra where Śâkyamuni was temporarily sojourning and the principal interlocutor is a Bodhisattva named Vajragarbha. It is said to be the same as the Daśabhûmika-sûtra first translated into Chinese about 300 A.D. (Nanjio, 105 and 110) but this work appears to be merely a portion of the Gaṇḍa-vyûha or Avataṃsaka mentioned above.

      These nine works are all extant in Sanskrit and are known in Nepal as the nine Dharmas, the word Dharma being an abbreviation for Dharmaparyâya, revolution or exposition of the law, a term frequently used in the works themselves to describe a comprehensive

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<p>130</p>

See Walleser, Prajñâ-pâramitâ in Quellen der Religionsgeschichte, pp. 15 ff. S.B.E. XLIX. Nanjio, Catalogue Nos. 1-20 and Rajendralala Mitra's Nepalese Buddhist Literature, pp. 177 ff. Versions are mentioned consisting of 125,000 verses, 100,000 verses, 25,000 verses, 10,000 verses and 8,000 verses respectively. (Similarly at the beginning of the Mahâbhârata we are told that the Epic consists of 8,800 verses, of 24,000 and of 100,000.) Of these the last or Ashṭasâhasrikâ has been published in the Bibliotheca Indica and the second or Śatasâhasrikâ is in process of publication. It is in prose, so that the expression "verses" appears not to mean that the works are Gâthâs. A Khotanese version of the Vajracchedikâ is edited in Hoernle's Manuscript Remains by Sten Konow. The Sanskrit text was edited by Max Müller in Anecdota Oxoniensia.

<p>131</p>

The Sanskrit text has been edited by Kern and Nanjio in Bibliotheca Buddhica; translated by Burnouf (Le Lotus de la bonne Loi), 1852 and by Kern (Saddharma-Puṇḍarîka) in S.B.E. vol. XXI.

<p>132</p>

There appears to have been an earlier Chinese version of 255 A.D. but it has been lost. See Nanjio, p. 390. One of the later Chinese versions alludes to the existence of two recensions (Nanjio, No. 139). See B.E.F.E.O. 1911, p. 453. Fragments of a shorter and apparently earlier recension of the Lotus have been discovered in E. Turkestan. See J.R.A.S. 1916, pp. 269-277.

<p>133</p>

Edited by Rajendralala Mitra in the Bibliotheca Indica and partially translated in the same series. A later critical edition by Lefmann, 1902-8.

<p>134</p>

The early Chinese translations seem doubtful. One said to have been made under the later Han has been lost. See Nanjio, No. 159.

<p>135</p>

See Burnouf, Introduction, pp. 458 ff. and J.R.A.S. 1905, pp. 831 ff. Rajendralala Mitra, Nepalese Buddhist Literature, p. 113. A brief analysis is given in J.A.S.B. June, 1905 according to which the sûtra professes to be the work of a human author, Jina of the clan of Kâtyâyana born at Campâ. An edition of the Sanskrit text published by the Buddhist Text Society is cited but I have not seen it. Chinese translations were made in 443 and 515 but the first is incomplete and does not correspond with our Sanskrit text.

<p>136</p>

Abstract by Rajendralala Mitra, Nepalese Buddhist Lit. p. 241.

<p>137</p>

See Nanjio, No. 127 and F.W.K. Muller in Abhandl. der K. Preuss. Akad. der Wissenschaften, 1908. The Uigur text is published in Bibliotheca Buddhica, 1914. Fragments of the Sanskrit text have also been found in Turkestan.

<p>138</p>

Abstract by Raj. Mitra, Nepalese Buddhist Lit. pp. 90 ff. The Śikshâsamuccaya cites the Gaṇḍa-vyûha several times and does not mention the Avataṃsaka.

<p>139</p>

The statement was first made on the authority of Takakusu quoted by Winternitz in Ges. Ind. Lit. II. i. p. 242. Watanabe in J.R.A.S. 1911, 663 makes an equally definite statement as to the identity of the two works. The identity is confirmed by Pelliot in J.A. 1914, II. pp. 118-121.

<p>140</p>

Abstract by Raj. Mitra, Nepalese Buddhist Lit. pp. 81 ff. Quoted in Śântideva's Bodhicaryâvatâra, VIII. 106.

<p>141</p>

See J.R.A.S. 1911, 663.

<p>142</p>

Abstract by Raj. Mitra, Nepalese Buddhist Lit. pp. 81 ff.